1890s Art

"Invocation" is an original lithograph with the blindstamp of L'Estampe Moderne in the bottom right corner. L'Estampe Moderne commissioned Marcel Lenoir ...

Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186. Transfer lithograph, 1897. Number of impressions unknown. Printed in Paris by Le...

Figure is an Original Charcoal Drawing realized in 1899 . Good condition. Hand-signed, dated on the lower right corner, not readable.

ARTIST: Fritz Vogt (Active 1890 – 1900) (1842-1900) TITLE: “Our Native Summer Home” DESCRIPTION: Pencil drawing with colored pencil, 37 ½ x 25 ½ inches s...

Historical late 19th century portrait of Hiram H. Hobbs, Foreman of the Grand Jury of San Francisco y Richard Langtry Partington (American, ...

Many of you clicking on this wonderful pen-and-ink are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...

Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

LEBAS Léonie (19th-20th) "Lady at the Flower Market in Paris" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X...

"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. Unsigned. 23" x 30...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

The Cabourg travel poster, created by Édouard Elzingre, is a vibrant and visually appealing example of early 20th-century advertising designed to attract visitors to "la plus belle p...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Art Sz: 10 1/2"H x 6 1/2"W Watercolour on paper Frame Sz: 17 1/2"H x 13"W SIGNED: LR Provenance: From The Collection of Nicholas Colquhoun-Denvers, former chairman of The HPA (...

"Chicago in Early Days" is an original color lithograph by Kurz & Allison. This piece features multiple views of the city of Chicago. 16 3/4" x 23 1/4" art 28 1/8" x 33 7/8" fr...

The original advertising poster by Georges Blott in 1895 captures the essence of turn-of-the-century Parisian life, promoting the innovative water meters of Maison Maurice Eyquem whi...

Le Rire is a Comic Magazine published in january 1896, reproducing drawings by  Jean Luis Forain (1852-1931). Good condition on a yellowed paper, except som...

Le Rire is a Comic Magazine published in july 1896, reproducing drawings by  Jean Luis Forain (1852-1931). Good condition on a yellowed paper, except some t...

Le Rire is a Comic Magazine published in April 1896, reproducing drawings by  Jean Luis Forain (1852-1931). Good condition on a yellowed paper, except some ...

Le Rire is a Comic Magazine stamped on august 1896 drawing by  Jean Luis Forain (1852-1931). Good condition on a yellowed paper, except some torn paper on t...

Le Rire is a Comic Magazine published in November 1896, reproducing drawings by  Jean Luis Forain (1852-1931). Good condition on a yellowed paper, except so...

Revolverate , con una prefazione futurista di F.T. Marinetti. With a Futurist preface by Filippo Tommaso Marinetti and an inscription dated 1...

Edition of 990 copies including illustrations by Roman Orné and 2 drypoint of Jean Lurcat. Copy on velin Montgolfier. Very good conditions, partially uncut, cover browned. Philippe S...

Late 19th century portrait of a young boy by Arnold Genthe (German, 1869-1942). Signed "Arnold Genthe" lower left. "Billie 11 mo." on verso in the artist...

Late 19th century portrait of a young boy by Arnold Genthe (German/American, 19th-20th C), 1898. Signed "Arnold Genthe" lower left. "Billie, 11 mo." on v...

In the vibrant tapestry of Belle Époque Paris, the world of literature and popular culture converged in the mesmerizing work of poster artist Paul Balluriau. His 1899 creation, a pos...

Woman On Bicycle is a Blue Pencil Drawing realized by Adolphe Léon Willette in 1890s. Good condition on a yellowed paper. Monogrammed, included a wh...

Jean-Emile Laboureur (1877-1943), La Rentree au Seminaire, 1897, woodcut, signed in ink lower right and inscribed “tire a 15 ex.” [also with monogram in the plate]. Reference: Laboureur 566, only state. In good condition, with some staining toward margin edge not affecting image, tack-holes at corners, 4 3/8 x 4 3/8, the sheet 9 5/8 x 8 1/2 inches. A fine impression, printed on a grey/green wove paper. A very early woodcut; the first time that Laboureur used a monogram within the plate. This woodcut was made shortly after Laboureur learned printmaking from the famed printmaker – and woodcut specialist – Auguste Lepere; and the composition, with its ordering of a mass of marchers, appears to be influenced by Felix Valloton...

"Sparrow Hawk" is an original color lithograph by an unknown American artist. It depicts a bird perching on the limb of a tree, its young poking out of th...

Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...

Ex Libris - Wim Rengelink is a Modern Artwork realized in 1989. B/W woodcut on paper. The work is glued on cardboard. Total dimensions: 20x 15 cm. Excellent conditions . ...

Alcazar d'Eté, Lidia (Plate 25) is an 1886 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque poste...

Noble Woman, Silver Salt Photograph is a vintage portrait photograph on paper realized in 1890s. Included a Passepartout:60 x 40cm Good ...

Angels is a beautiful pencil drawing on ivory-colored paper, realized in the 1890s by an unknown artist. Good conditions with some foxing. The artwork realized through deft pen st...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

"From: Ilsée, Princess of Tripoli Recto: "Jaufre's Entrance" Verso: "Father Scolds Son" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs f...

The aggressors is a modern artwork realized by Jules Joseph Montjoye in 19th century. China ink drawing. Includes frame: 19 x 25.5 cm

Le Jeu is a Woodcut print on paper realized by Hermann Paul Titled on the left margin. Not signed. Passpartout included: cm 31.5x50.3 Good condition. René Georges Hermann-Paul (...

L'Inspecteur Général "Revizor" is a litograph realized by Hermann Paul in 1897-98, for the Theatre Magazine "L'Art et la Scène". Signed on Plate. Edition Grande Imprimerie Centrale,...

L'Inspecteur Général "Revizor" is a Lithograph realized by Hermann Paul, in 1903. Signed on Plate. Good condition. René Georges Hermann-Paul (27 Decemb...

Beyond Reproach is a Lithograph realized by Hermann Paul. Good condition except for some ripples along the edges. René Georges Hermann-Paul (27 December...

Imperial Forums and Coliseum on the background is an artwork realized in 1899. Mixed colored oil painting on canvas. Titled and date on the lower margin. Unreadable monogram. Good...

Beautiful poster by Charles Toché for Chemins de fer d'Orléans in 1892: Bains de mer de Bretagne - Pornichet - Bonne source Charles Toché, born July 26, 1851 in Nantes and died Augu...

Les Roses Fanées is a hand written musical sheets realized by Leon Duprez in 1890. Draft for "Les Roses Fanées" by Paul Bourget. There are 4 white sheets a...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

"VALMY! (L'Estampe Moderne)" is a print watermarked PL BAS after a drawing by Adolphe Willette. It depicts a general with his army and a young girl. 15 3/4" x 12" art 23" x 19 1/4" frame Adolphe Léon Willette (30 July 1857 – 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondisement of Paris for the September 1889 legislative elections. Biography Willette was born in Châlons-sur-Marne. He studied for four years at the École des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil, and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more "charming" side of love, often pure and sometimes extremely materialistic. Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being a violent though at the same time a generous partisan of political ideas, furiously compassionate with love and pity for the people whether they be ground down under the heel of political oppression, or are merely the victims ot unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cemoi", "Pierrot", "Louison", "Bebe", and "Nox", but more often under his own name. He illustrated Melandri's Les Pierrots and Les Giboulles d'avril, Le Courrier français, and published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several "brasseries artistiques" with wall-paintings, stained glass, &c., notably Le Chat noir and La Palette d'or, and he painted the highly imaginative ceiling for La Cigale...

The Sorcerer is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Pencil. Hand-signed on the lower. Good conditions. P...

The Compassion is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Charcoal. Hand-signed on the lower. Good conditions...

The Vase is an original charcoal drawing on paper realized by Edouard Dufeu in the mid-20th century. Hand-signed on the lower. Included a white Passepartout: 37 x30 cm Good condit...

Mauvaise Blague! is an Original China Ink Drawing realized by an unknown artist in 1899. Good condition on a grey paper. Monogrammed on plate.

Poster from the end of the 19th century on the conquest of Tonkin. Honor to the French army and navy, France grateful to its army, Cochinchina and Tonkin united to France. Military ...

Rome- Termini Station is an original Vintage b/w photograph after a painting of the late 19th Century realized in the 1890s. Good conditions. The artwork represents the master of t...

Seki Station is an original modern artwork realized after Utagawa Hiroshige in the Late 19th Century. Original Woodcut print From the Famous "Tokaido Se...

The Companion Evangile or Necessary Regenerative Principles of All Men United in Society is a historical document from 1890. The Companionship Uni...

A beautiful vintage poster, made in 1890 by Richard Ranft 🇨🇭 (1862-1931) to promote the salon des cent. The salon des cent was a French ar...