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1970s Art

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Period: 1970s
Jim Bird, Untitled, from Ediciones Poligrafa, 1979
Jim Bird, Untitled, from Ediciones Poligrafa, 1979

Jim Bird, Untitled, from Ediciones Poligrafa, 1979

By Jim Bird

Located in Southampton, NY

This exquisite lithograph by Jim Bird (1937–2010), titled Untitled (Untitled), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from the 1979 editi...

Category

Op Art 1970s Art

Materials

Lithograph

Vintage Architectural Drawing
Vintage Architectural Drawing

Vintage Architectural Drawing

Located in Houston, TX

Modern pencil drawing of a contemporary architectural design, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. A...

Category

1970s Art

Materials

Paper, Pencil

Stormig natt (Stormy Night) (1978)
Stormig natt (Stormy Night) (1978)

Stormig natt (Stormy Night) (1978)

Located in Stockholm, SE

Bruno Wiklund (1937-2011) Sweden Stormig natt (Stormy Night) (1978) medium: pastel signed and dated unframed 52 × 41.5 cm (approx. 20.5 × 16.3 in) framed 59 × 48 cm (approx. 23.2 ×...

Category

Modern 1970s Art

Materials

Pastel

Phil, Rubber Stamp Portfolio, Chuck Close
Phil, Rubber Stamp Portfolio, Chuck Close

Phil, Rubber Stamp Portfolio, Chuck Close

By Chuck Close

Located in Southampton, NY

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

Category

Minimalist 1970s Art

Materials

Printer's Ink

Pablo Picasso Abstract Etching, Unsigned, Series 156
Pablo Picasso Abstract Etching, Unsigned, Series 156

Pablo Picasso Abstract Etching, Unsigned, Series 156

By Pablo Picasso

Located in Washington, DC

Artist: Pablo Picasso (posthumously) Title: Femme au Fauteuil et Homme Accoude Medium: Etching Portfolio: Series 156 Date: 1978 Edition: 1/50 Stamped signature Frame Size: 19 1/8" x ...

Category

Abstract Geometric 1970s Art

Materials

Etching

Street After Rain (Santiago de Chile) Dominican Artist
Street After Rain (Santiago de Chile) Dominican Artist

Street After Rain (Santiago de Chile) Dominican Artist

Located in Wilton Manors, FL

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

Category

Abstract Impressionist 1970s Art

Materials

Masonite, Oil

Portfolio of Shells
Portfolio of Shells

Portfolio of Shells

By Andreas Feininger

Located in Wilton Manors, FL

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Category

American Realist 1970s Art

Materials

Silver Gelatin

“Cityscape”
“Cityscape”

“Cityscape”

By Lee Reynolds

Located in Southampton, NY

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

Category

Contemporary 1970s Art

Materials

Canvas, Oil, Acrylic

Sainte Lucie
Sainte Lucie

Sainte Lucie

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Sainte Lucie Etching and watercolour from 1974. The edition 219/450. Dimensions of work: 90 x 63.5 cm. Hand signed. Reference: Field, 73-3; Michler, ...

Category

Modern 1970s Art

Materials

Etching, Watercolor

Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting
Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting

Vintage Black & White Minimal Neo-Expressionist Abstract Oil Painting

By Michael Pauker

Located in Soquel, CA

Expressive black and white abstract, with scribbled linear patterns in the style of Jean-Michel Basquiat, by by Bay Area artist Michael Pauker (American, b.1957). circa 1977. Oil on canvas. Titled "Baldwin" and dated "Summer 77" on verso. Here he revisits a piece he did early in his carrier of the same title "Baldwin" in 1967. Unframed. Image size: 16"H x 12"W. “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby...

Category

Neo-Expressionist 1970s Art

Materials

Canvas, Oil

Holland Canal, Netherlands
Holland Canal, Netherlands

Holland Canal, Netherlands

By Brett Weston

Located in Carmel-by-the-Sea, CA

Signed and dated on the front of the mount. Currently framed in custom white wood. See photograph of the piece on the wall.

Category

1970s Art

Materials

Silver Gelatin

Interior, large, colorful figural abstract red, orange, blue acrylic of couple
Interior, large, colorful figural abstract red, orange, blue acrylic of couple

Interior, large, colorful figural abstract red, orange, blue acrylic of couple

By Richard Andres

Located in Beachwood, OH

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Category

Abstract Expressionist 1970s Art

Materials

Acrylic

For Alberti, For Spain! - Etching by Joan Mirò - 1975
For Alberti, For Spain! - Etching by Joan Mirò - 1975

For Alberti, For Spain! - Etching by Joan Mirò - 1975

By Joan Miró

Located in Roma, IT

For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...

Category

Surrealist 1970s Art

Materials

Etching

Andre Derain, The Two Hangars, 1970 (after)
Andre Derain, The Two Hangars, 1970 (after)

Andre Derain, The Two Hangars, 1970 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and ...

Category

Fauvist 1970s Art

Materials

Lithograph

Notre-Dame de Paris with Bridge Over the Seine Landscape Oil Painting
Notre-Dame de Paris with Bridge Over the Seine Landscape Oil Painting

Notre-Dame de Paris with Bridge Over the Seine Landscape Oil Painting

Located in Cirencester, Gloucestershire

Notre-Dame de Paris with Bridge Over the Seine by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on board , unframed double sided b...

Category

French School 1970s Art

Materials

Oil

Joan Miro, Lithograph XI, from Lithographs I, 1972
Joan Miro, Lithograph XI, from Lithographs I, 1972

Joan Miro, Lithograph XI, from Lithographs I, 1972

By Joan Miró

Located in Southampton, NY

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

Category

Surrealist 1970s Art

Materials

Lithograph

Max Bill, Prism, from San Lazzaro et ses Amis, 1975
Max Bill, Prism, from San Lazzaro et ses Amis, 1975

Max Bill, Prism, from San Lazzaro et ses Amis, 1975

By Max Bill

Located in Southampton, NY

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

Category

Constructivist 1970s Art

Materials

Lithograph

A young girl's dream

A young girl's dream

By Niki de Saint Phalle

Located in Paris, FR

Lithograph, 1972 Handsigned by the artist in pencil and numbered 187/300 Publisher : Galerie Putman Printer : Clot, Bramsen & Georges (Paris) Catalog : Chenivesse n°9 Arches Paper W...

Category

Abstract 1970s Art

Materials

Lithograph