Face Paintings

Attribué à Claude-Marie Dubufe (1790–1864) Jeune femme à la toilette Huile sur toile, 60 x 74 cm Cadre ancien doré à la feuille Élégamment mise en scène devant un fond rouge profond...

America Martin "Portrait In Olive & Peach" Oil & Acrylic on Canvas 30 x 24 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

Roman Girl At Fountain After Leon Bonnat by L. Luige c.1876 Original oil on canvas This is a period copy of the painting by Leon Bonnat (the original wa...

Louis Cretey (Lyon, France, 1635 - 1702) Title: Saint Sebastian Medium: Oil on canvas Dimensions: with frame 91 x 75 x 5 cm - without frame 77 x 60.5 cm With a "cassetta" frame in ...

Morley is a Los Angeles-based street artist. Blending humor, hope and his unique perspective on life, he specializes in bold, typographic posters wh...

A stylish portrait completed in the style of Tamara de Lempicka. The subject of the portrait is a striking young woman with long black hair and piercing blue eyes. Unsigned. On canva...

Provenance: Possibly Antonio Amici Moretti, Rome, 1690 Roy Clyde Gardner, Union, Mississippi, 1970s until 2004; by whom given to: Mississippi Band of Choctaw Indians, 2004-2010 Lit...

This mixed media painting on wood panel (ready to hang) includes an "appropriation" (or deliberate borrowing) of a Madonna painted by the Italian painter Botticelli, in 1485. The wo...

"Desert Dream" Figurative Painting 13" x 20.5" inch by Ahmed Saber Medium: acrylic, ink & colored pencil on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor...

Signed on the bottom right is "J. Braze", Osip Emmanuilovich Braz (1873 - 1936), renowned as a Russian-Jewish realist painter. As the scene unfolds on the canvas, we witness the gran...

Roman school of the 17th/18th century The nymph Daphne with Cupid Oil on canvas 49 x 57 cm Framed 69 x 75 cm This extremely pleasing and decorative painting depicts a nymph ...

A striking profile depiction of a man in the driver's seat of a car. Painted in an expressive style in a vibrant colour palette. Signed and dated to the lower left. Titled to the rev...

The painting was exhibited at personal and all-Ukrainian exhibitions and art salons

This charming British 1930's Post Impressionist portrait oil painting of a ballerina is by noted female artist Cathleen Sabine Mann. Ballerinas are a popular subject matter in art, conveying great poise, movement and elegance and of course made popular by Degas. A similar composition featuring the same ballerina, but holding a black cat, is held in the Glasgow Museums Resource Centre. In our lovely painting from 1935, the dark haired ballerina is at rest, perched on the edge of an armchair, her pink tutu...

Artist: Slonem, Hunt Title: Red Clover Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Prove...

Joan Beltran Bofill - Two Women with a Vase of Flowers

Medium: Mix media, hand painted with Oil and Acrylics, finished with Spray paint, stencils on Canvas Size: 39 x 39 in Movement & Style: Pop Art, Urban Art, Contemporary Art ...

Ritratto di figura fanciullo dai tratti estremamente delicati rivolta a destra, con sguardo sognante, in un'ambientazione idilliaca da cui si nota il colore del cielo e la presenza d...

Affen Segun was born in 1993 in Lagos, Nigeria. A native of Bayelsa State, he discovered his love for art at a young age, and later got enrolled in a roadside art shop to start to ho...

Work on canvas

Jean BURKHALTER (1895-1982) Saint Clare of Assisi, 1944 Gouache and white chalk cardboard glued on panel ; mis au carreau Dated "1944" and located “Saint-Etienne” on an old label on ...

Artist: Michael Knigin, American (1942 - 2011) Title: Be Tender Year: 1991 Medium: Enamel and Acrylic on Canvas on Board, signed and dated in pencil Size: 48 x 58 inches

Signed and dated "N MAE / 1691" (lower right) Oil on canvas A masterful example of 17th-century Dutch portraiture, this magnificent oil on canvas comes alive with luminous color, dramatic contrast and extraordinary detail. The work was composed by Nicolaes Maes, an artist widely regarded as the most prominent portrait painter of his era in Amsterdam. Fashionably styled, Portrait of a Noble Lady exemplifies the mature style of Maes, executed with the same artistry and attention to detail he imparted on his most important private commissions. This work by Maes comes from the second half of his career and follows in the rich tradition of the great Flemish Baroque painters Peter Paul Rubens and Anthony van Dyck. Like these artists, Maes excels at not only capturing his subjects with a technical perfection but also their inherent elegance and grace. The sitter is draped in luxurious white and red silks and pearls, underscoring the importance and prosperity of his wealthy clientele. She is placed against a dark backdrop, enabling a striking chiaroscuro effect characteristic of the artist’s portraits. Maes’s immense talent for detail and composition is clearly evident. In both palette and proportion, it embodies the somewhat austere style preferred by the artist, which emphasized a painstaking study of the costumes, hairstyles and accessories of his subjects. Such elaborate and highly detailed costuming in portraiture was a fashionable way to show one's wealth in the 17th century, particularly among the emerging class of wealthy merchants. Similar works by the painter can be found in the Rijksmuseum (Amsterdam), National Gallery (London), National Gallery of Art (Washington, D.C.), Metropolitan Museum of Art (New York) and Philadelphia Museum of Art, among others. Nicolaes Maes was born in Dordrecht in 1634 to a prosperous cloth merchant. Around 1848, he moved to Amsterdam to study under Rembrandt for several years before returning to his native Dordrecht, where he established himself as a painter of genre scenes and portraits. In the 1650s, Maes traveled to Antwerp where he studied the work of Flemish artists such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens...

Artist: Henry Perronet Briggs, Attributed to, English (1793 - 1844) Title: Juliet and Her Nurse with the Page Peter from Shakespeare's Romeo and Juliet Year: circa 1820 Medium: Oil o...

Oil on oak panel Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Period style hand made frame This is a self-portrait is most likely by a 17th century English...

The painting will be sent in a tube. The original painting "Queen Elizabeth II" was created with colourful acrylic paints on a standard canvas. Ideal for your home, living room, d...

Recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse. Part of an ongoing series by the artist in his humorous observation of humans and their pets ABO...

François Zdenek Eberl (born May 25, 1887 – October 8, 1962) was a painter born in the Austro-Hungarian Empire who primarily worked in Paris. The scene shows the wife of a prison guar...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: The Red Shoes Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 33 x 23 in. (83.82 x 58.42 cm) Frame ...

A striking contemporary work in oil, attributed to Paul W. Ozere. Unsigned. Presented in a white painted distressed wooden frame. On board.

Dancers in Veils (56) John F. Leonard American (1921–1987) Date: circa 1960 Oil on Board Size: 20 in. x 16 in. (50.8 cm x 40.64 cm) Frame Size: 26 x 22 inches

Mixed media contemporary vibrant floral painting on a gallery wrap canvas. Color and line work offer a subtle nod to Matisse. Playful use of color and shape. Varnished and wired. Fin...

Wonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...

Italian painter (19th century) - Portrait of a gentleman with a book. 92 x 71 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Immaculate Conception #1" from the "Perichoresis...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on ...

Alexander O. Levy was a painter, illustrator, printmaker and designer who was born in 1881 in Bonn, Germany. He died in 1946 in Buffalo, New York. At age three, he was brought to ...

"The Woman on the Sofa" is a beautiful and impressive oil on canvas by Antonio Feltrinelli. It was realized between the end of the 1920s and the beginning of the 1930s and represents...

34 x 28 overall Canvas laid down on artist board Signed lower right Overall in gold leaf frame 30x24 inches R.W. Rowe Circa 1970’s

A large contemporary oil painting by Pauline Plummer (b.1933), depicting a reclining female figure positioned on a golden-yellow throw. On canvas on stretchers.

Artist : Ryan Wilks Title : All Are Welcome Materials : Holy Water, Watercolor, Glass Shards, and Black 3.0 on Arches Paper Date : 10-01-2020 Dimensions : 2...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Circle of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart Oil on canvas Image...

(early 19th century) unsigned English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Antique Italian painting from the second half of the 18th century. Religious painting depicting the Virgin of Sorrows, of excellent pictorial quality. Oil on canvas framework recentl...

Portrait of Bishop Gaspard Mermillod is an original artwork realized by an artist belonging to the Roman School of 19th Century. Mixed colored oil on canvas. The bishop depicted in the painting examined here, as suggested by the coat of arms represented at the top left, is the Swiss Gaspard Mermillod, born in Carouge on 22 September 1824. Mermillod is known to have been one of the most active representatives of social Catholicism and one of the eminent personalities who formed in Rome that "select committee" set up in 1882 by Pope Leo XIII...

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on Blue Background, c. 1950 Oil on hardboard Signed lower left On hardboard, 55 x 46 cm (c. 22 x 18 in) Presented in a 74 x 64 cm (c. 3...

Beautiful and detailed original oil on canvas by Armenian/American artist Hovsep Pushman. The sitter is Mary Bernard whose father was Jean (Juan) Bernard and whose mother was Susan M...

Neapolitan caravagist artist, 17th century SAINT THOMAS APOSTOLE oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint James the Mi...

Portrait of a Lady, English School Mid-1600s oil painting on canvas in good condition. La giovane donna ritratta a mezzo busto, identificata come Jane Bromley è dipinta con un copric...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Holy Family. 32 x 26 cm without frame, 36 x 30 cm with frame. Pencil and white chalk drawing on paper, in a gilded wooden ...

Sudipta Kundu - Ganesha Acrylic on Canvas, 36 x 24 inches , rolled and shipped . For framed delivery contact us for the additional costs From Kolkata, West Bengal, INDIA. Paintings...

Samir Sarkar Untitled, Figurative, For All Our Activities 48 x 42 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headg...

Raminta S.R. Mint, a young and emerging artist, challenges traditional representations of the body, positioning it as a reflection of contemporary society’s fixation on physicality a...

Musicians (7) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Canvas (unsigned) Size: 23 in. x 47 in. (58.42 cm x 119.38 cm)

Portrait Of A Regency Gentleman, 19th Century European School - unfinished study Large 19th Century European School unfinished portrait of a gentleman, oil on canvas. Excellent qua...

artwork is 11 1/2 x 9 inches, Professionally matted in an 8ply museum mat and backing and comes in an archival sleeve. Ready for framing or for presentation. All archival materials u...