Framed Portrait Paintings

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 1/4 x 10 in. Framed: 22 1/4 x 18 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Liberm...

This wonderful original oil painting by Paul S. Brown depicts a wild turkey, with its glorious feathers spread across the table. Brown's extraordinary attention to detail and impecca...

Attributed to Arthur Pond British, (1701-1758) Portrait of a Lady Oil on canvas Image size: 50.75 inches x 41.5 inches Size including frame: 58.5 inches x...

Van Belleghem Jos Beernem 1894 – 1970 Veurne Belgian Painter 'A Portrait of a Fisherman' Signature: Signed bottom right Medium: Oil on canvas...

I created Aging Sucks at the beginning of my painting career. Modeled after a relative of mine, the man acts almost as an inverse to the car, which is old and run down. The young man...

An arresting portrait of a man in profile. Signed. Presented in a wooden frame with patterned carvings. On board.

Portrait of J. Knowles inscribed and dated to label verso oil on canvas, framed in hand painted elaborate frame framed: 25 x 22 inches canvas: 22 x 1...

'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

JOINVILLE Antoine Victor Edmond Madeleine (1801-1849) From Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" Preserved at The Louvres M...

Oil Painting by Minnie Agnes Cohen The New Bonnet" 1864 - 1940 Figurative scene painter studied at the Royal Academy Schools where she exhibited. Lived in Axminister, worked in St Iv...

Portrait of A Girl, 19th Century Italian / Spanish School Large 19th Century portrait of a young lady, oil on canvas. Excellent quality and condition oval study of the young girl wearing a green dress, red beaded necklace...

This contemporary painting by Jose Roldan Rendon vividly captures a "Golden Age" baseball player, Joe Judge, from the Washington Senators. It celebrates the era from 1920 to 1960 whe...

The painting "Gainsbourg" is a picture full of energy and at the same time contemplation. It draws the viewer in and it is hard to pass by it indifferently. Framed in a beautiful sil...

Signed lower right: 'A.Brook '59'. Painted in Sag Harbor, Long Island in 1959. Adeline (Adaline) Glasheen was a writer. She was a friend of the artist and worked in literary circle...

"Figure de Notier" oil on canvas painting of a human figure by Max Papart. Signed Max Papart on front. Signed and titled "Max Papart Figure de Notier" on back. Additional markings o...

Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century European School 17th Century European School portrait of Czech Theologian Jan Hus, oil on panel. Excellent...

ANGELA Size: 69 x 58 cm (including frame) Oil on Board A brilliantly executed mid-century modernist style figurative nude composition, painted in oil onto board. The focal point of...

William Clarke Wontner 1857-1930 British Portrait of a Beauty Signed and dated "W. Wontner 1918" (lower left) Oil on canvas Classical beauty a...

Immerse into the blue, with this outstanding piece from Delphine Rocher., from the Series "Blue Ocean". She uses a blue ballpoint pen over acrylic, on a wood panel. Already framed ....

The Rabbit Family, 19th Century by Henry Barnard Gray (1844-1871) Large 19th Century English Landscape with a family of rabbits, oil on canvas by Henry Barnard Gray. Excellent qua...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

Signed lower right by the artist. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

A Family Walk, 19th Century Imre Gergely (1868-1914) 19th century Hungarian Impressionist scene of a family walking through a summer garden, oil on can...

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

French School, Cherub Drinking Wine, Oil on Canvas laid on Masonite, 19th century, indistinctly signed lower left, ornate giltwood frame. Image: 25.75" H x 21.5" W; frame: 38" H x 33...

A wonderful 19th-century oil portrait of a graceful Victorian lady. The lady is pictured with a dainty lace collar and a neat hairstyle typical of the time. Signed illegibly in penci...

Ortez (Modernist Family Portrait) is a vibrant 1947 abstract gouache on paper by American artist Lewis Lee Tilley (1921–2005). This dynamic composition captures a family of five seat...

A striking and finely executed portrait of a gentleman with a large beard. The artist's soft brushwork and subtle handling of light and tone lend the composition a refined grace and ...

A breathtaking oil painting by Israeli Born-New York based artist Yigal Ozeri. This hyperrealist portrait of a young girl staring back at her viewer, is a classic example of the arti...

Wonderful 1965 portrait of a young man (possibly the artist Don Bachardy) in a striped shirt looking back over his shoulder by Paul Sorel (American, b- 1920...

This original retablo painting, titled "El Niño", is a striking contemporary work by Colorado-based artist Michael Blatnik. Inspired by the devotional traditions of Spanish Colonial ...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Acrylic on Masonite board, signed and dated (lower middle), 70cm x 70cm (91cm x 91cm framed). Price on request This work depicts Alan and his dog, Bella, on Michael Leonard’s balcon...

Title: Portrait of Charles II of Spain Artist: Unknown Date: Late 17th century Medium: Oil on copper Framing: Set against red velvet in a deeply carved and distressed giltwood frame,...

This realistic oil painting is a portrait of a young Kenyan girl by Daniel Hughes. Internationally recognized as a fine artist, Daniel Hughes has painted a haunting image with this ...

Jasper Leadbeater, Be the Chicken, 2025 Upcycled shotgun shells and spray paint 58 x 70 cm (22.8 x 27.56 in) Edition of 6 This vibrant and humorous artwork captures one of the most unforgettable moments from Guy Ritchie’s hit Netflix series The Gentlemen—Freddie dressed as a chicken, mid-rant and shotgun in hand. Painstakingly constructed from upcycled shotgun shell casings, this piece brings bold colour, texture, and attitude to any space. The contrast of vivid reds, yellows, and oranges against a golden backdrop of brass casings adds both visual impact and a playful nod to British dark comedy. Equal parts satirical and cinematic, Freddie the Chicken transforms ammunition into art, perfectly blending urban grit with pop culture charm. A must-have for collectors of contemporary mixed media, urban art, or fans of Guy Ritchie, The Gentlemen, and Freddie's cult-classic chaos. Related categories: The Gentlemen, Guy Ritchie, Freddie chicken scene, shotgun shell art...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 40.00" x 30.00", Framed 47.00" x 37.00" Cover of the Saturday Evening Post, April 1, 1933.

Portrait Of A Lady, 18th Century circle of Richard COSWAY (1742-1821) 18th Century English portrait of a Lady, oil on canvas circle of Richard Cosway. Excellent quality and condit...

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

The Gardens Of Milner Park, Johannesburg, South Africa, Empire Exhibition, 1936 by MONICA MACIVOR (1881-1939) Huge 1936 South African tropical garden landscape from the Johannesbur...

Image dimensions: 92cm x 61cm / 36 inches x 24 inches Framed dimensions: 94.8cm x 64.4cm / 37.2 inches x 25.4 inches This original acrylic painting by David Schock beautifully captu...

Leon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...

A wonderful portrait of a slightly mischievous-looking priest enjoying a tipple. Very well presented in a dark wood and gilt-effect frame. Signed and dated. On panel.

Medium: Oil on Canvas Signature: Signed and Dated 'N.C. Wyeth' (Lower Left) The Country Gentleman, vol. 91, no. 11, November 1, 1926, cover illu...

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

It is a work by Edgar Degas? A stunning and beautiful study of three members of a fair in an off moment. Dramatic underlighting creates a dramatic mood. Deftly rendered in the ...

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

American School, Portrait of a Child with Red Tulip Flower, Oil on Canvas, circa 1900, illegibly signed "J. Hisnik(?)" and inscribed "N.Y." lower left, ebonized giltwood frame. Image...

Oil on canvas Image size: 9 1/4 x 7 inches (23.5 x 18 cm) Original pierced gilt frame This wonderful Pre-Raphaelite self-portrait contributes to the artistic tradition of representi...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Bright and viv...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

Benedetto Luti (Florence, Italy, 1666 - Rome, Italy, 1724) Title: Head of a Girl Medium: Oil pastel on canvas Dimensions: without frame 28 x 23.5 cm - with frame 38.5 x 33.5 cm Orig...

Artist: Moses Soyer, American (1899 - 1974) Title: Self-Portrait in the Studio Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 inches Frame: 32 x 28 inches

This is a unique original acrylic painting on canvas in a bold naive primitivism style by Serg Graff, titled "Fight." This dynamic and highly textured piece serves as a vivid expres...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Artist/ School: French School, mid 20th century Title: Expressionist portrait of a man Medium: oil painting on board, framed framed: 27.25 x 27.5 inches canvas: 21.75 x 18 inc...

Artist: Slonem, Hunt Title: Green Abe Date: 2023 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 23.5" x 19.5" Signature: Signed by Artist on Verso Editi...