1980s Art

Route 10 - Abstract Collage Abstract mixed media collage which pulls on motifs from color-field painting, cubism, and geometric abstraction. This piece has a warm quality to the col...

Up for sale is a large original oil painting on canvas by listed maritime artist Hewett R. Jackson (1914–2007). This striking nautical scene depicts a majestic tall sailing ship brea...

Dan GANDRE (1936-) PARIS : Little Train to St Germain, 1982 Original Lithograph Handsigned in pencil Numbered / 225 (the number you can see can be different) On Vellum 56 x 76 cm (...

TECHNICAL INFORMATION: Andy Warhol Dollar Sign, FS II.277 1982 Screenprint on Lenox Museum Board 19 3/4 x 15 5/8 in. 48/60 - Each Piece is Unique Pencil signed and numbered Conditi...

LARRY HOROWITZ (American b. 1956) "Purple Mountains," 1988, pastel on paper Hand signed and dated L/R, "Horowitz '88," Dimensions sight 19 1/2" x 23", framed, 26 1/2" x 30 1/2". L...

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size: 33.2...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 3...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

Woman in the chair, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 he won the first prize of a painting of the City of Castelldefels, and the following year he debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. Sabala won the first prize in the International Painting Competition of Pollença (Mallorca) in 1985, and the following year she took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. He continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 he debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

This framed "Mandala" thangka is hand painted on canvas with 24K real gold. Earthy tones of color marries perfectly with matt black and touches of gold gives it a beautiful look. Measurement of art without the frame: 15" x 11" A handout on process of making a thangka will be included with the purchase. Mandala represents "wholeness" and is also used as an aid in meditation. The term mandala has become a generic way of describing any circular geometric pattern. The word mandala originated from Sanskrit which means “Circle”. Early versions of the Mandala can be found in the Hindu faith where we would see geometric shapes representing deities. Buddhism took this concept one...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

This Ingrid Bergman nun portrait is among the most color-charged variants from Warhol’s 1983 Börjeson series — a radiant, electrified palette merging violet shadow, scarlet veil, and...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

Wonderful silkscreen of Japanese diarist doll in glass case. Illegibly signed left corner, dated (October 8, 1983) and numbered (2/30). Presented in wood frame. Image size: 20"H x 14...

Serigraph in colors with foil stamping and embossment on wove paper. Hand signed lower right by Erte. Hand numbered 123/300 lower left. Sheet size: 39.5 x 28.5 inches. Frame size...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

BEN SHAHN - Martin Luther King, Jr. - I Have A Dream is a limited run, plate signed, commemorative lithograph recreated after the wood engraving by Stefan Martin(1936 - 1994), an Ame...

Presenting Bills and Taxes is a thought-provoking black-and-white lithograph by Max Schweber, originally created for the ABA Journal's "Fair Tax" issue (April 1984) and later feature...

Etching on paper. hand signed and numbered. Edition of 99. Very good condition.

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produc...

Poster-Long Beach Museum of Art/Bookstore/Gallery. Publishing Information: 1981 Davis Blue Artwork, Los Angeles. Measures 24 x 36 in. Unframed. Good/Fair Condition-shows signs of age...

"Promenade sous les Arbres (Walk under the Trees)" is an original color lithograph by Francois Batet, signed in the lower right and numbered in the lower left. At the center of the p...

Robert Rahway Zakanitch (American b. 1935), Lilies, Blue and Orange, Hand signed and dated 78 in pencil at the lower right, and inscribed Artists Proof with edition notation AP 6/6...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Peacock Caroline Schultz, American (1936–2004) Date: 1980 Lithograph, signed and numbered in pencil Edition of AP 50 Image Size: 18 x 22.5 inches Size: 23 in. x 29 in. (58.42 cm x 73...

King of Pop 1985 - Dave Hogan Signed Limited Edition Michael Jackson with fans outside Madame Tussauds wax museum, London, on March 28, 1985 where he unveiled a likeness of himself ...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson ( 1899-1988) - one of the most revered and unique sculptors of the 20th century. Nevelson i...

Daido Moriyama (1938)
Inu no Kioku (c.1985)
Black & white photograph. Vintage

Image: 24 x 16 cm
Sheet: 30.5 × 24 cm
Signed / verso

Provenance<...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of actress Kim Basinger. From personality portraits and a...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Lumen Martin Winter, American (1908 - 1982) - Mustang, Year: 1980, Medium: Lithograph on Somerset, signed and titled in pencil, Edition: AP, Image Size: 17.5 x 25.5 inches, Size:...

Across the panels of this large diptych by Milly Ristvedt, passages of crimson, indigo, orange and burnt umber move and vibrate in a contemplative narrative. The piece is made more p...

Original oil on canvas painting by the American artist Miriam H. Greenberg. Signed lower right. Titled “Composition Red and Gold” and dated verso, 1988. Condition is very good. Orig...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhib...

This print by Red Grooms is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B. Kitaj, ...

Artist: Erte Title: "La Princesse Lointaine" Type: Serigraph Image Dimensions: 21 x 16 Framed: 38x27 inches Year Produced: 1984 Edition: AP 6/50 Condition: Excellen The Russian born...

Laughing Waters by Charles Magistro, (American, 1942) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 31 x 24 inches Size: 39 in. x 29.5...

Daisy's Mantelpiece, domestic vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 a...

ARTIST: Salvador Dali TITLE: Fleurs Surrealistes Gala's Bouquet MEDIUM: Lithograph on Japon Paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine for DALART EDIT...

Original Bal du Moulin Rouge “Festival” Vintage Cabaret Poster. Linen-backed in excellent condition, ready to frame. Turn your wall into a Paris night. René Gruau’s electric silh...

Chair, vintage industrial interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it insta...

Peter Reginato Abstract Bronze Sculpture, ca. 1987 Bronze Signed on the underside 4 × 6 1/2 × 5 1/2 inches This bronze sculpture is by the American abstract sculptor Peter Reginato. ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, presents one of Chagall’s most joyful and expressive interpretations of Homer’s epic. In Das Fest, Chagall transforms the revelry of ancient feasts into a luminous vision of human connection, music, and harmony, rendered with his signature lyricism and dreamlike color palette. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

Quiet Afternoon 1980 - Slim Aarons Estate Stamped Brigitte Lapp Fonda reclines amidst the foliage in Marbella, circa 1980. 16 x 16" inches / 41 x 41 cm paper size Estate Stamped ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Vibert's Back, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

This exquisite acrylic painting by Ian Hornak (1944–2002), titled Waiting for the Barbarians, was executed in 1985. The painting belongs to one of the most intriguing and transitiona...

Monument in Red, Black, and Blue - Abstract Expressionist in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A blac...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Cicciolina Puppet - Vintage Photograph is a black and white photograph realized in the 1980s. Good conditions with slight foxing.

Etching and aquatint on paper realized by Angelo Casciello. Hand signed and numbered. Edition of 100. Very good condition. A refined and architectonic abstract composition by Ita...

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. 60 x 40" inches / 152 x 101 cm paper size Estate Stamped Collection Edi...

Work on paper

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Charlie Ahearn, "Rapture" (in motion) 1981: A rare historic Debbie Harry, Fab 5 Freddy & Lee Quinones photograph captured by Wild Style director Charlie Ahearn on the set of Blondie's "Rapture". Medium: Archival Inkjet Print on heavy-weight paper. Overall dimensions: 16 x 22 inches ( approx image size: 13 x 19 inches). Hand signed & numbered on the verso, from a limited edition of 10. Excellent overall condition. Provenance: Obtained directly from artist. Literature/References: Writing the Future: Basquiat and the Hip-Hop Generation (MFA Boston). 'New York, New Music 1980-86': Museum of the City of New York (2021). More on Rapture: The music video made its U.S. television debut on Solid Gold on January 31, 1981, and became the first rap video ever broadcast on MTV. Set in the East Village, much of the video is a one-take scene of Debbie Harry dancing down the street, passing by graffiti artists, Uncle Sam, an American Indian, child ballet dancer, and a goat. Fab Five Freddy...

This exquisite lithograph after Marc Chagall (1887–1985), titled Athene führt das Schiff des Telemachos (Athena Guides the Ship of Telemachus), from Homer, Die Odyssee (The Odyssey),...

Paper Size: 23 x 22 inches ( 58.42 x 55.88 cm ) Image Size: 16.75 x 17 inches ( 42.545 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Abaco Islander, 1986 Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 178...

Bernard Buffet (1928-1999) - A Japanese woman Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent c...