Wax Paintings

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Blue, Orange, Green - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, ...

"Giant Squid Heart" - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright colors ...

Linear Moss (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

0118.13 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

0118.2 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Linear Fervor (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct,...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This pro...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Beeswax, resin and pigment on canvas mounted on panels. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian tradition ...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

Ryan Leitner says of his work… My artwork resists fixed definitions in form, medium, and identity. By collaging object making, studio photography, painting, and digital media, I cre...

Ryan Leitner says of his work… My artwork resists fixed definitions in form, medium, and identity. By collaging object making, studio photography, painting, and digital media, I cre...

Ryan Leitner says of his work… My artwork resists fixed definitions in form, medium, and identity. By collaging object making, studio photography, painting, and digital media, I cre...

Ryan Leitner says of his work… My artwork resists fixed definitions in form, medium, and identity. By collaging object making, studio photography, painting, and digital media, I cre...

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

A unique, medium to large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post-impressionists, yet is undeniably contemporary,...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

(Very difficult to photograph inside the case with glass front, so we took one outside the case. A video is included that we hope helps, thought it suffers from reflections on the gl...

Dredging Up Memories, Original Contemporary Aquamarine and Red Abstract Painting 24" x 24" x 1.5" (HxWxD) Oil and Cold Wax on Panel This square-format work by artist Denise Presnell...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

"Let it Wash Over Me" is an abstract painting by Rebecca Sobin executed in oil and cold wax medium on a cradled wood panel; measuring 22 x 44 inches. A soothing, harmonious composit...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Abstract mixed media painting in red, white and light green. Jylian Gustlin is a native Californian and grew up in the San Francisco bay area. She has been shaped by the technology...

oil and wax on layered canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...

"Once in a Blue Moon Shell" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel; measuring 12 x ...

Framed Dimensions: 11.25h x 9.25w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receiv...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Garden is an original artwork realized by Claudio Palmieri in 2008. Wax pigments and little flowers applied on cardboard. Sign, title, date on the back. Very good conditions. Origi...

Grass Marks is an original artwork realized by Claudio Palmieri in 2010. wax pigments and grass blades applied on cardboard. Sign, title, date, and technique on the back. Very good...

Black Waterfall is an original artwork realized by Claudio Palmieri in 2009. Wax pigments on cardboard. Sign, title, date, and technique on the back. ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

"Mystic Waters" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel. The painting measuring 20 by 30 inches. A...

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Neo expressionist palette.

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...

Image size is 19.5 x 19.5 cm matted to 50 x 50 x 0.1 cm (19.7 x 19.7 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encau...