1970s Art

Letter P, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...

Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...

Richard LINDNER Profile Elegant Man (1976) Original lithograph Handsigned in pencil Numbered / 250 copies On Arches vellum 28 x 22" (71 x 55 cm) ...

This early 1970s photograph, captured by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art de...

First edition advertising poster by Alexander Liberman for Amnesty International in 1977. " Artists for Amnesty, a series of art posters creat...

This is a unique work. Work comes with a Certificate of Authenticity issued by The Andy Warhol Foundation for the Visual Arts (pictured). The work is stamped on the verso by the Es...

11 x 14" vintage silver gelatin photograph of Russian composer Dimitri Shostakovich, 1973. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archives ...

Vintage Poster is an original manifesto realized by Leo Guida in 1975. Screen print. Good condition for the 8 copies of the artwork. Edition 42/150. Dated and signed. Leo Guida ...

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

TECHNICAL INFORMATION Victor Vasarely Tri-Vega 1975 Silkscreen on Arches paper 33 1/4 x 30 1/8 in. Edition of 250 Pencil signed & numbered Accompanied with COA by Gregg Sh...

Hugo Dermaco Relation Couleur, 1973 Silkscreen on velincarton Hand-signed by artist, Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the front. 29 1/2 × 29 1/2 inches Unframed This beautiful silkscreen on velincarton (thin board) by Hugo Demarco...

Bryan Hunt's abstract sculptures are derived from fragments of the natural world. Born in Indiana and raised both there and in Florida, Hunt first studied architecture at the Univers...

This hand-printed screen print, titled Diagonal, was created by Jurgen Peters in 1979. Published by Editions Limited and printed on-site at the gallery in San Francisco on thick art ...

Original oil pastel with underlying graphite drawing lines by the well known Russian/American artist Nahum Tschacbasov. Signed and dated by the artist lower right, 1971. Condition is excellent. Provenance: Estate of the artist, Nahum Tschacbasov. Overall matted and in a contemporary narrow blond maple frame 17.5 by 15 inches. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur Kalaher...

Paper Size: 30 x 20.75 inches ( 76.2 x 52.705 cm ) Image Size: 20 x 17 inches ( 50.8 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Hand signed and numbered. Edition of 100 prints. On headed paper. Image Dimensions : 40 x 57 cm

Hand signed in pencil and hand numbered lithograph on fine French Arches paper. Jerusalem Landscape. Avigdor Arikha (April 28, 1929 – April 29, 2010) was a Romanian-born French–Isra...

This is a wonderful naive painting on wood panel by the self-taught black artist Mose Tolliver (1920-2000). It’s a great example of Mose’s unique folk-art style. It features the ratt...

This piece is an original etching with color on wove paper done by Marino Marini in 1973. It is hand signed and numbered 53/90 from the edition of 90. This piece is from a portfolio...

Abstract Composition is a print realized by Antonio Marasco in the 1970s. Lithograph on paper. Hand-signed and numbered, edition 25/125 prints. Good conditions. The artwork is r...

Artist: Karl Fred Dahmen Title: Bastion Year: 1976 Medium: Aquatint Etching, Signed, numbered, dated, and titled in pencil Edition: 49/75 Size: 35 in. x 27.5 in. (88.9 cm x 69.85 cm)

Rose,Red,Blu Flowers, Shipping Free MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation f...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishing Company, New York, and printed by Mourlot Freres, Paris, 1972. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume I, 1972 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Tudor Publishing Company, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 160. Calas, Nicolas, and Elena Calas. Joan Miro: Lithographs Volume IV 1969-1972. Maeght, 1981, illustration 858. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume I, published by Tudor Publishing Company, New York; printed by Mourlot Freres, Paris, 1972 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume I, published in 1972 by Tudor Publishing Company, New York, in collaboration with Mourlot Freres, Paris, inaugurated the definitive four-volume catalogue series devoted to Miros original lithographs. This landmark publication was conceived as both a scholarly reference and a visual celebration of the artist’s printmaking achievements, uniting essays, documentation, and full-color lithographic plates printed from the original stones. The English-language edition, produced for international distribution, was printed to the same technical standards as the French deluxe edition issued by Maeght Editeur, ensuring identical quality and fidelity. The lithographs, executed at the Atelier Mourlot—Europe’s most renowned lithographic studio—reflect the seamless collaboration between Miro and printer Fernand Mourlot, whose partnership had defined the highest standards of fine art lithography since the 1930s. The album embodies Miros philosophy of printmaking as a form of spontaneous creation, translating the energy of his hand directly into color and form. Combining artistic rigor with playful invention, the series captures the essence of Miros late style: joyous, musical, and deeply poetic. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Emile Rampelberg, French (1911 - 2001) - Seaside Town, Year: circa 1970, Medium: Watercolor on Paper, signed lower right, Size: 19.5 x 26.75 in. (4...

An outstanding painting by author and painter Ella Bruce. This watercolor is of the finest quality and shows the skill of the painter to the full. A vibrant and unique piece. The whi...

Portrait  is an artwork realized by  François Chapuis in the 1970s. Mixed media on paper. Hand-signed on the lower right. Good conditions.  The artwork is linear and simple with ...

Signed and numbered 10/125 This composition presents a field of sharply angled, pyramidal forms that appear to float across a light ground. Bold planes of red, yellow, blue, and bla...

Art Sz: 13"H x 20"W Frame Sz: 14 1/4"H x 21 1/4"W In custom gilt bamboo frame Original color double page from Slim Aarons' iconic book "A Wonderful Time" published 1974 Clark Gable, Van Heflin, Gary Cooper and Jimmy Stewart...

Head of Oedipus is an etching print on paper realized by Giacomo Manzù in 1970. Hand-signed and numbered. Edition of 125 prints. Published in the series of artwork: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Good conditions. Giacomo Manzù (Bergamo, 1908- Ardea, 1991), pseudonym of Giacomo Manzoni, was a famous Italian artist and sculptor. He devoted himself to sculpture, but also to drawings, etchings and paintings, often centered on female models...

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Offset lithograph in colors on wove paper. Hand signed, dated and numbered by Roy Lichtenstein. Inscribed "HC." (there is also an edition of 300 signed and numbered copies plus an ...

Dni Zdrady vintage poster is an original offset print on paper realized by Unknown Czechoslovakian Artist of the 20th Century. Original colored offset. Good condition and aged.

Winter Tree in Moonlight by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: circa 1970 Medium: Lithograph on Japon, mounted to Arches, signed in pencil Edition: EA Size: 25 x 39...

Mixed media on cardboard, realized by an italian artist most probably in 1970s. Hand signed lower right. Includes a frame. Very good condition.

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

Lithograph, 1971 Edition : 85/90 Publisher : Atelier Clot, Paris Printer : Atelier Clot, Paris 56.00 cm. x 43.00 cm. 22.05 in. x 16.93 in. (paper) 54.00 cm. x 41.00 cm. 21.26 in. x...

Pevero Golf Corse The Pevero Golf Course, Costa Smeralda, Sardinia, 1978. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Mixed media Silkscreen. Watercoloured proof, with collages, each work being unique and different, hand-enhanced by the artist. Handsigned by the artist in pencil Edition : 34/100 30....

Signed, lower left, 'T. Nakayama' for Tadashi Nakayama (Japanese, 1927-2014), dated 1971 and inscribed, lower right, with number and edition limitation, '1/65'. Sheet dimensions: 41...

Antique American modernist abstract oil painting. Oil on canvas. Measuring 46 by 46 inches overall. In excellent original condition. Excellent condition, ready to hang and enjoy.

Jalal Gharbi, Tunisian/American (1920 - 2005) - Music Festival, Year: circa 1970, Medium: Oil on Canvas, Size: 36 x 48 in. (91.44 x 121.92 cm), Description: An oil painting of a ...

This double-page lithograph by Joan Miró is featured on pages 16-17 of Derrière le Miroir No. 186, published by Maeght Editeur in Paris in 1970. The lithograph, which includes a fold...

This is a printer's proof of "Quarterback Sneak" by Wayland Moore, published by Pamplemousse Press in 1977. The screen print vividly captures the dynamic moment of a quarterback snea...

This naturalistic lithograph in warm earthly colors Lake was made by Mario Sportelli in 1970. It is a hand-signed artist's proof.

"A state of mine" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "A state of mine" by Jim Crabb (American, b. 1947). This piece resembles a surreal...

Artist: Dan Teis, American (1925 - 2002) Title: Abstract in Pastels Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55 x 61.5 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Signed lower left, 'Baba' and dated 1977. A large and colorful Pop Art derived perspective on the aquatic circle of life.

Colour lithograph on BFK Rives paper, edited in 1970. Limited edition, numbered as 106/350 in lower left corner. Hand-signed in pencil by artist in lower right corner. Paper size: 6...

This drawing by Leonor Fini is hand signed by the artist in brown ink "Leonor Fini" in the lower right image. It was executed in 1977. This work is from a sketchbook. Condition: Ve...

Signed, titled and numbered etching from the edition of 120. In individual prints, and in his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravings and tongue-in-cheek wit. This image of a rhinoceros and a lamb, hints at an imaginary fable similar to the lion and the lamb. Stan Washburn...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a lens of minimalism and geome...

"Rabbit" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Rabbit" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with b...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Signed lower left, 'Vera' and painted circa 1975. A bold and vivid Post-Impressionist still-life painted with a bright palette and bravura brushwork. Vera Indenbaum painted and exh...

American is a print realized by Giosetta Fioroni (Rome 1932) in the late 20th century. Aquatint and drypoint print Hand-signed and numbered, edition of 31/55 prints. The artwork i...