1890s Art

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Jules Chéret Musée Grévin : Dancer Lifting Her Skirt, 1895 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 41 of "L...

Ernst Haeckel, 'Art Forms in Nature' (Plate 80 - Pentremites), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 80 — Pentremites', upper right and 'Blastoidea. — Knospensterne', bottom center. Lithographic plate rendered and printed by master lithographer Adolf Giltsch, from the original 1899 publication, the full sheet, in excellent condition. Archivally sleeved, unmatted. Image size 11 x 7 7/8 inches; sheet size 14 1/4 x 10 1/2 inches. ABOUT THE IMAGE Pentremites, an extinct genus of stemmed, immobile echinoderms (forms related to the starfish), are abundant as marine fossils...

Antique American impressionist fall forest oil painting. Oil on canvasboard. Finely painted and housed in a period giltwood frame.

Les Maîtres de l'Affiche n°53 CHERET Jules Paris 1836 † 1932 Nice Bal du Moulin Rouge. 1889-1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Rousseurs pâles e...

Les Maîtres de l'Affiche n°96 ELLIS Hyland The Gay parisienne. 1897. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, papier légèrement oxydé et ...

Bois Frissonnants, Ciel Etoile Color lithograph, 1893 Signed in pencil lower right Edition: 100 (90/100) Published by Andre Marty in L'Estampe Originale, Paris, with their embossed s...

Les Maîtres de l'Affiche n°143 ROBBE Manuel Paris 1872 † 1936 Nesles-la-Vallée L'Eclatante. 1895-1898. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Papier oxydé...

Les Maîtres de l'Affiche n°120 HYLAND Fred 1869 - 1939 Harper's Magazine. 1896-1898. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, rares rousse...

Les Maîtres de l'Affiche n°24 GREIFFENHAGEN Maurice Londres 1862 † 1931 Londres Illustrated Pall Mall Budget. 1896. H400xL290mm. Lithographie im...

Classic colour plate by 'Spy' aka Sir Leslie Ward for Vanity Fair depicting 'Benjie' published March 15, 1894 Print Sz: 15"H x 10"W Frame Sz: 20"H x 15"W Chromolithograph print by Spy. Born 1872. Educated at "Badger" Hale's House, Eton and Magdalen Oxford...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...

Original antique train travel poster for Normandy and Brittany by Western Railway - Normandie & Bretagne par Chemin de Fer de l'Ouest - featuring a great Art Nouveau design depicting...

Les Maîtres de l'Affiche n°60 GLENNY Alice R. Detroit (US) 1858 † 1924 Buffalo (US) Women's edition Buffalo Courrier. 1897. H400xL290mm. Lithographie imprimée en couleurs sur papier...

Medium: original lithograph. Printed in 1897 and published in London for The Studio. Image size: 5 3/4 x 11 inches (144 x 178 mm). Sheet size: 7 5/8 x 11 inches (194 x 283 mm). This ...

Les Maîtres de l'Affiche n°42 GRASSET Eugène Lausanne 1845 † 1917 SCeaux Librairie Romantique. 1887-1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état ...

Signed symbolist figure in landscape oil on original canvas circa 1890 by French painter Edmond Francois Aman-Jean. The work depicts a lone woman carrying a load on a rural path. In ...

Les Maîtres de l'Affiche n°107 BEGGARSTAFF (Brothers) 1872 † 1949 (U.K.) // 1866 † 1917 (U.K.) Hamlet. 1898. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon ét...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

Edition of 100 prints, not signed. One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir. Belogs to the suite “L’Album d’estampes orig...

Henri Rivière's circa 1895 creation for "Le Théâtre du Chat Noir: L'Enfant Prodigue" stands as a whimsical masterpiece that invites us to step into the magical realm of Parisian caba...

Signed and dated figurative oil on canvas by English Pre-Raphaelite painter John Edward Brett. In 1896 John Brett and his wife Mary went to Paris, the first time the artist had been ...

Les Maîtres de l'Affiche n°90 LEFEVRE Lucien Varennes-en-Argonne 1850 † Après 1902. Cirage Jacquot et Cie. 1894 - 1897. H400xL290mm. Lithographie impri...

Les Maîtres de l'Affiche n°32 WOODBURY Charles H. Lynn (U.S.) 1864 † 1940 Boston (U.S.) The Century Magazine. 1896. H400xL290mm. Lithographie imp...

Les Maîtres de l'Affiche n°139 LUCE Maximilien Paris 1858 † 1941 Paris Mévisto. 1891-1898. H400xL290mm. Lithographie imprimée en couleurs sur papier v...

Les Maîtres de l'Affiche n°07 MEUNIER Georges Paris 1869 † 1942 Saint-Cloud Frossard's Cavour cigars. 1893-1895. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Pa...

Les Maîtres de l'Affiche n°111 REALIER-DUMAS Maurice 1863 † 1928 Chatou Champagne Jules Mumm. 1895-1898. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état g...

Returning to a familiar subject, Renoir captures fellow painter Berthe Morisot's daughter and her cousin in a sweet moment. Morisot, one of the few woman Impressionists to figure as ...

Les Maîtres de l'Affiche n°43 WILLETTE Adolphe Léon Châlons-en-Champagne 1857 † 1926 Paris Cacao Van Houten. 1893-1896. H400xL290mm. Lithographie imp...

Les Maîtres de l'Affiche n°75 ROEDEL Auguste 1859 † 1900 Paris Moulin de la Galette. 1897. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, papier...

Les Maîtres de l'Affiche n°29 CHERET Jules Paris 1836 † 1932 Nice Quinquina Dubonnet. 1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, papie...

Les Maîtres de l'Affiche n°128 REED Ethel Newburyport 1874 † 1912 Londres La Prière de la Vierge d'or. 1898. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Papier...

Classic original Vanity Fair colour print of 'Taplow Court' by 'Spy' aka Sir Leslie Ward dated Dec 20, 1890 Print Sz: 14"H x 19"W Frame Sz: 19"H x 14"W w/ gilt bamboo frame Caric...

Poster for 'Hamlet' (1899) catalog raisonné reference: Alphonse Mucha: The complete posters and panels, by Jack Rennert and Alain Weill, p. 239 (cat. 63) This piece is printed on t...

Les Maîtres de l'Affiche n°13 CHERET Jules Paris 1836 † 1932 Nice Saxoléine. 1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, papier très lé...

Signed oil on canvas animals in landscape by Canadian impressionist painter Margaret Campbell Macpherson. This charming piece depicts a Breton girl in traditional clothing feeding tu...

Les Maîtres de l'Affiche n°48 HARDY Dudley Sheffield 1867 † 1922 Londres The Chieftain. 1895-1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Rousseurs pâles ...

Les Maîtres de l'Affiche n°81 CHERET Jules Paris 1836 † 1932 Nice Pan. 1896-1897. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin. Bon état général, papier légèreme...

Jan Toorop was born in Java, studied in Holland and then spent three key years in Brussels, where he was a member of the circle of artists, "Les XX," during which time he befriended ...

Jack Hubert Bonnefoy was an English painter working in France during the last part of the 19th century through the early part of the 20th century. He worked and travelled throughout...

Classic advert poster for the musical score, Black Cupid's Birthday: March- Two Step by Seneca G. Lewis published 1898 w/ Ivy League School Banners Image...

Les Maîtres de l'Affiche n°26 de MONVEL Boutet Paris 1881 † 1949 Açores Pâte dentifrice du Docteur Pierre. 1894-1896. H400xL290mm. Lithographie imprimée en couleurs sur papier vélin...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...

Edition of 990 copies including illustrations by Roman Orné and 2 drypoint of Jean Lurcat. Copy on velin Montgolfier. Very good conditions, partially uncut, cover browned. Philippe S...

Signed and dated seascape oil on canvas by Belgian Realist painter Alfred Emile Leopold Stevens. The work depicts a sail boats off the coa...

Frédéric PUECHMAGRE Décès en 1914 Le départ Lithographie. Belle impression en couleur, on note également la présence d’une remarque représentant des chiens qui s’abreuvent avant « le...

Edition of 250 copies including 8 original lithographs and many b/w illustrations of graphic works by Louis Legrand. One of 200 copies on Papier Vélin. Original editorial softcover ...

La Naissance d’Annette (Birth of Annette) Color llithograph, 1899 Unsigned (as usual) Edition: 100 Publisher: Ambrose Vollard Printer: Auguste Clot, Paris Condition: Excellent with f...

Antique American impressionist seascape oil painting by Paul Bernard King (1867 - 1947). Oil on canvas. Signed. Framed.

Revolverate , con una prefazione futurista di F.T. Marinetti. With a Futurist preface by Filippo Tommaso Marinetti and an inscription dated 1917. Hardcover drew by Ardengo Soffici. S...

This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, ...

Henri DE TOULOUSE-LAUTREC (1864-1901) Divan Japonais, 1895 Lithograph Printed signature in the plate On Japan paper 39 x 29 cm (c. 15.3 x 11.4") Here one of the rare copies of the deluxe edition on Japanese paper, limited to 150 copies (not numbered) INFORMATION : Plate 2 of "Les Maîtres de l'Affiche...

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbered: "No. 20" in pencil Printed by Thomas Way, London A beautiful impression with tonal variations in the stump work (shading) As published in: L'Estampe Originale, Paris, 1893, Album IV Edition: 107 impressions, this No. 20 There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London Lacking the huge support sheet and embossed series stamp by Charpentier With the letterpress lower left: "T. Way. Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Originale verso at top as described in Spink Three hinges residue along right edge of the sheet from a later matting of the print Image size: 8 1/4 x 6 3/8 inches Sheet size: 11 3/8 x 9 1/16 inches Reference: Spink/Tadeschi 72, published edition Levy 74 Way 46 A superb Neoclassical lithograph...

Alphonse Mucha's 1898 chromolithograph for the Lefèvre Utile (LU) brand's "Vanilla Wafers" is an iconic work that embodies the Art Nouveau aesthetic and testifies to the artist's cre...

Classic Andover Prep School banner c1898 Replete w/ an inset portrait of Prince William Art Sz: 11 1/2"H x 9 1/2"W Frame Sz: 16"H x 14"W

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....

Ferdinand Knab (Würzburg 1837 - Munich 1902), Vision of the Temple of Vesta in the garden of the Villa D'Este at Tivoli (1893) Oil painting on panel 51 x 38 cm signed and dated low...

Classic British Officer at Sandhurst oil on panel by A.J. Crowther 1891 (LR) Art Sz: 14 3/4"H x 11 1/2"W Frame Sz: 18 1/2"H x 15 1/4"W