Table Paintings

Ina Pesenka, Gordon Beach in the winter, Oil on canvas, Tel-aviv beach, israeli artist, Israeli art, art

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Original Painting by Mavis Smith. Mavis Smith (b. 1956, Trenton, NJ) studied art and design at the Pratt Institute in New York and completed her studies in 2002 at the Seattle Acad...

Extra large contemporary acrylic painting on canvas. Only the finest paints were used. It's made with high quality beautiful organic pigments on stretched high quality canvas. ...

A boy cleans his hands with the help of his mother as he assists her in the kitchen. Probable magazine story illustration Medium: Oil on canvas Artwork Dimensions (sight): 27.5" x ...

In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...

Oil on linen, 20 x 26 in.

Date: 1918 Medium: Oil on Mounted Canvas Signature: Signed Lower Left Dimensions: 24.70" x 18.20" Illustration from “The Fire Flinger’s” written by William J. Neidig, featured ...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 26.00" x 24.00", Framed 32.00" x 20.00" Original cover illustration for The Saturday Evening Post, December 12, 1959. T...

Only the highest quality oil paints and materials are used in my works. After the paintings are finished, they are covered with a special varnish to protect them from the dust and di...

A walk in the moonlight in the woods in the freshly fallen snow not knowing you are being watched by a family of foxes :: Painting :: Folk Art :: This piece comes with an official c...

Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting captures the metallic feel of the Motor,scal...

Painting: Oil on Cardboard Original: One-of-a-kind Artwork Size: 36 W x 77 H x 0.2 D cm Frame: Not Framed Ready to Hang: No Packaging: Ships in a Box :: Painting :: Impressionis...

Oil on canvas Tinatin Chkhikvishvili is a Georgian artist born in 1980 who lives and works in Tbilisi, Georgia. She was graduated in 2002 from ...

Oil on canvas Tinatin Chkhikvishvili is a Georgian artist born in 1980 who lives and works in Tbilisi, Georgia. She was graduated in 2002 from the State Academy of Arts in Tbilisi. ...

"Rack Them Up" is part of my Glitch series which combines realism that blends with digital aesthetics This series is based on photos that I made and combined with some graphic effec...

The illustration shows a young bride and groom at their wedding table above an older couple sitting down for a nice formal dinner. Probable Family Herald Magazine Illustration, May 1957 Much like Norman Rockwell, Kurt Ard...

Painting, Oil on Cardboard Size: 60 W x 55 H x 0.2 D cm Ships in a Box :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

Story illustration for “The Invisible Client” by Melville Davisson Post, published in American Magazine, December 1926, pages 20-21. The full caption reads: “The nephew, advancing,...

Exercise in simplification. I always strive to paint a little less complex images and this is the latest try. Still a little complex but much simpler than others. The sea is painted ...

Oil on mirrored cardboard Mariam Odishvili is a Georgian artist born in 1994 who lives and works in Tbilisi, Georgia. She mainly uses oil on canvas. ...

Oil on Hand-carved Mahogany

Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...

Artwork is done by smearing colors on the canvas using a combination of brush and knife to create a deeply textured rough raw unfinished look. Painting tries to capture the timeles...

a series of interior that I did a few years back, painted in my studio in Hangzhou, China :: Painting :: Realism :: This piece comes with an official certificate of authenticity si...

I've been charmed by Pantone's choice for the color of the year: honeysuckle. This oil painting is framed in 1 1/2" cradled masonite. The wide sides are painted grey to match. W...

Medium: Oil on Board Dimensions: 16.00" x 20.00" Signature: Signed Lower Right Story Illustration

One night while watching television I stumbled upon this gameshow called Lingo where two teams have to guess a word within a maximum of five turns. Here you see team 1 with candidate...

Oil on canvas Natia Sapanadze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. Natia's alternative profession is a philologist besides she has started paint...

Oil on canvas Natia Sapanadze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. Natia's alternative profession is a philologist besides she has started painti...

Adapted from a piece of old advertisement for early computer technology. :: Painting :: Photorealism :: This piece comes with an official certificate...

"Stacked Plates and Cups on Blue Patterned Cloth," Oil on Canvas, 24 x 30 Inches. Elegant, whimsical still life of of two large stacks of cups and plates against a lavender fleur de...

Signature: Signed Lower Right

Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...

Medium: Oil on Canvas Signature: Signed Lower Left

Born on April 24, 1966. 1984 graduated from Nikoladze Art College. During 1984 – 1990 he had been studying in Tbilisi State Academy of Arts. Exhibitions of his works have been held regularly in Germany (Berlin, Cologne, and Bonn), Switzerland (Bern, Basel, and Zurich), and Italy (Merano) since 1992. Exhibitions: 2011 - Chardin Art...

Medium: Oil on Canvas Signature: Signed Lower Left An oil on canvas en grisaille genre interior scene depicting a woman reading a letter with child and gentleman looking on.

Story illustration for “Jacob’s Ladder” by Arthur Train for Ladies’ Home Journal, published February 1935, page 76. The scene pictures a couple getting married at home surrounded...

Original cover for Liberty magazine, published August 17, 1929. Lil calls Sandy down to a nice breakfast to be served in her new fruit dishes, as she asks Sandy to bring her purse and materials to fix the carpet runner, which he forgets. Lil is horrified to find her sideboard key in baby Ulysses’ mouth and she proceeds to feed the baby while asking Sandy to give her updates on a recent triple suicide outlined in the newspaper. Ulysses pounds his cereal spoon, sending sprays of milk across the table onto Sandy’s elbow and Lil’s new fifty-dollar negligee. (Liberty magazine, August 17, 1929, p. 38) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

THE INTROSPECTIVE SALVATION Mixed media, acrylic, spray paint, dry pastel, bold pastel, posca and marker on canvas - 40x40 cm - 2013 SALE PRICE: 850 €

Pierre Jaggi was born in Geneva on February 25, 1957, where he spent his childhood and completed his secondary studies. At 18 he decided to travel the wide world. He left for Asia, for a 9-month journey that took him to India and Nepal after crossing part of Afghanistan on horseback. He takes a keen interest in indigenous ways of life and various local crafts. Subsequently, he crossed the Sahara, which he will cross again on various occasions. Driven by a thirst for adventure, he embarks on a pirogue and descends the Niger River with other companions. This experience on the borders of our civilizations will earn him the knowledge of the essential and the relative. At the age of 20 he worked on a cargo ship bound for Togo and continued his journey through West Africa. After a short stay in Switzerland, he returned to Africa for two years during which he learned to shape the earth and produced various murals. Then it is the meeting with South America, the Andean populations and their pre-Columbian history, the crossing of the Amazon on the Amazon river. This is the period of his first travel photos. In Brazil, he manufactures sets and jewelry, and embarks from Rio as a crew member on a sailboat to cross the Atlantic. This 45-day crossing to Cape Town will remain a milestone in its existence. Back in Geneva in 1982 he met the one who would become his companion. With her, he will navigate in the movement of the School of Fine Arts, after returning to Africa to learn about traditional techniques of lost wax casting. In Bobo-Dioulasso he meets the master founder who will pass on his knowledge to him. With friends, he built earthen huts in a bush village, and it was there that they held bronze workshops in 1984 and 1985 for students from the Geneva School of Fine Arts. He will return each winter to this African village to deepen his knowledge of bronze casting and continue his plastic research. He also photographs the natives during customary festivals. At the same time, he presents his first sculptures in a gallery in Geneva. In 1988, he went to Uruguay for a year with his partner Arlette, it was there that their daughter Alizée was born. He set up a foundry workshop and made several sculptures which he exhibited in Buenos-Aires, Montevideo, and Punta del Este. He fell in love with the old cars that crisscrossed the roads of Uruguay and bought a Ford A 1929 pickup truck, in which he would later carry out a photographic report. Back in Europe, he settled in France with his family, restored an old farmhouse, set up a workshop and executed the sculpture “Corps et Graphie” inaugurated in Geneva in May 1991. He exhibited in various galleries in Switzerland and France. His son Valentin was born in 1994. In 1996 he returned to Uruguay to make a report on “cachilas” (popular name given to old cars in Uruguay). That same year, he led a bronze internship during the Borne ceramic meetings. He incorporates other materials in his sculptures, such as wood, iron and stone, and works the earth again. His works, anthropomorphic in character, tend to purify lines and volumes and orient themselves towards stylized figuration and abstraction. In 1998 he won the “Year 2000” competition organized by the municipality of Gd-Saconnex in Geneva, and exhibited at the Shakan gallery in Lausanne. Inspired by nature, he presented his first outdoor installations during the Open Doors Workshops in the Cher in 1999, and became a member of the Center Céramique de la Borne. In 2000, he participated in the first Contemporary Art Fair in Bourges and exhibited at the Voutat gallery in Geneva. At the beginning of 2001, he returned to Uruguay in order to prepare the publication of a photo book for the “Ides et Calendes” editions, which would be released in September of that same year under the name “Cachilas, a story of jacks in Uruguay. In 2002, he exhibited at the Diorama gallery in Geneva, at the Shakan gallery in Lausanne, at the Contemporary Art Fair in Bourges, and created the North / South installation on the Esplanade Montbenon in Lausanne. At the same time, he took over the presidency of the Artipousse association which runs plastic arts workshops in rural areas in the Cher department. In 2003, he became a member of the Association of Sculptors of Geneva, he won the competition for the review Accrochage, and exhibited at the Beaujon space in Paris, invited by the City Hall of the 8th Arrondissement. In 2004, he exhibited as a guest artist at the Center de Création Céramique de La Borne on the theme of the pebble, and presented at the third Contemporary Art Fair the work "Triptych" which will be acquired by the city of Bourges. In 2005, commissioned by the city of Onex, he produced “Rencontre”, an artistic intervention on a sequoia in Brot Park in Geneva, a sculpture from which a tray will be extracted which will become a palaver table for the inhabitants of the district, place du 150ème. . In 2006, he mounted a solo exhibition at the Ferme de la Chapelle gallery in Geneva, then inaugurated the work Triptyque at the 3rd Biennale of Contemporary Art in Bourges. He then participated in the Lancy Quadrennial in Geneva, as well as the 8th edition of Quid Novi? in Gaillard. He also presents his work at the Simple gallery in Gstaad. In 2007, he was one of the winners of the 1% Artistic Competition at the Collège d'Isneauville in Rouen and presented the “Growing Up” project there. Then, he exhibited at the Galerie du Théâtre Mac-Nab in Vierzon where the city acquired the sculpture “Colossus”. Then he took part in the “Art in all its States” event in Limay where he carried out an in situ intervention on chestnut trees. He also exhibits at the United Nations Palace in Geneva. As part of a call for tenders, he inaugurates a Wall Signage Sculpture that he produced for the Sports Complex of Belleville-sur-Loire. In 2008, he participated in the Rencontres des Arts in Mers-sur-Indre, as well as in the 17th International Ice Sculpture Competition in Valloire. In 2009, he was invited to the workshop of the International Snow and Ice Sculptures in Hovden, Norway. He took part in the “Featherweight” exhibition at the Ferme de la Chapelle gallery in Geneva, then produced a fish for the “O'Fish Parade” event which took place as part of the Loire Festival in Orléans, and presented one of his new sculptures for the 11th edition of Quid Novi? In Gaillard. In 2010, he won the 19th International Ice Sculpture Competition in Valloire, and exhibits its terracotta pebbles during the “Territories in Movement” of Contemporary Ceramics Japan / France in Paris. In 2011, he won the 20th International Ice Sculpture Competition in Valloire, and exhibited his sculptures during the “A painter & a ceramicist” Opus I meetings, at the Center Céramique Contemporaine La Borne. In 2012, he exhibited new pieces for Opus II of the CCCLB. It presents wood and pebble sculptures...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

Original oil painting on panel by artist Jacqueline Chanda. Framed.

James B. Moore (b. 1946) is an American realist artist known for still life painting. Moore was born in Chico, CA. He studied and earned an MFA from the College of Design in Pasadena...

Image dimensions: 60cm x 50cm Framed dimensions: 73cm x 63cm Signed lower left. Still life of strawberries with an assortment of dinnerware. Born in Antwerp on 17 May 1935, Wil...

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are stories of recurring human issues often prompted by a twisted reality. Ushenko’s earlier works where primarily mythological and allegorical. Her later works are focused on depicting human situations and interactions of people who are both living and dead. These paintings represent social situations, timeless stories and enduring issues that are rendered with a contemporary twist. Always a significant element in Ms. Ushenko’s work is her integration of Venetian Renaissance methods of paint application with Impressionist color and light theory. The combination of the old masters’ technique of glazing the canvas and carefully layered surfaces of paint enhance the luminosity of Ushenko’s work. Audrey Ushenko has exhibited her work extensively throughout the United States including several shows at Denise Bibro Fine Art, NYC; the Fort Wayne Museum of Art, IN; The National Academy of Design, NYC; University Museum, Southeast Missouri State University, Cape Girardeau...

Created by Christopher Stott, this 4 foot by 8 foot painting encompasses all the elements the artist is known for in his composition.

Paul G. Oxborough's mastery as a painter has been firmly established over a decades-long career. His ability to render light in a room has been compared to the work of Velázquez; the...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

This ethereal artwork measures 40 inches high and 30 inches wide, with a vertical orientation that demands attention. Designed for your convenience, it comes stretched and ready to hang, and painted on the sides to provide a seamless continuation of the painting without requiring framing. A distinctive hand signature by the artist can be found in the bottom right corner, adding a personal touch to the piece. This artwork is from the artist's "Stories Of The Unseen". She says of this collection, "Home, and the objects that make up the place where we dwell. Can these basic elements of our daily existence take us beyond our mundane tasks? I pose the question that they may guide us in our earth bound life, while being a framework to transport us into a higher plane. You the viewer will find the answer." Jill Daniels’s talent as a painter also translated into a highly successful career working with entertainment studios. Jill is a two time individual achievement Emmy winning Art Director, Emmy nominated Producer, and visual development artist. Her artistry has been crucial in developing the look for many Emmy winning productions for a wide variety of studios including, Netflix, Disney Animation, Illumination / Dreamworks / Universal, PBS, Sony Pictures, CTN Development Shorts Program, FOX, Warner Brothers, and Nickelodeon Original Movies to name a few. Some favorite projects have been art directing Phineas and Ferb with Disney, and visual development on various Minion properties with Illumination, along with creating short animated films using...

"Alphabet Soup" (2019) acrylic on fabric with black wood frame, figurative interior, portrait, woman seated at table eating soup and Bloody Mary cocktail, sharing spoonful of soup wi...

Green Room (2022), oil painting on canvas, earth tones, interiors, greenhouse, windows, human figure, potted plants, wooden floor "Green Room" by Delilah Ray Miske...

Harmony (family kitchen) -naive art, made in green, red, blue, yellow collor. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

Formerly from the collection of Carl Crossman, the esteemed and popular appraiser and expert on Antiques Roadshow.

oil on linen over panel

oil on linen over panel

oil on canvas

oil on linen on panel

oil on linen on panel