Wax Paintings

0118.5 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

0118.13 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Reflective Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist cons...

Linear Orange (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, ...

Linear Still (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, t...

Linear Zest (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

0118.2 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty y...

The Weight of Air VI, 2019 Oil & wax on deep-fame canvas

0118.6 (Abstract Painting) Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty ye...

Linear Motility (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construc...

Turning The Wheel (Abstract Painting) Beeswax, resin and pigment on panel. Within a process of repetitive application and reduction of paint, this work explores the energies of tra...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian ...

Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Encaustic is a beeswax-based paint that is applied to a surface while molten and then fused with heat, resulting in a layered, textural effect. The texture of the wax creates interesting patterns and organic shapes within the painting, giving it depth, a tactile quality and adding to its visual appeal. There is no other painting medium that replicate these qualities. The encaustic medium itself creates a luminous and slightly translucent surface that can give the painting a sense of depth and richness. This earthy painting...

"Signs of Life (No. 2)" is a 11.5 x 9.5-inch work made with ink, paper, wax drippings, burnt branches and bark, and stucco on buried canvas. A poetic response to nature’s quiet perse...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Pigmented wax and ink on Shikoku paper - Unframed Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal compositions of quiet horizont...

Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Val Hudson is a painter drawing on a wide spectrum of ideas and influences. Her paintings present a dreamlike quality of ephemeral spaces punctuated with half seen evocations of memo...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

Julia was born in Bulgaria and after receiving her BA in Fine Arts and MA in Architecture, she went to the US where she completed her Postgraduate specialization in Architectural Her...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Ceravolo's Large scale paintings have received international acclaim for more four decades. Known as "The Rock and Roll Painter" and "Painter of the Stars of Rock" by the media, Cera...

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

"Let it Wash Over Me" is an abstract painting by Rebecca Sobin executed in oil and cold wax medium on a cradled wood panel; measuring 22 x 44 inches. A soothing, harmonious composit...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Fiddle-dee-dee, Original Contemporary Yellow Gold and Red Abstract Painting 30" x 22" x 1.5" (HxWxD) This abstract work by artist Denise Presnell brings a large dose of color and ab...

abstract 29/29, Original Contemporary Grayl Abstract Encaustic Painting 29" x 29" x 3" (HxWxD) Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée...

"Our House" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 22 x 44 inches. A soothing abstract compo...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: abstract, colorful Artist Biography: Toby Zallman has always combi...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

This is the first time that the "Cleopatra 9" paintings are being offered for sale individually. The "Cleopatra 9" paintings were created by Ceravolo in 2012 and have always been t...

Garden is an original artwork realized by Claudio Palmieri in 2008. Wax pigments and little flowers applied on cardboard. Sign, title, date on the back. Very good conditions. Origi...

This cast wax wall panel painting contains blues in aqua and turquoise which blend into a gradient, with warm earth tones emerging amongst violet and yellow green undertones. 21"x3...

Val Hudson is a painter drawing on a wide spectrum of ideas and influences. Her paintings present a dreamlike quality of ephemeral spaces punctuated with half seen evocations of memo...

Julia was born in Bulgaria and after receiving her BA in Fine Arts and MA in Architecture, she went to the US where she completed her Postgraduate specialization in Architectural Her...

oil and wax on layered canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...

oil and wax on woven canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

“Pigeons 15” by Linda Touby, circa 2010. Oil and wax on canvas, 36 x 36 inches. This painting features textural stripes of dark pigments including purple, blue, black, white, and red...

oil and wax on silk Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

acrylic on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...