Plastic Paintings

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on the recognizable "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and...

Nathalie Fontenoy French Artist "Singular Portrait“ Plexiglass Unique Piece Plexiglass object # 2, Series “Singular Portrait” Consisting of two plates of plexigass 1cm thick each. T...

Roots of Matter provides a portal exploring a unique biological relationship between man and nature. Through similar network dynamics in the brain and the root systems of mycelium (fungus in the earth), both micro systems convey information and messages through their complex web-like systems, providing a potential for impacting human behavior and the health of the natural world. ARTIST BIO Rebecca Kamen...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observ...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

Rachel Wickremer is a Canterbury based painter known for her colourful work exploring the relationship between the maker and the prefabricated, she is...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 37h x 34w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

Mariana Villafane was born in 1972. She lives and works in Buenos Aires, Argentina. After the completion of her studies in architecture and visual arts, she has been producing a comp...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hematite is a mineral and is the most important component of iron. In nature, it has a beau...

This is a beautiful Ink on Mylar by Alexis Portilla, unframed. Hand of Neptune 26 x 18 in. Ink and Mylar mounted on watercolor paper Unframed Framing av...

This is a beautiful ink on Mylar by Alexis Portilla, unframed. Daylight 26.5 x 21 in. Ink and Mylar mounted on acid free foam core Unframed Framing a...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Drawing from the ever-changing nature of California light, Gregg Renfrow works in translucent layers, pouring mixtures of polymer and pigment over sheets of cast acrylic. A disciple...

Medium: Polymer, Pigments, on Cast Acrylic Drawing from the ever-changing nature of California light, Gregg Renfrow works in translucent layers, pouring mixtures of polymer and ...

Date: 1993 Medium: Acrylic on Canvas Dimensions: 30.00" x 21.25" Signature: Signed Lower Left This painting was published as the cover for The Awakening Heart by Dorothy Mack, Signe...

To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I f...

Movie Poster Art Signed lower right. Birney Lettick was a consummate craftsman. A native of New Haven, Connecticut, he attended the Yale University Art School and studied with Joseph Albers. He learned anatomy by dissecting cadavers and all the other fundamentals involved in a painter’s classic education. His abilities won him the Tiffany Scholarship as one of the ten most promising art students in the country. His art career, delayed by four years in Europe, soon revived. He found advertising clients for national...

Thank you for stopping by and looking at this wonderful piece. Based on an afghan, the patchwork of colors you see are leftovers pigments from past projects. Every artist has piles...

LI L4 – light installation art. Mixed media, LED technology. 48″X48″. 2021. This art is installation of plexiglass sheet on the deep 48"X48"X4" frame. The sides of the frame are mirr...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women in Science an international exhibition sponsored by UNESCO at their headquarters in Paris. It includes women in science from 31 countries, exploring art as a transformational aspect of the pandemic. Kamen’s artwork is in the permanent collections of National Academy of Sciences, Porter Neuroscience Research Center, National Institutes of Health, Cincinnati Children’s Research Hospital, the Levine’s Children’s Hospital, and the Don Myers Technology & Innovation Building at American University. As professor emerita of art at Northern Virginia Community College, Professor Kamen continues to investigate how the arts and creativity can enhance innovation and our understanding of science. Currently, Kamen is investigating the neuro-dynamics of curiosity and the creative process in her work as artist in residence in the Computational Neuroscience Initiative and Department of Physics and Astronomy at the University of Pennsylvania. ARTWORK INFORMATION Through the process of automatic painting, The Reverie Series creates a direct link between the inner and outer eye, capturing the temporary experience of double vision and the insights it revealed during recovery from brain surgery...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by...

Clifford Singer's Geometrical Clouds Series has evolved since 1974.

Parabola Still is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors. The painting represents Singer's studi...

"Small Pile" is part of a series of paintings on plexiglass that depicts multi colored masses. The maze like patterns are created using a router (woodworking tool...

Carlos Medina Superficie blanca J, 2013 AP (Edition of 6 + AP) PVC, staimless steel rod on mdf and vinyl acrylic paint 23.6 x 23.6 x 2.6 in. 60 x 60 x...

Carlos Medina Fragmento Angular II, 2013 PVC, alumiminum rod, copper iron on mdf and vinyl acrylic paint 24.8 x 25 x 3.1 in. 63 x 63.5 x 8 cm CARLOS ME...

Christopher Ruess large scale painting, spatial environs, blue rising, encapsulated polymer & acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at the Memphis ...

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

Inspired by glossy magazine spreads of carefully staged, impossibly perfect interiors and landscapes, Martha Hughes strips these down to their barest colors, distorting angles and pr...

Bosque (Triptych) II, 2018 Acrylic on metallized polyester sheet 70h x 50w in Valeria Vilar received her Bachelor’s Degree in Architecture from the University of Buenos Aires in 200...

Bosque (Triptych) III, 2018 Acrylic on metallized polyester sheet 70h x 50w in Valeria Vilar received her Bachelor’s Degree in Architecture from the University of Buenos Aires in 20...

Vicky Barranguet Tenri Composition, 2016 Acrylic on canvas 40 x 60 in (101.6h x 152.4w cm)

Interaction with one of Lamontagne’s works is, simply put, a surreal experience. By using one of several points of entrance, viewers are permitted to experience multiple views of com...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens of the 1950's. The effect harnesses light and causes the paint...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

Date: 1978 Medium: Acrylic on Board Dimensions: 12.00" x 9.75" Signature: Acrylic on Board Possible paperback cover, circa 1978.

Date: 1955 Medium: Acrylic on Canvas Dimensions: 20.75" x 14.25" Signature: Unsigned This illustration was published as the cover for House of Deceit by Rae Loomis, Ace S-124, 1955.