Abstract Expressionist Paintings

« Wild Flowers 4 » by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composi...

Oil and Aluminum Leaf on Canvas

Love 2017 Keith Carrington Artist statement: A new series entitled "Infinity" deals with the concept of time being not linear but reoccurring past lives, meetings with different people that you've known from previous lives, correcting and releasing negativity from your past, and moving forward in a more fulfilled existence. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored, and expanded his expression steadily over the years, the results of which thus far culminate here. Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Spring is probably the most beautiful season in the mountainous Northwest of Vietnam because this is the time when spring flowers are blooming all over the mountains and forests. The...

Artist: Al Johnson (American, born 1957) Title: "Medicine Mission", 2019 Medium: Mixed media on canvas Image: 30 x 12 in (76.2 x 30.5 cm) Signed: Titled, signed and dated verso: "Med...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-S...

Abstract painting with an organic-floral character. Against a rich green background, a vibrant color formation unfolds in shades of yellow, white, beige, brown, orange, red, magenta,...

It Will Only Hurt a Little #9, Original Contemporary Abstract Painting, 2022 53" x 36" (HxWxD) Mixed Media on Paper This large-format abstract work by artist Christine Olmstead is t...

CAROLINA PONTE Crochet, 2016 60 x 200 inches (150 x 500 cm) Acrylic on Linen Magnificent Acrylic Painting on Linen. Unique. The extended present time...

"Alles kann nichts muß" (2017), by Susanne Zuehlke (b. 1962), translates to "Everything can, nothing must." The piece embodies a spirit of freedom and spontaneity. The painting is do...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Dynamic artwork releasing a deep energy . Doodle and dripping compose it. High quality painting with anti-UV protection and velvet rendering. :: Painting :: Abstract Expressio...

"Prana" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium, and graphite on a cradled wood panel; measuring 36 x 36 inches. Titled "Prana" the ...

Peach blossom is the most beautiful and popular flower in the North of Vietnam, loved by many people and displayed during Tet. Peach tree is considered the quintessence of the Five ...

The purple iris seemed to have it's own unique personality. (Side-stapled canvas, should be framed.) :: Painting :: Abstract Expressionism :: This piece comes with an official cert...

Javier Agudo, Mid-Century Modern Inspired Abstract Painting, Oil on Canvas A deeply atmospheric abstract oil on canvas by Spanish artist Javier Agudo, created circa 2015. Hand signed...

EMILY VAN HORN My soul purpose is as a catalyst for transformation. As a visual starting point I draw inspiration from urban surroundings, the crumblin...

Hot Pink, French Lavender, Peachy Orange, Lemon Yellow on Matte Indigo. Can be presented horizontally or vertically. :: Painting :: Abstract Expressionism :: This piece comes with a...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Red Composition by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 80.2 x 55.3 (31 ⅝ x 21 ¾ inches) Signed, TOSHIMITSU IMAÏ, ...

"Whispers of Nature" is an original contemporary landscape painting by French-based artist Natalya Mougenot, created with acrylic paints on cotton stretched canvas, measuring 60 × 60...

Saint Clair Cemin (Brazilian-American) Double Sculpture, 1987 Graphite and watercolor on paper Hand signed, dated and titled on the back of the sheet (see photos) Provenance: Daniel ...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 46 x 35 inches condition: overall very good, a few min...

Passionate Bloom (2026) is an original contemporary floral painting by French-based artist Natalya Mougenot, featuring five expressive red roses in vibrant acrylic brushstrokes on a ...

Exaltation of Nature Original Mixed Media Painting on Canvas by Rivero Maria Artwork Details Artist: Rivero Maria Angela Title: Exaltation of Nature Medium: Mixed media on canva...

Ink, gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is grad...

Ink on handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Space secti...

"Near Together" Original Contemporary Figurative Painting of Two Women, 50 × 65 cm (19.7 × 25.6 inches), Acrylic Paint and Acrylic Pen on 300 gsm (140 lb) Professional Acid-Free Pape...

Walter Gaudnek (Czech, 1931-2022), Untitled (Abstract Figural Composition), Oil on Canvas, circa 1970, signed lower right, unframed. 40" H x 30" W x 1" D. Provenance: From a Scarsd...

Abstract #95 Expressionist 2012 Artist signed lower right corner and verso. Acrylic, gesso on paper. Andrzej Dudek was born 1958, Zamosc Poland. A graduate of the State High School...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

The fear of failure, the fear that convinces us to stop before we ever begin. For years, I thought my fear was protecting me. It always sounded the same: STOP. Stop before you fail. ...

Signed Medium: acrylic/mixed media on canvas Varnished This is an abstract painting by Bianca Wellwood, an Irish American artist living in Los Angeles. Additional Framing is avail...

"Unleashed Emotion" (2026) is an original contemporary abstract expressionist painting by Natalya Mougenot, featuring vibrant pink, orange, yellow, green and blue acrylic brushstroke...

“Every Little Thing” belongs to Sovereign Solitude, a collection I have worked in for several years. The collection draws on time I spend in the forests around Jönköping, Sweden, and...

Abstract Color Collage, Mixed Media Abstract Expressionist Painting, 2021 21" x 15.5" (HxW) mixed media in a white wooden frame This colorful mixed media work is a contemporary coll...

Stefanelli’s extensive travels throughout Europe and his keen interest in ancient culture and architecture influenced this work and were the impetus for him to create "The Untitled One". Throughout the canvas one can see shapes reminiscent of antique columns painted in white to resemble marble. One such shape is placed at the very edge of the painting, to the left, standing on top of the marble steps...

Large, brightly saturated red color field abstract geometric painting in various shades of bright green, blue, purple and deep red. "The Field Across the Road" made by Hudson Valley ...

Abstract Underwater by Olga Nikitina captures the mesmerizing, ethereal quality of ocean depths through a striking palette of blues, greens, and soft highlights. This 60x60 cm oil pa...

This lovely British abstract expressionist oil painting is by noted artist Francis Wynne Thomas. Painted circa 1950 it is entitled Venice, Fiesta del Redentore. Back in the 1570s, Ve...

This set includes two paintings: -Night: Summer Night-Summer Bloom Series ( 50 H x 40 W) -Day: Willow Pond in Autumn-Autumn Series (50 H x 60 W) Total measurement: two paintings si...

Artist: Leestemaker, Luc Title: Landscape 2008.6 Date: 2008 Medium: Mixed Media Unframed Dimensions: 48" x 48" Signature: Signed Edition: Unique

This 52x52 abstract painting invites you to lose yourself in a sea of blues and purples, blending together in fluid, mesmerizing waves. The soft and deep tones create a sense of calm...

This abstract piece started off as a seascape and then there was an island and of course with an island in the sea there has to be some kind of lighthouse, no matter how primitive. T...

Jazzu Souffler la joie Techniques mixtes sur papier fort 2025 Signé, daté et titré 42 x 29,7 cms 490 euros

Oil on canvas.

Jazzu Extra Acrylique sur papier fort 2025 Daté , titré et signé par l’artiste 42 x 29,7 cms 490 euros

Delphiniums in Glass Vase Double Still Life is part of a series debuted in 2023, where Yektai has inculcated nature—employing the late 20th century effect of including ‘found objects” into his paintings. Here we see actual delphinium stems bursting out of the vase in the foreground. Just to remind us of who is king of the canvas, he rakes the whole composition with wide dashes of paint to emphasize each section’s role. We see black dabs to push back the deep green background, wide white marks to bring the table forward and bright red swashes of oil paint on the right to balance out the composition, creating a flag effect out of the whole painting. Real dried flowers...

Monumental large-scale floral abstraction by Margaret Milliken, associated with the American Abstract Expressionist movement. Executed in richly textured acrylic impasto, the canvas ...

This is one painting in a series I have named "Siblings " . "Siblings" have been groupings of 2 or 3 paintings, Each group is painted together during the same period of time. Each gr...

Acrylic painting on canvas. This is one painting in a series named "Siblings ". "Siblings" have been groupings of 2 or 3 paintings, Each group is painted together during the same pe...

"Family Circus" is a new dynamic abstract expressionist oil painting on canvas by Trixie Pitts. The painting is bright, intense, yet has breathing room. The dynamic style, full of energy, almost seems like a cross between Cy Twombly and Joan Mitchell. The palette includes orange, magenta, yellow, light pink...

Dance III Large Contemporary Abstract Expressionist Acrylic Painting 2023, Pink Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, e...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

contemporary abstract art, abstract expressionism, atmospheric abstract, layered abstract painting, textured abstract art, muted color palette, pastel abstract art, expressive mark m...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

William Baziotes Raging Bull 20.75 x 15.5 in Acrylic on paper Signed lower right William Baziotes was an American painter known for his luminous abstractions of biomorphic forms. T...

Abstract expressionist painting depicting a figurative girl in full party mode by Bay Area figurative artist Carol Bowie (American, 20th C). The figure is made up of multicolored ab...

The work is executed at the heyday of abstract expressionsim in the mid-50s. Colors are saturated and bright. Goldfield (of Goldfield Gallery). Written on the stretcher. Goldfield G...

Prang is a powerful late abstract work on paper by the St Ives painter Trevor Bell, made in 1999 in acrylic and mixed media and illustrated in his monograph. Trevor Bell (1930–2017)...

Sahara I, Large Acrylic on Canvas Painting, Abstract Expressionist, 2023 105 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of li...