1970s Art

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 276 mm). There is t...

This early 1970s photograph, taken by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art deale...

La obra va firmada por el artista en la parte inferior En la parte trasera va titulada Medidas de la obra: 60 cm x 73 cm. El estado de conservación de la obra es bueno La pintura...

Circus is an original poster realized by Waldemar Swierry in the 1970s. Hand-signed. Small tears at the bottom.

Bold abstract painting with pink, yellow, black, brown and white forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the es...

Medium: original lithograph. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 9 5/8 inches (320 x 245 mm). Not sign...

Medium: offset lithograph (after the drawing). Printed in 1976 and published in Lugano by Editore-Stampatore Giulio Topi in an edition of 500 for the "Pensieri Poesie Disegni Collage...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Sting Like a Bee Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil ...

An original silkscreen by American Abstract Expressionist, Adolph Gottlieb. Artist: Adolph Gottlieb, American (1903 - 1974) Title: Peace from the Peace Portfolio Year: 1970 Medium: ...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Roy Lichtenstein grounded his profoundly inventive caree...

VICTOR VASARELY – "ZEBRES 1" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 120 VASARELY’S ICONIC ZEBRAS Created in 1976 and published by the Foundation Vasarely in an edition ...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

6109 Heavy impasto oil paint and resin Abstract Expressionist painting on wood panel. Painted on edge no frame required

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Michael Steiner, American (1945) Date: 1979 Screenprint,...

Abstract composition is an artwork realized byLeo Guida, in 1970s.  Mixed media painting. 153 x 77 cm; framed. Good conditions!

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Etching on paper, realized as illustration for John Milton's "Paradise Lost". Striking and theatrically composed Old Master print depicting a dramatic allegorical confrontation betw...

A beautiful large mid 20th century oil on canvas abstract winter landscape by Swedish artist Gunnar Nordstrom. Excellent quality and condition composition with strong and vibrant i...

This screenprint is hand signed in pencil by the artist with his initials 'JD' (Jean Dubuffet) in the lower right corner. The work is also numbered in pencil 97 from the edition of ...

This late-1970s photograph, taken by society photographer Slim Aarons, features guests by the pool at Klaus Pudel's villa, the Casa Montefino, overlooking Portofino harbour, Portofin...

Personnages is an Artwork realized by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Litograph on paper. Hand Signed on the lower right margin. Good conditions. After studying architecture, in 1934 Roberto Sebastian Matta moved to Paris, where he worked with Le Corbusier and came into contact with intellectuals such as Rafael Alberti and Federico García Lorca. Here, he also met André Breton and Salvador Dalí , and adhered to the Surrealist movement, elaborating a painting style focused on psychological morphologies. In 1944, Breton wrote: " Matta is the one who most faithfully keeps his star, which is perhaps on the best path to reach the supreme secret: the control of fire". An extremely dynamic Chilean artist, who met Alvar Aalto in Scandinavia, Henry Moore , Roland Penrose...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Salvador Dalí Le Paradis Perdu (Paradise Lost), 1974 Lithograph Hand signed lower right Numbered 111/150 lower left Sheet size 65 x 50 cm Publisher: Jacques Carpentier Printer: Gra...

The Church is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white paper. No signature. Reynold Arnould was born in Le Havre, Fr...

ARTIST: Salvador Dali TITLE: Les Betes Sauvages Dans le Desert MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine EDITION NUMBER: 189/450 MEASUREME...

Title: Promenade in Sant Feliu de Guíxols Artist: Josep Amat Pagès (Barcelona, 1901 – 1991) Technique: Oil on canvas Dimensions: 50 x 65 cm (approximately 19.7 x 25.6 in) Support...

The beach at Saint-Tropez, on the French Riviera, August 1971. 30 x 40 inches $3350 20 x 30 inches $3000 20 x 24 inches $2500 10 x 12 inches $1350 Complimentary dealer shipping ...

ARTIST: Salvador Dali TITLE: Symphony Bicyclette MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 52/200 MEASUREMENTS: 35.25" x 25.5" YEAR: 1970 FRAMED:...

This print is an unsigned proof outside of the edition. A COA will be included.

Thomas Downing Untitled, 1972 Acrylic on canvas 39 1/4 x 84 1/4 inches Thomas Downing received his BA in 1948 from Randolph-Macon College in Ashland, Virginia, and then moved to Ne...

"Galerie Maeght Miro" is an original color lithograph poster with art by Joan Miro. It was printed by Maeght Editeur Imprimeur in 1970. The poster showcase...

"Les Danseurs" (French for "The Dancers") is a 1979 collaboration between Daum and artist Dan Dailey. This glass figurative sculpture of two dancers, a man and a woman coated in an icy blue palate, was created with glass paste blown in a light blue mold and etched on the external surface. This work is numbered 57 from an edition of 200, signed on the sculpture in diamond-point with "D Dailey" and "DAUM FRANCE" and is included with a certificate of authenticity signed and numbered by Daum and Dan Dailey. Dan Dailey is an American glass artist who was born in Philadelphia in 1947. He emerged from the Studio Glass movement that was founded by Harvey Lilleton and collaborated with Crisallerie Daum for more than twenty years. His education includes studying under Roland Jahn and Harvey Lilleton at the Philadelphia College of Art in the 1960s and a teaching fellowship at the Rhode Island School of Design in 1970 where he also became Dale Chihuly's first graduate student He is professor emeritus at the Massachusetts College of Art where he founded their glass program. His work has been exhibited and collected all over the world, spanning over a hundred exhibitions and collections. The studio of Daum is a name that precedes itself. The only crystal manufacturer employing the glass paste process for art glass, the studio was founded in 1878 by the Daum family in Nancy, France. The studio has become synonymous with the Art Nouveau period but continues to produce high end and high quality decorative art to this very day. Artists that have worked with Daum include Charles Schneider, Arman, Hilton McConnico, Philippe Starck, Salvador Dali, Cyril Phan, Richard Texier, Emilio Robba...

Screen print on paper. Hand Signed and numbered. Edition of 90 pieces (Arabic numbers) plus 15 artist's proofs. Excellent condition.

Signed lower right, 'J.M. Couillard' for Jean Marie Couillard (French, 1926-1989); additionally signed, verso, and titled, 'Paris, Montmartre. La place du Tertre en Été' and dated 19...

Lilac Trees - Koloa, Kauai, Hawaii Original Landscape in Oil Paint by Katherine Baldwin Wonderful impressionistic landscape painting of Koloa, on the Island of Kauai, Hawaii by Kath...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

Artist Name: Clarence Holbrook Carter Title: Tulip Year: 1978 Medium Type: Screenprint Size-Width Size-Height: 35 " x 25.5" inches Edition Size: Signed and numbered in pencil 194/ ...

H.C. Westermann Untitled (Scarecrow with Cow), 1972 2 Color Photogravure Year: 2000 Edition: 2 of 30 Paper Size: 20.75 x 26 inches (52.7 × 66.0 cm) Publisher: Landfall Press, Chicag...

Jimmy Carter photograph Detroit, 1976: This timeless, silhouette-like photograph of President Jimmy Carter was captured by the legendary Detroit photo-journalist & counter cultu...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 1 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Artist: Jacques Soisson, French (1928 - 2012) Title: Songe Galere Year: 1975 Medium: Screenprint, signed and numbered in pencil Edition: 150 Paper Size...

Maravillas con variaciones acrósticas en el jardín de Miró IV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In very good con...

Title: Mecklenburg Autumn Medium: Lithograph in colors Year: 1979 Edition: AP (artist's proof, aside from the edition of 175) Signature: Stamped signature Image Size: 22 1/4" x 17 1/...

Late 20th century oil on board of an interior scene with seated female figure by Bill Brown. Initial signed and dated 76 bottom right and titled to the reve...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Golfing Pals At the 16th hole on Pebble Beach golf course, singer and film star Bing Crosby (in red) and A Thomas Taylor, 1977. 20 x 20" - paper size ...

This Chinese ancestry, California based artist created collage layered paintings of remarkable quality and appeal. A great example of his best work and of good size. The layers and...

Medium: original lithograph. Printed in 1970 by Triton Press and published by Art In America for a special series of original lithographs. Sheet size: 11 x 14 1/2 inches (280 x 370 m...

Joan Miró La Reine des éphémères (The Queen of Éphémeres), 1975, is a large sized etching and aquatint which is both immersive and abstract. Bold colors, animated imagery, and vivid ...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

Raymond PEYNET Astrology - Zodiac : Capricorn, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by ...

"Snoopy Come Home" is an original lithograph poster by Charles Schulz. It features the popular characters from Peanuts, Snoopy and Woodstock, on top of ...

Photo of Robert Plant striking one of his famous pose fronting Led Zeppelin at the Forum in 1973. About The Print: Archival pigment print on 100% cotton paper with a satin baryta fi...

Jordi Curós Ventura (1930-2007) - Still life Oil on canvas. Canvas measurements 35x27 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trai...

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

Fisher Ross 10-Speed, ca. 1977. Print measures 8 x 10 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Cover One page Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of pre...

Vintage Abstract Figurative Etching - "Embrace" Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76"...