Wax Paintings

smoke from an open flame accumulated in encaustic beeswax on panel b. 1975 My work explores the idea that dualities—light and darkness, life and death, object and emptiness, forest ...

smoke from an open flame accumulated in encaustic beeswax on panel b. 1975 My work explores the idea that dualities—light and darkness, life and dea...

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: flower, rose Artist Biography: Toby Zallman has always combined un...

"Our House" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 22 x 44 inches. A soothing abstract compo...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

"The Consequence of Sunlight on the Soul" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 36 x 36 inch...

Oil, wax, pigment, charcoal, and graphite on canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

oil and wax on linen Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended th...

Val Hudson is a painter drawing on a wide spectrum of ideas and influences. Her paintings present a dreamlike quality of ephemeral spaces punctuated with half seen evocations of memo...

Figurative realist painting by Steve Hawley

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Paula Valenzuela Stay Awake, 2019 Mixed media on panel with cold wax finish Unframed dimensions: 16 x 16 x 2 inches Framed dimensions: 17 x 17 x 2 inches The title for this painting...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Fiddle-dee-dee, Original Contemporary Yellow Gold and Red Abstract Painting 30" x 22" x 1.5" (HxWxD) This abstract work by artist Denise Presnell brings a large dose of color and ab...

abstract 29/29, Original Signed Contemporary Neutral Abstract Encaustic Painting 29" x 29" x 3" Beeswax, Resin, Pigment, and Oil on Wood Panel Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée Ledoux...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Experimenting with burlap and plaster on wood with beads was a catalyst inviting in the liminal space between worlds, governed by the Medial Woman. The flavor for the three pieces in...

Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply influenced aesthetically and by the content of Japanese culture. Her cra...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Michael Rich’s early years were spent in the shadow of the Blue Ridge Mountains and surrounded by the waters of New England. Graduate studies and later travels to Italy heightened an...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

0118.15 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Linear Fervor (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct,...

Chuchotis (Abstract painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstra...

Linear Hush (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

0118.3 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Ambient Grey (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. Mathematically, the concept of ambient space will change within a two or three di...

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

0118.2 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian ...

Crossing Lines The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on...