Paint Paintings

Jan van Gelder, Italianised as Giovanni Vangheldri (Antwerp 1621 – Modena 1685) Portrait of the Duchess Vittoria Farnese d'Este (Parma, 1618 – Modena, 1649) wife of Francesco I d'E...

Artist: Slonem, Hunt Title: Whydahs in Blue Date: 2024 Medium: Oil on wood Unframed Dimensions: 21.5" x 29.5" Framed Dimensions: 25" x 33" Signature: Si...

This artwork makes part of my series dedicated to the scenes of a summer period. This floral painting called "Sweet memories" is done in an expressive impressionist style. Floral ...

Jean-Baptiste Oudry (Paris 1686 - Beauvais 1755) circle of - Hunting scene with greyhounds. 21 x 27 cm without frame, 26 x 32 cm with frame. Antique oil painting on panel, in a car...

2074, 2022 by Salvatore Arnone From the ONE series Ink and acrylic on canvas Image size: 90 H x 90 W cm. Unframed Unique Despite photography remains his main form of expression, the...

Charming Rural French Village by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 15 x 18 inches condition: This painting is in excellent conditi...

Ivan Guayasamin, Colombian - Meditacion Kowa, Year: 1998, Medium: Acrylic on on Unstretched Canvas, signed, Size: 56.5 x 69 in. (143.51 x 175.26 cm)

The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...

Springtime Hillside Oil/Panel 11 x 14 image 18.75 x 21.75 framed An oil painting on canvas panel that showcases the beautiful light shinning on a Springtime Hillside. Painted on loc...

Gloriuos Light is a seascape oil painting on panel by Chesterfield, NJ artist, Michael Budden framed in silver. Image is 8 x 10 unframed, 13.5 x 15.5 framed ARTIST/SELLERS STATEMENT...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Dejame - original abstract acrylic canvas painting. framed , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in t...

Anonymous, Cuzco School A Portrait of Archangel Raphael With Fish oil on canvas 1800s canvas dimensions 22.24 x 15.74 inches (56.5 x 40 cm) frame ...

At the beach is an artwork realized by Aldo Riso. Mixed colored tempera and watercolor painting. Titled on lower left. Frame included: 70.5 x 91.5 cm This beautiful mixed media...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

Pocket Purple Pink Crocus is an original oil painting by Dani Humberstone as part of her small scale realistic oil paintings, with a nod to baroque still life painting. The paintings...

Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...

Artist/ School: 17th Century Italian School Title: The Presentation of the Virgin in the Temple Medium: oil painting on canvas, framed Size: canvas: 21” x 16” (53.3 x 40.8cm) Pro...

ARIA OF OPERA ELEVEN 2025 Paris, France This painting suggests a connection to performance, something both grand and fleeting. Made with black paint on stretched antique French line...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

A vast, stormy cloud advances through an azure sky in this moody landscape by Jay Hodgins. Layers of curated colors coated in a glossy resin create depth and light in this atmospheri...

A feature of this exquisitely rendered oil on panel portrait, presented by Titan FIne Art, is its remarkable seventeenth century carved auricular / Sunderland frame...

As spring awakens, the landscape comes alive with vibrant colors and gentle sounds. A crystal-clear river meanders through the scene, its surface shimmering under the soft sunlight. ...

Modern impressionist style figurative painting of a family in a colorful park landscape “Park Spring” painted by William Clutz in 1996 60 x 50 inches in a natural wood floater frame Wire backing, signed lower right This figurative oil on canvas painting was made in 1996 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. In this piece, Clutz captures a joyful moment of a mother and father walking in a sunlit park landscape with their young child. Bright sunlight radiates through lush fall foliage and fills the scene with a soft orange light. With broad, expressionistic brushstrokes, he discovers the extraordinary in the ordinary, by emphasizing the effects of sunlight on the human form. The painting is in excellent condition and is framed in a natural wood floater frame. More about the artist: In New York in the early 50's and 60's, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Artist/ School: Singleton Jowett (1878–1927), signed Title: Pausing for Refreshments Medium: oil on canvas, framed Framed: 24 x 20 inches Canvas: 2...

The French Coastline and Beach by Michel Kritz (French 1925-1994) signed / dated 65' signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France cond...

Title: Historic Miniature Watercolor of Historic Toll Bridge at Bathampton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Bathampton Toll Bridge, a charming historic landmark nestled along the Kennet and Avon Canal near Bath, England. Bathampton, a picturesque village, is known for its scenic waterways, Georgian heritage, and tranquil rural charm. Grunwell’s use of warm golden hues for the tollhouse and the reflective shimmer of the water creates a sense of nostalgia and serenity. The architecture, with its distinctive red roof and Georgian-style windows, showcases the character of 18th and 19th-century buildings that once served as essential river crossings for travelers and traders. Bathampton is steeped in history, with connections to Jane Austen, the Kennet and Avon Canal, and the grandeur of Bath’s Georgian architecture. This scene perfectly encapsulates the timeless beauty of the English countryside, making it an ideal piece for collectors who appreciate historic British landscapes, waterways, and heritage architecture. Key Features: Historical Significance: Depicts Bathampton’s Toll Bridge and historic tollhouse, an important local landmark. Rich Color Palette: Warm ochres, deep greens, and soft blues create a beautifully balanced composition. Architectural Charm: The traditional riverside building with Georgian influences adds to its period authenticity. Tranquil Setting: A peaceful riverside view, ideal for lovers of English countryside art...

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Saint Michael Archangel Guido Reni (Bologna 1575 - 1642) Workshop/Follower of 17th-18th century Oil on canvas (104 x 68 cm. - In frame 109 x 68 cm.) This high quality painting is b...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Oil on wood sold with original red framing Total size with the frame 115x136 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contempo...

La Cote d' Azur French School, mid 20th century signed oil on canvas, framed framed: 25 x 43 inches canvas: 20 x 36.5 inches Provenance: Private collection, France Condition: Good co...

"The Toreador" Pierre Ambrogiani (France, 1905-1985) Oil on canvas Circa 1950's  28 1/4 x 20 3/4 (31 1/4 x 23 3/4 frame) inches If the artists Diego Velázquez (Spain, 1599-1660) and...

This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

ARTIST: Signed indistinctly lower left (mid 20th Century) French School TITLE: "Paris River Seine Street Scene" SIGNED: Lowe left MEDIUM: oil on canvas SIZE: 69cm x 52cm inc frame C...

Stunning original oil painting by Elvic Steele depicting this surrealist fantasy abstract painting. Elvic Steele is a fascinating English painter. Her works entrance the observer, d...

This painting of lilacs will fill your home with a magical fragrance and warm memories. It will take you back to your childhood, reminding you of t...

This exquisite acrylic painting on paper draws inspiration from the modernist masters of the 1950s, 60s, and 70s, featuring a refined composition of organic, gem-like shapes. The art...

Harbor Scene Circle of Claude Joseph Vernet (French, 1714-1789) oil painting on canvas, framed in antique gilt frame framed: 20.5 x 25.5 canvas: 19 x 23.5 inches condition: very good...

Mark Bradley Schwartz's (US based) "Back View 11" is an original, handmade oil painting that depicts the nude back of a brunette woman sitting in a chair with white fabric delicately...

Unsigned. Presented in a wooden frame. Acquired from auction with Christie's provenance attached to one of the frame. On board.

Traditional Oil Painting of the English Countryside with Horses & Ploughman by 20th Century Modern British Artist, James Wright. Art measures 30 x 16 inches Frame measures 36 x 22 ...

Portrait in bright colors and shapes

Pink Blooming Flowers Signed by Fanch Lel ( French School) Oil painting on board, unframed Board: 16 x 13 inches Dated verso 1939 Condition: The painting is in good condition, with...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

The Studio Model French Impressionist artist, circa 1890's oil on canvas: 27.5 x 16.5 inches provenance: private collection, France condition: very good and sound condition

Antique American school modernist watermelon still life pastel painting. Pastel on paper. Signed. Framed. Measuring 18 by 22 inches overall and 16 by 20 painting alone.

Oil painting on canvas featuring a mosaic of red, orange, and yellow tones, interspersed with abstract and representational elements and rich texture that imparts depth. It is create...

Woodland Light French School, circa 1960's Post Impressionist/ Pointillist style oil on board, unframed board: 16 x 10 inches provenance: private collection, France condition: very g...

Technical Sheet Author: Rosendo González Carbonell Title: Female Nude Technique: Oil on canvas Dimensions: 24 x 20 inches Condition: Unframed Style: Figurative, realistic...

The Old Town, Nice Tony Minartz (French, 1873 - 1994) signed lower corner watercolour on artist paper painting : 16.5 x 13 inches Provenance: private collection in the South of Fr...

Hunt Slonem "Stanford" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is fra...