Blackboard Paintings

Aurora over a Northern Lake, signed and dated “G Claeson 1916”, oil on canvas. This evocative landscape, executed in an expressionist manner, and on the same time almost modern, cap...

Erik Tryggelin (1878–1962) Sweden Sunlight Breaking Through Clouds over Lake Vättern, Vadstena, 17–18 August 1948 signed and dated lower right E. Tryggelin 18/8 1948 inscribed Vads...

When an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and ot...

Joost Verhagen Save Haven 6 45 x 85 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing pric...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

This painting is a still-life composition featuring an arrangement of books and other objects on a table. The focal point is an open book, its pages splayed out as if it was recently...

America Martin "Woman & Bird" Ink on Paper 11.5 x 7.5 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a ...

After Joshua Reynolds Girl leaning on a pedestal Oil on canvas Canvas Size - 26 x 33 in Framed Size - 39 x 32 in Sir Joshua Reynolds was the leading portrait painter of 18th-century...

Joost Verhagen Save Haven 7 45 x 85 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing pric...

Signs mixed technique on canvas 80x80cm 2017 Original Art the painting is sold stretched on a wooden frame ready to hang Buyer can request painting with decorative frame this will t...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...

Charming little 19th century oil on board. I am not sure if it’s European or American. The painting measures 12 inches wide by 6 inches high. The frame is 3/4 of an inch around. Pain...

She is offended. And no gifts, champagne or words will melt this ice. What did her Man do - we can only guess. May be he forget about the anniversary, bought the wrong flowers, cheat...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

3 CAS is a painting by Spanish contemporary artist Ramon Enrich. Acrylic on canvas: 45.2 x 31.5 inches / 115 × 80 cm Sold framed. Framed dimensions: 46.4 x 32.6 inches / 118 x 83 cm ...

Edward Richie Butler Sacramento 1855 - 1916 Lüderitz Starry Night, Circa 1907 Oil on canvas laid on board signed and titled in German on the reverse Size: 40,5 x 46 cm Original co...

Original oil painting on linen by artist Robin Cole. Framed.

This charming 19th century still life painting features an elegant arrangement of objects on a table, including a glass of wine, a halved lemon, ornate vessels, and decorative items ...

Pauline Ziegen oil, aluminum leaf, mixed media on panel white, gray, white gold, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast ...

Calvert Coggeshall Untitled, 1952 Oil on canvas 45 x 45 inches Provenance The artist Estate of the above Calvert Coggeshall worked as an abstract painter and interior designer pri...

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

This stunning Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the composition is a rising moon ov...

Oil painting on canvas in good condition. 2 small patches Image: 17 3/4 x 11 1/2 inches Overall: 22 1/2 x 16 1/2 inches

This oil painting presents an opulent bouquet of lilacs in full bloom, arranged in a softly rounded ceramic vase. Cascading clusters of white, lavender, and deep violet blossoms fill...

Summer Moon White House oil/panel 12 x 16 unframed, 18.25 x 22.25 framed pictured both silver or black. Summer Moon White House is an oil painting on canvas panel that showcases the ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

In this contemplative still life, Helen Oh transforms an ordinary interior moment into a study of quiet tension and sculptural form. A pale conch shell rests heavily on a vivid red c...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

In this evocative winter landscape, painted in 1941, Swedish artist Olof Walfrid Nilsson captures the serenity and quiet grandeur of a frozen lake bathed in gentle afternoon light. E...

Shipped from Thailand because i am living here in 2025 Acrylic on canvas Shipped well protected, unframed

Moody skies over the sea. Richard K Blades’ To Return is a captivating artwork that captures the vastness and drama of a seascape, where earth and sky blend in a mesmerizing dance. ...

Olio su tela. Scuola genovese del XVIII secolo. Il paesaggio di campagna vede ergersi al centro una struttura fatiscente, i ruderi di un edificio attraverso le cui pareti squarciate ...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

Antonio GUANSE (1926-2008) Pipe Smoker, 1977 Oil on canvas Signed and dated Countersigned and dated on the back On canvas 61 x 50 cm Presented with the wooden frame 62.5 x 51 cm Ve...

Charles Pachter returns to the Canadian wilderness for this painting. The internationally recognized pop artist has chosen to celebrate the sumach, a tree that is native to North America. Pachter’s sumach frames an orange harvest moon which appears in the fall. Farmers often use the light of this full moon to harvest their crops late into the night. Pachter’s moon is small and distant and the thin line of a lake and mountain in the background give the painting a greater depth of perspective. A painter, printmaker, sculptor, designer and author Pachter is a graduate of University of Toronto...

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

This pop art painting of a Canadian flag is by Charles Pachter. One of Canada’s much-loved and collected contemporary artists, Charles Pachter, is renowned for his iconic pop art im...

Pete Kasprzak’s passion for city night life is expressed in his vibrant urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes, capturing the energy and movement of bustling streets. With acrylic paint on canvas, he crafts one-of-a-kind artworks that illuminate the city night sky. Pete Kasprzak created this original 48-inch high by 36-inch wide acrylic painting...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Oil on wooden table realized by Giovanni Gromo in 1980s. Hand monogrammed. Good condition.

This pop art painting of a Canadian flag is by Charles Pachter. One of Canada’s much-loved and collected contemporary artists, Charles Pachter is renowned for his iconic pop art ima...

Oil on canvas 20 x 37 ¼ inches; 50.8 x 94.6 cm Framed dimensions: 67.5 x 110.5 cm Not signed c.1744-1745 Collections: Possibly John Charles Middleton (1757-1793); Revd Frederick M...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

A delightful still life in oil by contemporary British artist Bernard Myers (1925-2007). In his distinctive style, Myers depicts a minimalist table arrangement of cherries and flower...

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawi...

"Exotic," 2019. Enamel on panel, sign painting, black, white, and red. Hand lettering

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Door #12 (Magazines)" (2018) by Francesca Reyes Original oil, acrylic and paper on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she h...

Wonderful 1940's Swiss winter scene with snow covered chalet in valley, by an unknown artist, c.1940's. Signature illegible lower right. Presented in period rustic frame. Image size...

33 x 41" framed, acrylic on canvas yellow black gray I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of ...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

"Valle Ambles - Ambles Valley" by Gloria Saez is a horizontal landscape in oil paint on canvas with soft blues, yellows, and greens. The layers of under-painted color infuse each s...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Ashley John is proud to offer this artwork by: J Alden Weir (1852 - 1919) Born in West Point, New York Julian Alden Weir received his first art training from his father, Robert W. Weir, who was a professor of drawing at the United States Military Academy. The younger Weir continued his studies in New York at the National Academy of Design and in Paris at the Ecole des Beaux-Arts where he worked under the important academic teacher Jean-Léon Gérôme beginning in 1873. Traveling to Holland and Spain during his student years, Weir was inspired by the work of Hals and Velasquez. However, the major influence on his early career was the French painter Jules Bastien-Lepage, who was well known for his realistic depictions of Breton peasants in the outdoor landscape. On his return to New York in the fall of 1877, Weir supported himself by teaching at the Cooper Union Women's Art School and at the Art Students League. He was also active in avant-garde artist organizations that began in the late 1870s, helping to found the Society of American Artists and participating in Tile Club...