Plastic Paintings

Mare Nostrum (Abstract Painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Pierre Auville works with construction cement. Applying techniques ...

Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured time passing by documenting the chang...

One Dimanche (Abstract painting) Pigmented cement on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and ship building i...

Greens (Abstract Painting) Acrylic on acrylic panel - Unframed Each panel is 9 inches square. They hang from a cleat system which makes them appear to “float” off the wall .25 of a...

Memory of Spring (Abstract painting) Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a triptych which could be hung on a wall (cleat system supplied) or displayed...

Present Recorded (Abstract painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured...

Lichen memory 2 (Abstract Painting) Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigat...

Storm Horizontal 82 (Abstract drawing) Graphite and color pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and S...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

Maelstrom Series 77 (Abstract drawing) Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Matt Latham charcoal on mylar 60h x 40w in 152.40h x 101.60w cm MBG011 FRAMED DIMENSIONS 62h x 42w x 2.25d in 157.48h x 106.68w x 5.71d cm [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and time...

Acrylic on acrylic panel - Unframed Each panel is 9 inches square. They hang from a cleat system which makes them appear to “float” off the wall .25 of an inch. In this ongoing ser...

Charcoal/ash/soot/acrylic on gallery wrapped canvas with sides finished black Natasha Miller is a self taught artist who was born and raised on Vancouver Island but now lives on a tiny island in the Bay of Fundy. Natasha has pioneered and specializes in a unique painting technique where she creates black and white silhouette seascapes and landscapes using a homemade maple charcoal\ash\soot compound from her mobile Italian wood fired pizza oven (Eco pizza art...

Following a visit to the Paris studio of Yves Klein in 1957, Bernard Aubertin was inspired to follow in Klein’s footsteps and passionately work within the field of monochromy, a styl...

Acrylic on clear plexiglass - Unframed This work on plexiglass is part of a series titled Hue[s]pace. Hue[s]pace continues Ramsay's investigation of color, location, light and tim...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

Acrylic on polyester resin film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It ...

Acrylic latex

"White Circle", acrylic on panel — 56 x 30 x 2 inches. Julia Nee Chu was born in 1938 in Shanghai, China and currently lives and works in Santa Monica, California. Her paintings ca...

Pop Art Digital Figurative Painting A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to reflect the inner st...

Pop Art Digital Figurative Painting Print - Time to go A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to re...

Pop Art Digital Figurative Painting Print A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to reflect the inn...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Pop Art Digital Figurative Painting Print - Time to go A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to re...

Pop Art Digital Painting Portrait Print In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, stylized realism with Pop ...

President Wolodymyr Painting Pop Art Print In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, stylized realism with P...

48 x 42 Oil on wood panel

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Hand-cut vinyl applied to Artboard. No.3 in the 80’s aesthetics series. This piece looked into Americana imagery of which was all over British TV during the 80’s, but with an added t...

Waves are everywhere! In this painting I am working on a word play. The people are waving from the boats to the shore and the sea is making waves.It's not brilliant but it really was...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...