Blackboard Paintings

This gold leaf piece is a striking statement work that seamlessly complements a wide range of interior styles. The reflective gold elements interact beautifully with natural and ambi...

Aurora over a Northern Lake, signed and dated “G Claeson 1916”, oil on canvas. This evocative landscape, executed in an expressionist manner, and on the same time almost modern, cap...

Erik Tryggelin (1878–1962) Sweden Sunlight Breaking Through Clouds over Lake Vättern, Vadstena, 17–18 August 1948 signed and dated lower right E. Tryggelin 18/8 1948 inscribed Vads...

After Joshua Reynolds Girl leaning on a pedestal Oil on canvas Canvas Size - 26 x 33 in Framed Size - 39 x 32 in Sir Joshua Reynolds was the leading portrait painter of 18th-century...

This painting is a still-life composition featuring an arrangement of books and other objects on a table. The focal point is an open book, its pages splayed out as if it was recently...

About this work: “Mascara (Mask), 2000” by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of ...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vas...

Signs mixed technique on canvas 80x80cm 2017 Original Art the painting is sold stretched on a wooden frame ready to hang Buyer can request painting with decorative frame this will t...

America Martin "Woman & Bird" Ink on Paper 11.5 x 7.5 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a ...

Joost Verhagen Save Haven 6 45 x 85 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing pric...

This charming 19th century still life painting features an elegant arrangement of objects on a table, including a glass of wine, a halved lemon, ornate vessels, and decorative items ...

Joost Verhagen Save Haven 7 45 x 85 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing pric...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Antique American school impressionist sunset landscape oil painting . Oil on board. Signed. Framed. Measuring: 8 by 11 inches overall, and 6 by 9 painting alone. Excellent conditio...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

his original abstract landscape by Marilina Marchica explores the fragile boundary between presence and absence through a refined, atmospheric language. Executed in oil on canvas, th...

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Starry Night, Circa 1907 Oil on canvas laid on board signed and titled in German on the reverse Size: 40,5 x 46 cm Original co...

Signed oil on canvas landscape circa 1910 by French painter Charles Menneret. This stunning work depicts a view of a lake and is painted in predominantly blues, greens and pinks. Th...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

This stunning Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the composition is a rising moon ov...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

She is offended. And no gifts, champagne or words will melt this ice. What did her Man do - we can only guess. May be he forget about the anniversary, bought the wrong flowers, cheat...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Moody skies over the sea. Richard K Blades’ To Return is a captivating artwork that captures the vastness and drama of a seascape, where earth and sky blend in a mesmerizing dance. ...

"Exotic," 2019. Enamel on panel, sign painting, black, white, and red. Hand lettering

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawi...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Pauline Ziegen oil, aluminum leaf, mixed media on panel white, gray, white gold, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast ...

In this evocative winter landscape, painted in 1941, Swedish artist Olof Walfrid Nilsson captures the serenity and quiet grandeur of a frozen lake bathed in gentle afternoon light. E...

Robert Hopkin (Scottish/American, 1832-1909) Signed: R Hopkin (Lower, Right) " In the Distance ", c. 1880s Oil on Canvas 14" x 20" Housed in a 2 3/4" Frame Overall Size: 19" x ...

This pop art painting of a Canadian flag is by Charles Pachter. One of Canada’s much-loved and collected contemporary artists, Charles Pachter, is renowned for his iconic pop art im...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Summer Moon White House oil/panel 12 x 16 unframed, 18.25 x 22.25 framed pictured both silver or black. Summer Moon White House is an oil painting on canvas panel that showcases the ...

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Antonio GUANSE (1926-2008) Pipe Smoker, 1977 Oil on canvas Signed and dated Countersigned and dated on the back On canvas 61 x 50 cm Presented with the wooden frame 62.5 x 51 cm Ve...

Artist: Marilina Marchica Title: Signs Year: 2019 Medium: Oil on canvas Dimensions: 100 × 100 × 3.5 cm Condition: Excellent condition Signature: Signed on the reverse Certificate: Ce...

"Door #12 (Magazines)" (2018) by Francesca Reyes Original oil, acrylic and paper on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she h...

33 x 41" framed, acrylic on canvas yellow black gray I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of ...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Oil on wooden table realized by Giovanni Gromo in 1980s. Hand monogrammed. Good condition.

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Blu landscape 15.7 x 15.7 x 1.0, 6.6 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "This canvas is a landscape created with acrylics, oil pastels and graphite....

This pop art painting of a Canadian flag is by Charles Pachter. One of Canada’s much-loved and collected contemporary artists, Charles Pachter is renowned for his iconic pop art ima...

This oil painting presents an opulent bouquet of lilacs in full bloom, arranged in a softly rounded ceramic vase. Cascading clusters of white, lavender, and deep violet blossoms fill...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Contemporary, abstracted landscape reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of a vast field in the foreground with a red and blue sunset sky in the background. This painting is of a horizontal orientation and is finished with an olive green border painted directly onto the canvas. The edges are finished with the same color, so no additional frame required here. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception in 1991. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Oil on canvas Anne Pélissier alias BERG is a French painter born in 1953 who lives and works in Paris, France. Under the pseudonym "Berg," meaning mountain in Goethe's language, lie...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Oil painting on canvas in good condition. 2 small patches Image: 17 3/4 x 11 1/2 inches Overall: 22 1/2 x 16 1/2 inches

In this contemplative still life, Helen Oh transforms an ordinary interior moment into a study of quiet tension and sculptural form. A pale conch shell rests heavily on a vivid red c...

Michele Harvey’s 2007 oil-on-linen painting, Dancers, evokes serene beauty through its depiction of trees immersed in a misty environment. The poetic title draws attention to the alm...

Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master. Original oil painting on Canvas. The painting represents a still life...

Wonderful 1940's Swiss winter scene with snow covered chalet in valley, by an unknown artist, c.1940's. Signature illegible lower right. Presented in period rustic frame. Image size...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Calvert Coggeshall Untitled, 1952 Oil on canvas 45 x 45 inches Provenance The artist Estate of the above Calvert Coggeshall worked as an abstract painter and interior designer pri...

Oil on canvasboard. Framed. Image size, 20H x 30L. Signed.