Wood Paintings

Oil on masonite Signed and dated, l.r. This painting is offered by ClampArt, located in New York City. About the artist: Konrad Cramer grew up in Wurtzburg, Germany, and attended the Karlsruhe Academy. He was a member of Der Blaue Reiter...

'Mountain sketch no2' a small square work on timber, abstract expressionist landscape. A sweet happy original painting to add light and joy to any room or small wall space. This small collection is inspired by Canberra, Australia's national capital, surrounded by mountains. You have a magnificent show of these beautiful land forms from anywhere you stand.  The breath taking Brindabella’s are located on the border that separates New South Wales and Canberra. The range rises to the west and includes the Namadgi National Park in the ACT and the Bimberi Nature Reserve and Brindabella National Park in New South Wales. The Brindabellas are visible to the west of Canberra and form an important part of the city’s landscape. 'Mountain Sketch' is painted in soft earthy tones, coral, skin, tan, burnt Sienna, peach, grey, leaf green and white. Heavily layered with lots of thick descriptive textures and details. This work comes ready to hang. 3 paintings make us this collection. A wonderful edition to a home, hang one or more side by side on a hallway wall, above a bedside table, or make a statement with a salon hang with 2 or 3 works for the main living room wall. - Original one of a kind painting - Ready to hang - Painted on ply wood timber box...

Peter Sword Vintage Abstract Triptych Oil Paintings C.1970s Oil on recycled wood panels Each painting varies slightly in size Largest dimensions 24.5" w...

Oil on wood and found wood. Unframed. Feinberg has been working for many years in oil on wood or oil paint with found wood. Color is her predominant interest to which the found wo...

Complete title: "L'energia trasforma le cose. Omaggio a Ravi Shankar" Translated title: "Energy transforms things. Tribute to Ravi Shankar" Acrylic paint on masonite. Width: 30 c...

Big bold mid century acrylic painting on canvas of a building with a pagoda top and Asian influences, executed in a realistic yet whimsical style. Presented in a thin black wood fram...

19th century Chinese school oil painting on canvas of scholars in an interior scene. Presented in a parcel gilt ebonized wood frame. Unsigned.

ARGOT OF LATE 2022 Paris, France Bold, hand-painted, serif typography on raw, charred wood reads: ‘Argot of a Late Empire’ along with ‘glib without a trace of warmth,’ in subtle, r...

Signed by Signar, this work offers a peaceful springtime view of Stockholm’s central waterfront from a small hillside lane. The vista includes the distinctive dark metal spire of Rid...

Still life with peonies 1969, plywood, oil, 68x59 cm

Adam Ross walks the line between abstraction and realism in his complex, layered paintings. His landscapes are apocalyptic explosions of color, bold and inventive compositions that s...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

This still life painting titled "Comparing Onions and Lemons" is an original artwork by Elizabeth Bergeland made of oil on canvas and pine float fr...

Ivan Markovic transports viewers into a world of full of technicolor with this collection of works inspired by Bernini's bridge of angels. Markovic's life in Rome brought him to walk...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Mid-Century Modern oil painting, 1940s cityscape, "Bedford at Lafayette, Brooklyn". Oil on masonite. Signed King Rich. In vintage modernist frame...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Wonder" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

A beautifully observed architectural scene, Morning Light on the Villa by G.M. Carpenter is an exceptional example of the artist’s ability to transform an everyday structure into a c...

FOUR HARPOONS 2021 Paris, France "Four Harpoons" (Abstract, Bold, Neutral, Black Painting on Wood; 50cm x 30cm) Abstract painting. Neutral color palette of black and white on wood....

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

Shizico Yi takes on an innovative project "The Weaver," inspired by the heritage of the beloved family Tartan and its rich lineage of the Clan. "The Weaver" invites viewers into a w...

SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...

"Henna Night" (FRAMED) Painting 14" x 16" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflectio...

Orville is a textile inspired, minimalist painting on plexiglass. The surfaces is carved and filled with paint, leaving a groove textured surface. A spraying technique is applied t...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

This wall-hanging artwork titled "Pure Pith" is an original artwork by Christian "Patch" Patchell made of acrylic paint on wood and masonite. This piece measures approximately 12"h x...

This wall-hanging painting titled "Be Here Now" is an original artwork by Melissa Lomax made of acrylic paint & colored pencils on wood. This piece measure...

This dog painting titled "Afghan Hound II (Somewhere in PA)" is an original artwork by Emily White made of acrylic paint on birch panel. This piece measures 13"h x 13"w. Emily White...

This pink and black abstract painting titled "Malignant" is an original artwork by Christine Larsen made of gouache & ink on wood. This piece measures 12"h x 12"w. Originating f...

This painting on wood by Zachari Logan depicts an abstracted botanical/nautical form on a black background with gold leaf accents. Untitled (Blue Tendrils on Black Background) 2023 ...

This figurative painting titled "Empire" is an original artwork by Olivia F. Menta made of oil paint on plywood. The piece measures 6"h x 4"w. Please note: artwork will be on displa...

A fine Italian 20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing a...

"KINDS OF PLANTS" is an original assemblage artwork by Jim Houser measuring 18" x 18". Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently reside...

Jed Jackson received his MFA from Cornell University in Ithaca, NY, 1980 and his BFA from Memphis College of Art in Tennessee, 1977 and was awarded a residency at the Skowhegan Schoo...

Untitled, acrylic on canvas and board painting by artist Ben Darby. This artwork is off white in the perimeter, with a yellow, orange, red, and blue abstract striped center. Positio...

Welcome to Ben Darby's world. This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a green gradient that falls to tan at the b...

This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a green gradient that falls to tan and black at the bottom, complemented ...

This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a red gradient that falls to tan at the bottom, complemented by a vase. T...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Katheryn Holt (American, born 1951) "Water to Sand" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. Framed Artwork: 37" x 37" x 1.25" "Wat...

Dedication to Picasso. 1993, assemblage, cardboard, wood, acrylic, 68 x 47 cm Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of Latv...

Oil painting on wood

This artwork is a masterful still life composition that captivates through its rich textures and vibrant color palette. Dominating the foreground are three prominently placed fruits:...

This painting by Joan Nelson depicts a sepia-toned scene placed behind the walls of a dark brown building. Potentially depicting a rooftop or a balcony, a way further into the buildi...

David E. Peterson Puzzle # 82, 2014 acrylic, birch, MDF, UV resin 14h x 14w x 3d in 35.56h x 35.56w x 7.62d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired by Prod...

Artist: Ara Harutyunyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Wood Year: 2024 Style: Contemporary Art, Title:...

"A SET OF KEYS" is an original painting and assemblage work by Jim Houser measuring 9in x 9in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he...

"A GOOD PLACE" is an original assemblage on panel, featuring multiple acrylic paintings, objects, and collages, by Jim Houser measuring 24"h x 24"w. ABOUT // Jim Houser was born in...

Oil on birch panel.

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

"Turning Dog" oil on wood 8 x 10 inches 2023

David E. Peterson – Puzzle #108 Acrylic, maple, and UV resin 16 H x 24 W x 3 D inches Puzzle #108 is a striking example of David E. Peterson’s fusion of natural material and high-gl...

Signed on the bottom right is "J. Braze", Osip Emmanuilovich Braz (1873 - 1936), renowned as a Russian-Jewish realist painter. As the scene unfolds on the canvas, we witness the gran...

Carlos Betancourt, American (Born 1966) Abstract Sculpture Spray Paint and hand Painted Sculptural Wall Applique. Hand signed. Dimensions: 23 X 23 inches approximately Three dimensional neo primitive wall relief I believe this is from The Sounds Symbols Project (2000), a monumental ephemeral installation in the sand in Miami Beach. Carlos Betancourt (born San Juan, Puerto Rico 1966) is an American multi-disciplinary artist. His artworks explore issues of memory, and his own experiences, while also dwelling in issues of nature, the environment and matters of beauty, identity and communication. He has worked as a curator, furniture designer and has collaborated in with Louis Vuitton as well as on architectural and site-specific private and public commissions with architect Alberto Latorre. Betancourt artwork is in part inspired by his relationship with nature as well as by the diverse cultures and history of the Caribbean basin, Florida and the Americas. Also by artist Ana Mendieta interventions, Robert Rauschenberg assemblages, Andy Warhol perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages. Additionally, he relates to some of theorist Jean Baudrillard views about art and his philosophy on objects; French artist Gustave Courbet's idea that "the only possible source for living art is the artist's own experiences", as well as the Martinican writer and theoretician, Edouard Glissant's belief that ..."the past resides in material objects that only release their hidden meanings when encountered imaginatively and sensuously. Betancourt admires the works of diverse artists such as Fernando Oller, Cisco Jimenez, Bill Viola...

Original acrylic on wood panel by Spanish contemporary artist Rubén Sánchez (Zoonchez), "Mediterranean Sunset I" — an abstract still life of a Mediterranean summer evening with water...

"New Year Bird" is an original oil painting on wood by Robert Richter. The artist signed, titled, and dated the artwork on the back in pencil. This artwork features a whole cooked tu...

Original and unique artwork by Hunt Slonem. Oil on Wood Framed size: 26.5 x 22.5 inches Painting is framed, as seen in the images. Signed Verso, titled and dated. Please note that...