Table Paintings

Oil on Canvas

Born on April 24, 1966. 1984 graduated from Nikoladze Art College. During 1984 – 1990 he had been studying in Tbilisi State Academy of Arts. Exhibitions of his works have been held regularly in Germany (Berlin, Cologne, and Bonn), Switzerland (Bern, Basel, and Zurich), and Italy (Merano) since 1992. Exhibitions: 2011 - Chardin Art...

This is a large statement piece of art. It is painted in a gestural and loose way mainly in blue and green hues. Inspiration was found at the side of Lake Geneva in Montreaux. Along ...

Portrait of friends at Sunday morning coffee. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ...

A family sitting around a dinner table. Ladies Home Journal interior illustration Signed lower right. Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur Spear...

Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting captures the metallic feel of the Motor,scal...

Painting: Oil on Cardboard Original: One-of-a-kind Artwork Size: 36 W x 77 H x 0.2 D cm Frame: Not Framed Ready to Hang: No Packaging: Ships in a Box :: Painting :: Impressionis...

Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...

Exercise in simplification. I always strive to paint a little less complex images and this is the latest try. Still a little complex but much simpler than others. The sea is painted ...

Oil on Hand-carved Mahogany

Medium: Oil on Canvas Signature: Signed Lower Left

Date: 1940s Medium: Oil on Canvas Dimensions: 33.00" x 37.00", Framed 42.00" x 38.00" Signature: Signed Presumably Advertising for Maxwell House Coffee ...

Medium: Oil on Canvas Signature: Signed Lower Left Harper's Monthly, 1917.

Dinner for two look out at the Empire State Building, NYC

Medium: Oil on Board Dimensions: 16.00" x 20.00" Signature: Signed Lower Right Story Illustration

"Holly Trinity" is a painting by Eleonora Droumeva. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed Weight: Approximately 2 ...

Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...

Original cover for Liberty magazine, published October 2, 1926 Sandy glowers as he sits at the table watching his rival Babe Dolan, the athletic lifeguard, flirt with Lil. Lil is entranced as Babe promises to make her a champion swimmer and the two are oblivious to the arrival of the waiter with the check, which Sandy reluctantly pays with nearly all of the remaining money in his wallet. (Liberty magazine, October 2, 1926, p. 54) This cover illustration was produced right after Liberty ceased their title contest for readers. “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

Original cover for Liberty magazine, published August 17, 1929. Lil calls Sandy down to a nice breakfast to be served in her new fruit dishes, as she asks Sandy to bring her purse and materials to fix the carpet runner, which he forgets. Lil is horrified to find her sideboard key in baby Ulysses’ mouth and she proceeds to feed the baby while asking Sandy to give her updates on a recent triple suicide outlined in the newspaper. Ulysses pounds his cereal spoon, sending sprays of milk across the table onto Sandy’s elbow and Lil’s new fifty-dollar negligee. (Liberty magazine, August 17, 1929, p. 38) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are stories of recurring human issues often prompted by a twisted reality. Ushenko’s earlier works where primarily mythological and allegorical. Her later works are focused on depicting human situations and interactions of people who are both living and dead. These paintings represent social situations, timeless stories and enduring issues that are rendered with a contemporary twist. Always a significant element in Ms. Ushenko’s work is her integration of Venetian Renaissance methods of paint application with Impressionist color and light theory. The combination of the old masters’ technique of glazing the canvas and carefully layered surfaces of paint enhance the luminosity of Ushenko’s work. Audrey Ushenko has exhibited her work extensively throughout the United States including several shows at Denise Bibro Fine Art, NYC; the Fort Wayne Museum of Art, IN; The National Academy of Design, NYC; University Museum, Southeast Missouri State University, Cape Girardeau...

Warm and inviting Mid-Century oil painting on board with a peaceful approach to what must have been the artist's humble slant front desk where he sketched. One of six Robert Blanchar...

Signature: Signed Lower Right

Pierre's Winter Salad and Amaryllis Mixed Media Painting 60 x 48 inches Artist's Commentary: "This is a great salad recipe including grapefruit, avocado and peppermint. My kitty...

Date: 1932 Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed "J.F. Kernan" Lower Right Cover illustration for Capper's Farmer magazine, July 1932

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

ALASTAIR GORDON Feather, Levitating , 2019 Acrylic on OSB board Diameter: 40 cm Diameter: 15.7 in. (AGo020) Gordon is a London based artist, currently...

A Surgeon for Susan

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

Medium: Oil on Canvas Signature: Signed Lower Right Image of men raising their glasses in a toast.

Pierre Jaggi was born in Geneva on February 25, 1957, where he spent his childhood and completed his secondary studies. At 18 he decided to travel the wide world. He left for Asia, for a 9-month journey that took him to India and Nepal after crossing part of Afghanistan on horseback. He takes a keen interest in indigenous ways of life and various local crafts. Subsequently, he crossed the Sahara, which he will cross again on various occasions. Driven by a thirst for adventure, he embarks on a pirogue and descends the Niger River with other companions. This experience on the borders of our civilizations will earn him the knowledge of the essential and the relative. At the age of 20 he worked on a cargo ship bound for Togo and continued his journey through West Africa. After a short stay in Switzerland, he returned to Africa for two years during which he learned to shape the earth and produced various murals. Then it is the meeting with South America, the Andean populations and their pre-Columbian history, the crossing of the Amazon on the Amazon river. This is the period of his first travel photos. In Brazil, he manufactures sets and jewelry, and embarks from Rio as a crew member on a sailboat to cross the Atlantic. This 45-day crossing to Cape Town will remain a milestone in its existence. Back in Geneva in 1982 he met the one who would become his companion. With her, he will navigate in the movement of the School of Fine Arts, after returning to Africa to learn about traditional techniques of lost wax casting. In Bobo-Dioulasso he meets the master founder who will pass on his knowledge to him. With friends, he built earthen huts in a bush village, and it was there that they held bronze workshops in 1984 and 1985 for students from the Geneva School of Fine Arts. He will return each winter to this African village to deepen his knowledge of bronze casting and continue his plastic research. He also photographs the natives during customary festivals. At the same time, he presents his first sculptures in a gallery in Geneva. In 1988, he went to Uruguay for a year with his partner Arlette, it was there that their daughter Alizée was born. He set up a foundry workshop and made several sculptures which he exhibited in Buenos-Aires, Montevideo, and Punta del Este. He fell in love with the old cars that crisscrossed the roads of Uruguay and bought a Ford A 1929 pickup truck, in which he would later carry out a photographic report. Back in Europe, he settled in France with his family, restored an old farmhouse, set up a workshop and executed the sculpture “Corps et Graphie” inaugurated in Geneva in May 1991. He exhibited in various galleries in Switzerland and France. His son Valentin was born in 1994. In 1996 he returned to Uruguay to make a report on “cachilas” (popular name given to old cars in Uruguay). That same year, he led a bronze internship during the Borne ceramic meetings. He incorporates other materials in his sculptures, such as wood, iron and stone, and works the earth again. His works, anthropomorphic in character, tend to purify lines and volumes and orient themselves towards stylized figuration and abstraction. In 1998 he won the “Year 2000” competition organized by the municipality of Gd-Saconnex in Geneva, and exhibited at the Shakan gallery in Lausanne. Inspired by nature, he presented his first outdoor installations during the Open Doors Workshops in the Cher in 1999, and became a member of the Center Céramique de la Borne. In 2000, he participated in the first Contemporary Art Fair in Bourges and exhibited at the Voutat gallery in Geneva. At the beginning of 2001, he returned to Uruguay in order to prepare the publication of a photo book for the “Ides et Calendes” editions, which would be released in September of that same year under the name “Cachilas, a story of jacks in Uruguay. In 2002, he exhibited at the Diorama gallery in Geneva, at the Shakan gallery in Lausanne, at the Contemporary Art Fair in Bourges, and created the North / South installation on the Esplanade Montbenon in Lausanne. At the same time, he took over the presidency of the Artipousse association which runs plastic arts workshops in rural areas in the Cher department. In 2003, he became a member of the Association of Sculptors of Geneva, he won the competition for the review Accrochage, and exhibited at the Beaujon space in Paris, invited by the City Hall of the 8th Arrondissement. In 2004, he exhibited as a guest artist at the Center de Création Céramique de La Borne on the theme of the pebble, and presented at the third Contemporary Art Fair the work "Triptych" which will be acquired by the city of Bourges. In 2005, commissioned by the city of Onex, he produced “Rencontre”, an artistic intervention on a sequoia in Brot Park in Geneva, a sculpture from which a tray will be extracted which will become a palaver table for the inhabitants of the district, place du 150ème. . In 2006, he mounted a solo exhibition at the Ferme de la Chapelle gallery in Geneva, then inaugurated the work Triptyque at the 3rd Biennale of Contemporary Art in Bourges. He then participated in the Lancy Quadrennial in Geneva, as well as the 8th edition of Quid Novi? in Gaillard. He also presents his work at the Simple gallery in Gstaad. In 2007, he was one of the winners of the 1% Artistic Competition at the Collège d'Isneauville in Rouen and presented the “Growing Up” project there. Then, he exhibited at the Galerie du Théâtre Mac-Nab in Vierzon where the city acquired the sculpture “Colossus”. Then he took part in the “Art in all its States” event in Limay where he carried out an in situ intervention on chestnut trees. He also exhibits at the United Nations Palace in Geneva. As part of a call for tenders, he inaugurates a Wall Signage Sculpture that he produced for the Sports Complex of Belleville-sur-Loire. In 2008, he participated in the Rencontres des Arts in Mers-sur-Indre, as well as in the 17th International Ice Sculpture Competition in Valloire. In 2009, he was invited to the workshop of the International Snow and Ice Sculptures in Hovden, Norway. He took part in the “Featherweight” exhibition at the Ferme de la Chapelle gallery in Geneva, then produced a fish for the “O'Fish Parade” event which took place as part of the Loire Festival in Orléans, and presented one of his new sculptures for the 11th edition of Quid Novi? In Gaillard. In 2010, he won the 19th International Ice Sculpture Competition in Valloire, and exhibits its terracotta pebbles during the “Territories in Movement” of Contemporary Ceramics Japan / France in Paris. In 2011, he won the 20th International Ice Sculpture Competition in Valloire, and exhibited his sculptures during the “A painter & a ceramicist” Opus I meetings, at the Center Céramique Contemporaine La Borne. In 2012, he exhibited new pieces for Opus II of the CCCLB. It presents wood and pebble sculptures...

Created by Christopher Stott, this 4 foot by 8 foot painting encompasses all the elements the artist is known for in his composition.

Major George Washington Littlefield died in 1920. He commissioned E. Martin Hennings around 1910 to do six large paintings of scenes from his 235,000-acre ( part of the XIT ) ranch to hang in his bank in Austin. I have included photos of the paintings hanging in the bank from the Littlefield Book. I am not sure, but the bank possibly went under sometime in the 197s-1980s. All of the art and antiques were stored, and they had a sale. We have 3 of the six murals that were commissioned by Littlefield. I have about 40 pages of info on Littlefield and the murals. Too much to enter now but I will be scanning that info later this week. The Littlefield mansion is still in Downtown Austin. At one time he was the richest man in the state. He was UT's biggest donor for several years prior to his death. The paintings are 34 x 130 35 x 144 35 x 119 Two are hanging in my friend's ranch house. The other is of a large herd of Hereford Cattle. It is actually pictured on the cover of the Biography of George Washing Littlefield. Littlefield, George Washington (1842–1920). George Washington Littlefield, cattleman, banker, and member of the Board of Regents of the University of Texas, son of Fleming and Mildred Terrell (Satterwhite) White Littlefield, was born in Panola County, Mississippi, on June 21, 1842. The family moved to Texas in 1850 after a confrontation between Fleming Littlefield and his wife's family. In marrying Fleming, her overseer, after the death of her first husband, Mildred in her family's eyes had married beneath her station, an action to which her family objected. George grew to young manhood on the family plantation near Belmont, Gonzales County, helping his mother to manage the place after Fleming's death in 1853. George received a basic education in Gonzales College and Baylor University, 1853–55 and 1857. With the outbreak of the Civil War in 1861 George enlisted in Company I, Eighth Texas Cavalry (Terry's Texas Rangers), which fought in the Army of Tennessee. Before his military career was ended at Mossy Creek, Tennessee, on December 26, 1863, by an exploding cannon shell, George rose to the rank of company commander, the youngest in his regiment, and fought at Shiloh, Perryville, and Chickamauga. At Mossy Creek he was promoted to major, a title by which he was addressed after the mid 1880s. Back in Texas after being discharged in 1864, he took control of a plantation belonging to himself and his brother, and "went to work to make the best, as he thought, of a miserable life, having to carry his crutches everywhere." During the war, on January 14, 1863, George married Alice Payne Tillar, with whom he had two children, both of whom died in infancy. In his business ventures thereafter, George Littlefield, who had a highly developed sense of family, utilized nephews and the husbands of nieces as managers. George's first year's farming after the war ended in disaster caused by three years of worm infestation and flood. Even the road-side store he opened, which prospered because George accepted barter, in particular cattle, could not make up for the losses. In 1871 he gathered a herd of cattle, half of which were his and the rest belonging to his brother, bought more, and drove the herd to Abilene, Kansas, where he sold the animals for enough to discharge all of his debts and leave him with $3,600 "to begin business." Over the next several years entrepreneur Littlefield opened a dry goods store in partnership with J. C. Dilworth in Gonzales, bought and trailed cattle, bought ranches in Caldwell and Hays counties, and developed his plantations. In the trailing business, Littlefield commonly bought his cattle, rather than, as most trailing contractors did, trailing them for a fee. He took the greater risk but reaped the greater reward in their sale. In 1877 Littlefield bought water rights along the Canadian River near Tascosa and established the XIT Ranch which he sold in 1881 for $248,000. Littlefield rejoiced that he had obtained "far more money than he had ever expected to have" and thought of retiring at thirty-nine years of age. But he did not retire, as "he learned. . .that the more money a man makes, the more he has to make, that a man's world opens up a little bit wider with each deal and demands become heavier." In 1882 Littlefield followed the advice of his principal ranch manager, half-nephew J. Phelps White, and purchased water interests sufficient to control some four million acres of land in New Mexico east of the Pecos River between Fort Sumner and Roswell, on which he established the Bosque Grande Ranch. In 1883 he bought the site of the first windmill on the New Mexico plains at the Four Lakes north of Tatum and developed the Four Lakes Ranch with windmills and barbed wire to control access to water and permit upgrading of stock. His cattle after 1882 carried his LFD brand on their right side. In 1887 Littlefield began acquiring land in Mason County, which soon spread over some 120,000 acres in adjacent Kimble and Menard counties, a ranch he put under management of half-nephew John Will White. In the 1890s Littlefield assembled acreage that came to be known as the LFD Farm in Roswell, New Mexico, on which he established an apple grove, grew forage for cattle, recruited his horses prior to the spring round-up, and maintained the pure-bred bulls that he used to upgrade his herds. Littlefield climaxed his ranching operation in 1901 with the purchase for two dollars per acre of 235,858 acres of the Yellow House (southern) Division of the XIT Ranch in Lamb and Hockley counties. To reach the prevailing wind above the escarpment at the ranch headquarters, Littlefield put up a windmill 130 feet tall to the top of the fan, claimed at the time to be the world's tallest windmill. In 1912 he established the Littlefield Lands Company under Arthur Pope...

Daniel Sprick's (US based) "Bluebird" is an original, handmade oil painting that depicts a still life with a bird skeleton, a blue jar, a blue bowl and a broken eggshell. Currently on display at the Madden Museum through April 28, 2024, but available for shipping in early May. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Paul G. Oxborough's mastery as a painter has been firmly established over a decades-long career. His ability to render light in a room has been compared to the work of Velázquez; the...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

This ethereal artwork measures 40 inches high and 30 inches wide, with a vertical orientation that demands attention. Designed for your convenience, it comes stretched and ready to hang, and painted on the sides to provide a seamless continuation of the painting without requiring framing. A distinctive hand signature by the artist can be found in the bottom right corner, adding a personal touch to the piece. This artwork is from the artist's "Stories Of The Unseen". She says of this collection, "Home, and the objects that make up the place where we dwell. Can these basic elements of our daily existence take us beyond our mundane tasks? I pose the question that they may guide us in our earth bound life, while being a framework to transport us into a higher plane. You the viewer will find the answer." Jill Daniels’s talent as a painter also translated into a highly successful career working with entertainment studios. Jill is a two time individual achievement Emmy winning Art Director, Emmy nominated Producer, and visual development artist. Her artistry has been crucial in developing the look for many Emmy winning productions for a wide variety of studios including, Netflix, Disney Animation, Illumination / Dreamworks / Universal, PBS, Sony Pictures, CTN Development Shorts Program, FOX, Warner Brothers, and Nickelodeon Original Movies to name a few. Some favorite projects have been art directing Phineas and Ferb with Disney, and visual development on various Minion properties with Illumination, along with creating short animated films using...

"Alphabet Soup" (2019) acrylic on fabric with black wood frame, figurative interior, portrait, woman seated at table eating soup and Bloody Mary cocktail, sharing spoonful of soup wi...

Green Room (2022), oil painting on canvas, earth tones, interiors, greenhouse, windows, human figure, potted plants, wooden floor "Green Room" by Delilah Ray Miske...

Harmony (family kitchen) -naive art, made in green, red, blue, yellow collor. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

Acosta 2021 Acrylic Painting 51.2x35 $7,500 Every picture is a collage that Beatriz pieces together to rebuild an everyday scene of her life in the past. What has survived in memory...

Formerly from the collection of Carl Crossman, the esteemed and popular appraiser and expert on Antiques Roadshow.

oil on linen over panel

oil on linen over panel

oil on canvas

oil on linen on panel

oil on linen on panel

oil on linen on panel

oil on linen on panel

oil on linen on panel