1970s Art

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

Act V, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate in the lower right margin. Perfect conditions. The a...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 19.5 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition with center ...

"Fabled Ambassador (Bird Suite)" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition num...

Vivace disegno su carta titolo " Bambini con pallone", con cornice in legno, firmato in basso a destra

Hasegawa, Shoichi (French, born Japan, 1929- ). MONTPARNASSE AU MATIN. Color viscosity intaglio, 1977. Edition of 160, signed, titled and numbered 136/160, in pencil. 23 1/4 x 19 3/8...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

Günther Fruhtrunk (German, 1923-1982) Zwischen Grün (Between Green), 1970 Medium: Screenprint on card Dimensions: 62 x 83 cm Edition of 150: Hand-signed, numbered and dated in pencil...

RICHARD TAITTINGER GALLERY is honored to present CONEXÃO the upcoming solo exhibition by celebrated Brazilian artist Cybèle Varela (b. 1943)...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Linda Stein, Profile Compartmentalized 415.031 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Compartmentalized 415.031 is from Linda Stein's Profiles series--drawings...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Untitled Single Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of p...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Act V, Scene III - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated on plate on the lower  margin. Perfect conditions. The artwo...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

In the 1970s, senior citizens were fixtures on New York City park benches. In this image, golden light conveys the expressive nature of a disparate relationship between an old man an...

Alena Nadvornikova (née en 1942) Zoomorphic composition, 1979 India ink on paper Signed and dated "1979" lower left 50 x 32 cm Frame 60 x 40 cm A Czech artist born in 1942 in Lipnik...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Hotel du Cap Eden-Roc, 1976 (printed later) C print edition of 150 Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Estate stamped and hand numbered e...

Still Life with flowers and fruits. Oil on canvas, 79, 5 x 61 cm Svirskis Vitolds (1919 - 1991) Painter, graphic designer. Born on April 27, 1919 in Daugavpils in a family of railw...

Artist: Eduardo Paolozzi, British (1924 - 2005) Title: Mr Peanut Year: 1970 Medium: Screenprint, signed and dated in pencil Image: 27 x 19 inches Frame Size: 35 x 25 inches

Archival Pigment Print picture from my bedroom window (where I grew up) All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs ...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Portrait of Neil Young is a vintage black and white photograph realized in the 1970s. Good conditions.

Retro 1970s photograph featuring Evel Knievel, the legendary motorcycle daredevil who became one of the greatest American icons of the 1970s. Over his career, he attempted more than ...

Abstract composition is an artwork realized in 1974 by Mauro Reggiani.  73,5 x 59,5 cm. Edition, 6/25. Hand signed in the lower right margin. Good conditions

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

This portrait has a naïve and gentle charm to it. To my eye it looks like a woman but it could equally be any gender or age. Perhaps this is the beauty of Turner Durrant's abstraction. The materiality is more distinct when you see the piece in the flesh. There is something endearing about being able to see the edges of the paper, torn almost in haste as if the artist just had to get the image down. Maybe it was painted on the spot or an image from the artist's imagination. Whichever, the use of minimal line and a reduced palette adds to the simplicity and thus free nature of the painting. Roy Turner Durrant Untitled (Head) Medium: Watercolour on paper Signed bottom right 1977 Image size: 31 x 26 cm - Frame size: 50.5 x 44 cm Roy Turner Durrant (1925 - 1998) A Modern British artist, Roy Turner Durrant was born in Suffolk, England in 1925. His career was long and distinguished, culminating with work in major public galleries in the UK and internationally. After the war he secured a place at Camberwell College of Arts where he was taught by amongst others by Edward Ardizzone Michael Rothenstein Keith Vaughan and John Buckland Wright and was a contemporary of Theodore Mendez. Whilst at Camberwell he was already exhibiting his paintings in London galleries. His work moved from early landscape and architectural interest to abstraction but with a great variety of style and technique. A member of the New English Art Club, from the late 1940s he exhibited regularly at the Royal Academy and in numerous commercial galleries in London. From the 1950s, his early figurative style began to change, becoming more abstract. He said of his own work in 1951 that his abstract imagery were 'by-products of an inquisition primarily concerned not with what the eye sees but with what the intellect and emotion experience’. In 1963 he moved to Cambridge to take up the post of Art Gallery Manager at Heffers at the time a well known local artists' materials and book sellers...

signed in ink and with photographer stamp verso and hand written title. Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, mono...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the University of Cincinnati, Ohio in 1968, returning later to do independent study there. He also did independent study at Pratt Institute, Brooklyn, New York, in 1969 and received an M.F.A. in Sculpture and Printmaking from Ohio University, Athens. From 1964 through 1971 he worked for design firms in Ohio, New York and California. From 1971 through 1973 he taught at the University of Cincinnati and Ohio University, Athens. He has exhibited in galleries, museums and art groups. In 1971 he was one of a number of artists who created enormous outdoor murals in a Cincinnati project called "Urban Walls." His graphic designs and illustrations for such firms as Container Corporation of America have appeared in publications such as Fortune, Business Week...

Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...

Medium: original lithograph. Printed on Arches paper in 1974 at the Mourlot Freres atelier. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

Original color aquatint and etching, 1978. Edition of 100 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He...

Victor Vasarely "Cheyt-Mc-4" 1971 Monograph on paper Not Signed or numbered, as published Published by Editions Du Griffon Neuchatel in 1971, and printed in Switzerland. Paper size: ...

HANS BURKHARDT "DRESSING ROOM" PASTEL, SIGNED AMERICAN, DATED 1973 26 X 17.5 INCHES FRAMED 35 X 27 Fine condition

Christo & Jeanne Claude The Wall-Wrapped Roman Wall, Rome, 1974 Offset Lithograph After a photograph by Foto Harry Shunk, 1974 Size: 25.2×37.4in Pub...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 16...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

mixed media on paper Unique work hand signed and dated by artist in red pen in lower left corner paper size: 41,5 x 30,2 cm framed size: 71 x 60,5 cm good conditions , some slight si...

Colourful Crew 1970 A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. By Slim Aarons 40x30” / 76x101 cm - paper size C-Type Print unframed Estate ...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

"Brave Venture" is an original color lithograph by Michael Knigin. The artist signed the piece lower right, titled it lower left, and wrote the edition number (142/300) in the lower ...

Artist: Leonard Baskin, American (1922 - 2000) Title: Spies on his Enemies - Crow Year: 1972 Medium: Lithograph, signed and numbered in pencil Edition: 160, AP Image Size: 32 x 22.5 ...

Slim Aarons Roman Restaurant 1970 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Waiters and diners at a...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm,no frame. Edition 14/50. Numbered and firmed by the artist in the lower margin. Good conditions.

"Silent Witness" is an original color lithograph by Michael Knigin. It features a realistic rendition of an Emperor Angelfish swimming in front of the New York skyline including the ...

Linda Stein, Profile Landscape 438.045 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.045 is from Linda Stein's Profiles series--drawings, collages and p...

"Thunder & Shower I, After Yoshitaki" is an original color lithograph by Michael Knigin from his Japanese suite. The artist signed the piece lower right and titled it lower left. Thi...

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Oil on cardboard with original frame. Total size with frame is 42x50x4 cm

This serigraph has never been framed. Chicago born Modernist. Showed at Andrew Crispo Gallery and Tibor de Nagy Gallery. Schwedler could not help but be influenced by the local artistic milieu particularly with those contemporaries and friends who formed the Hairy Who in the Mid - 1960's Schwedler's Paintings from the beginning to his young end were ripe with a surreal, abstract poetry filled with references to landscapes, architecture, texture (cracked), line (broken,chopped, and Pulled to pieces), and delicate, but voluptuous color. Studying at the Art institute of Chicago with his friends Cynthia Carlson, Jim Nutt...