Stone Paintings

Pietra Dura Watermelon Slice, Italian inlaid Marbles. Plaque 7-1/2 x 9-1/2 inches. Overall framed size is 12-1/2 x 14-1/2 inches. Watermelon Pietra Dura Plaque, hand made for Ugolin...

Vibrant, chaotic, and irresistibly fun — this piece explodes with color and imagination. Whimsical figures and spontaneous gestures fill the canvas with energy, humor, and emotion. I...

Vibrant, chaotic, and irresistibly fun — this piece explodes with color and imagination. Whimsical figures and spontaneous gestures fill the canvas with energy, humor, and emotion. I...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

This evocative Veronese School painting captures the moment in the Garden of Gethsemane when Christ, overwhelmed with sorrow, prays to God before his arrest and crucifixion. Supporte...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

“Bitch - A Love Letter to Rage”, is a fierce, original mixed-media painting that transforms a historically derogatory word into a declaration of strength, survival, and reclamation. ...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Large scale modern abstract minimal art painting, textured acrylic, acrylic gel, and concrete on canvas, 36 x 36 inches Let It Move holds a quiet invitation to stay in motion. The w...

Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm ) Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...

A rare South American painting from the second half of the 17th century. This oil on marble portrait depicts a noble gentleman belonging to colonial high society, following the canon...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

I am a fan of science fiction, especially depictions of minimalist dwellings in desert areas. I am fascinated by the adobe houses found in certain African countries. The simplicity, ...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

Panfilo Nuvolone (Cremona, Italy, 1581 - Milan, Italy, 1651) Title: Still life Medium: Oil on slate Dimensions: without frame cm. 17 x 19.5 - with frame cm. 31.5 x 37.5 Not signed E...

Bold rectangles in vivid blue float on a ground of dove grey and black in this elegant painting by Ivo Stoyanov. Stoyanov's paintings have a fresco-like quality, the taut surface of ...

This layout stands out for its simplicity. In my opinion, nothing needs to be added. I like the contrast between the materials and colors, and that's it!

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...

This mixed media contemporary abstract painting in a vivid blue colour is by Bulgarian-Canadian artist Ivo Stoyanov. Ivo Stoyanov’s work is bold and dynamic. Inspired by nature’s co...

Modern Minimal Geometric Painting, Colorful Abstract Original Artwork Silent Streets, 2025 16 × 20 in (40.6 × 50.8 cm) Silent Streets explores balance through color, repetition, an...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

This mixed media contemporary abstract composition in a crimson colour is by a Canadian artist. The uniquely evocative work of Ivo Stoyanov illustrates his interpretation of nature’...

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

This vibrant work depicts a bucolic landscape where nature flourishes in a symphony of vibrant colors.The bright blue sky, dotted with light clouds, illuminates the scene with a sere...

Daniela Gullotta - "Ballade n.1 op.23" (2026) Discover the quiet intensity of Daniela Gullotta’s 20x20 cm oil and mixed media painting—a compact yet powerful exploration of space, m...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

A dialogue between stardust and botanical poetry. In "The Guardian," Linda Clerget explores the mystical resonance between distant nebulae and the delicate flowers surrounding her s...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Modern Minimal Geometric Painting, Colorful Abstract Original Artwork Familiar Distance, 2025 16 × 20 in (40.6 × 50.8 cm) Familiar Distance reflects a quiet balance through color, ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

This captivating winter landscape was painted in early 20th century, signed lower left "W.L. Palmer", attributed to American Impressionist Walter Launt Palmer (1854–1932). Trained in...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

From the age of 75 onwards, we are surrounded by relatives and friends who are facing the aging process: loss of vital energy and radiance, the body drying up. It takes a lot of cour...

Africana Mid-Century Modern large and impressive mixed media, sand and oil on artist board. The painting is unsigned there is a small fragment of old paper label with number #21 titl...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

«The cinema outings of The Three Musketeers, the tale of Monte Christo, make me want to immerse myself in the cloak-and-dagger novels that enchanted my childhood. I just wanted to su...

"Forgetting" abstract acrylic , marble, china paper, 81x65 cm on linen canvas Forgetting the words, the names… it’s annoying! The relief is worked as a...

« January in Brittany, a peaceful atmosphere of grey and beige, a real harmony, beautiful if you are not sad because it takes an effort to look at the beauty of the foreshore in wint...

All the battles, the bloodshed for so many reasons.

Large scale modern abstract minimal art painting. A Place I Knew holds a sense of familiarity that’s hard to name, as if returning to a core memory you can’t fully place. It feels l...

Daniela Gullotta - "Gymnopédie n.1" (2025) The Artwork In "Gymnopédie n.1", Daniela Gullotta explores interior space as a site of introspection and suspension. The room appears both...

"Chinese mythology" It makes me think of dragons, oxidized that I see in the multitude of temples of South-West Asia to temples. I associate the deep reds of the pillars and fra...

In "Spillway", Wise continues her investigation into a more abstract terrain where landscape as well as water is depicted within her newer approach in style to the landscape. Sunligh...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

« Upon returning from the summer, I wanted to convey my joy of transparent water, the well-being of the sun, the light side of life in the garden, on the beach, with family and frien...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Oil painting on slate depicting a battle scene, Italy, 18th century. "Painting on slate" (or painting on stone) is a technique developed in the sixteenth century thanks to Sebastia...

Francis Bevilacqua (American, b. 1911) Working Laborers, n.d. Oil and pigment on black granite 44 x 21 inches Signed lower right Born in 1911, Francis Bevilacqua was predominantly influenced by the 1930s. The period of the 1930s is epitomized by the conflict between many political ideologies, including Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism. In the Soviet Union, Stalin’s government needed urgent funds to implement the rapid industrialization demanded by the first Five Year Plan. It initiated a secret strategy to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg), including a primary list of two hundred and fifty irreplaceable paintings by the Old Masters, a number of which ended up in the collection of Andrew Mellon...