1890s Art

Illegible signature Work on canvas Black wooden frame 53.5 x 64.5 x 4 cm

This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...

Oil On Canvas, Hunting Dog by Alexander Clarys Belgian School German Shorthair Hunting Dog Exceptional paintings seen the large format, sold without the frame. Alexandre Clarys, bor...

French Symbolist School (circa 1890–1910) Landscape with Meditative Figures Charcoal on paper (watermark “France” and “Ingres d’Arches,” circa 1890) 57 x 31 cm Provenance: Private ...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

MAXIMILIEN LUCE (French, 1858-1941) Femme Lavant le Linge Estate stamped signature 'Luce' (lower right) Oil on canvas Canvas: 16 1/4 x 13 in. (41.3 x 33.0 cm) framed: 25 1/4 x 22 x 1...

Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs Color lithograph, 1896-1898 Unsigned (as issued) From: Douze Lithographies en Couleurs, ou Passage et Interi...

Here is a fine, early American Impressionist painting of a Venetian Canal. The painting is oil on canvass measuring 36" x 28". Overall framed dimensions are 44" x 35". The painting i...

William Raymond Dommersen Dutch, 1850–1920 Fishing Boats at the Shoreline, circa 1890 Oil on canvas Signed lower right A charming late 19th-century Dutch coastal scene by William Ra...

Henri Gabriel IBELS Harlequin and Pierrot, 1897 Stone lithograph Printed signature in the plate On vellum Size 29 x 39 cm (c. 11.4 x 15.3") INFORMATION : Plate 102 of "Les Maîtres...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

Louis John RHEAD (1857-1926) The Sun Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 8 of "Les Maîtres de l'Affi...

This original lithograph by Pal, published in 1896 as Plate 35 in Les Maîtres de l’Affiche, advertises the grand ballet Brighton at Olympia, featuring music by Léopold Wenzel. The co...

A wonderfully fluid watercolour capturing the end of the day on a Cornish beach, most probably Newlyn where Richards was painting from the 1890s onwards. Frank Richards (1863-1935) ...

Alphonse Mucha (Czech, 1860-1939) Flirt Biscuits Lefevre Utile. 1899, Lithograph in colors on wove paper. Linen backed. Imp F. Champenois Paris. Measures : sheet: 24.75 x 11.75 inche...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...

The original 1895 Art Nouveau poster for Henri Boutet's exhibition of pastels and engravings at the Salon des Cent is a true work of art in itself. Created by the artist himself, thi...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tona...

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325

Vision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...

This rare illustrated program, created in 1892 by Henri-Gabriel Ibels, is a vivid artifact from the vibrant and avant-garde world of Le Théâtre Libre, the influential Parisian theatr...

Auguste RODIN (after) Daemon with a shadow, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certifi...

Full title: Au Theatre de la Renaissance: Sarah Bernhardt dans "Phèdre" de Racine. Original lithograph on wove paper by Henri de Toulouse-Lautrec, with red monogram stamp of the arti...

1899 Original Print by Mucha Bières de la Meuse Les maitres de l'affiche pl 182 Les maitres de l'affiche pl. 182 - Bar le duc - Aux caves du roy S...

This rare and evocative lithographic poster by Édouard Vuillard, created in 1893, is both a piece of theatrical history and a milestone in French Symbolist printmaking. Designed as a...

Jean-François Raffaëlli (French, 1850-1924) Le Marchand de Habits, 1895 Etching and drypoint Sight: 6 x 4 in. Framed: 12 x 9 3/4 x 3/4 in. Initialed lower left in plate: R This etc...

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

Auguste RODIN (after) Mask of Minos, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

Medium: etching. Etched by E. Bolvin after Jean-Francois Millet and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measur...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Joseph THORS A very attractive piece by Joseph Thors who was one of the most sought after artists of the Victorian period. Perfect for any mantlepiece it has many of the most desira...

"Porcelain Vase" 1890s is an original china ink and watercolor drawing on ivory-colorated paper by an unknown French Artist of the 19th Century. In very good conditions. Not signed.

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Auguste RODIN (after) Men's group, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of a...

With this 1897 illustrated program, Henri Lebasque contributed to one of the great artistic experiments of fin-de-siècle Paris — the radical, introspective world of the Théâtre de l’...

Oil painting on canvas portrait of a poodle dog 19th Century *** This painting is one of a pair *** ( see photo attached ) Title: portrait of a poodle dog Materials: oil on canvas...

A hand colored Vanity Fair caricature of a 19th century opera singer, M Jean de Reszke, entitled 'Polish Tenor'. The print was created by the most famou...

Henri de Toulouse-Lautrec, French (1864 - 1901) - Ta Bouche, Year: Of Original: 1893 Printed: circa 1901, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 14.75 x 11 in. (37.4...

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

Klimt’s association with Martin Gerlach dates back to the early 1880s when Gerlach and Schenk published their first edition of Allegorien und Embleme. By the mid-1890s, they were pla...

This captivating original lithographic poster by Cazals, created for the 7th Exposition of the Salon des Cent (Salon des 100) in December 1894, offers a rare glimpse into the vibrant...

Image dimensions: 34.2 x 45.5 cm. Sleeping Diana is an original print, realized in 1898. Black and white woodcut print on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light folds on lower left side. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

Beautiful oil painting on board of a sunset in Epsom, England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold painted over original gilding. Overall framed measurements are 14 by 20 inches. Condition is very good. Epsom is a market town in Surrey, England, 13.7 miles (22.0 km) southwest of London, between Ashtead and Ewell. The town straddles chalk downland (Epsom Downs...

Antique American realist still life of corn and a bottle of corn whiskey. Oil on board. Signed. Framed. Image size, 5L x 7H.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 10 1/4 x 5 inches (260 x 123 mm). Sheet size: 12 ...

Very beautiful old artwork of the end of the 18th century ,after Jean Baptiste Oudry " Loup pris au piege ", an example of which is exhibited at th...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Alphonse Mucha's 1898 chromolithograph for the Lefèvre Utile (LU) brand's "Vanilla Wafers" is an iconic work that embodies the Art Nouveau aesthetic and testifies to the artist's cre...

This original 1899 lithograph, Le Roi de Rome – L’Aiglon, by the renowned French illustrator and caricaturist Charles Léandre, is a rare and evocative piece from the Belle Époque era...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN CANAL signed & located "A. Reyna, Venezia" (lower left) oil on canvas 11-1/2 x 19-3/4 inche...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Wonderful original watercolor on archival paper by the well known British artist, Vincent Clare. Signed lower right. Signed and titled verso. Circa 1890. Condition is excellent. Beau...

If you have interest in Eastern North Carolina Tidewater history and architecture, this painting may be a fine addition to your home or collection. It is an oil on board of the Sanderlin House in Belcross, Camden County. There is quite a bit of history written on a card on the back board that describes the family members of the house in the late 19th century. Camden is the courthouse town for Camden County. It is a small town located on the east side of the Pasquotank River, a few miles from Elizabeth City. Belcross is an area just outside of town. Apparently two near-identical houses were built ca 1840’s by the Sanderlin brothers, William and Joseph. One was left to ruin and disappeared, the other seems to possibly remain. In any event, per the information included, this is a view of the house by artist Miss Ella Bidgood, ca 1895. An Ella Bidgood, born in Baltimore in 1855, has been identified and she was a resident of Norfolk, Virginia with her family in the 1900 census. She is likely the artist of this painting. It is painted in a somewhat naive style but competently shows details of the house in nice, vivid colors. The painting is not signed but the information on the back side seems completely reliable. The painting itself is oil on board and measures 12” x 18”. It has been recently cleaned and varnished. It is in very good condition with no issues to report. It is housed in a substantial gold painted frame of the period with interesting detailing. Overall framed measurements are 19” x 24”. The frame is in good solid condition with no issues to report, other than expected very minor age-related wear. Note that the photos show some glare from the varnish in places that really doesn’t show in general light. Southern paintings...

Oil painting on canvas portrait of a poodle dog 19th Century *** This painting is one of a pair *** ( see photo attached ) Title: portrait of a poodle dog Materials: oil on canvas...

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

A sensuous and fabulous piece to enjoy in the round as every vantage point is attractive or on a shelf or table. In the 19th century, the Italians and French were in a golden era f...