1980s Art

Untitled c. 1983 Signed and inscribed “A/P” in blue ink, verso Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm) This work is offered by CLAMP in New York City.

Grabbing the faces of one another, the two women in this Pablo Picasso print tenderly kiss one another. Seen in profile view from the position of the viewer, the scene is loving albe...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Vase de Fleurs". The original painting was completed in 1958. In the 1970's after Picasso's ...

"Crescent Rose" Mixed Media Handmade Paper Watercolor Abstract by Bruce Weinberg Soft lavenders, magentas and gray tones highlighted with purple thread and sheets of gold leaf mingle to create a soft and lovely abstract on handmade paper by California artist Bruce Weinberg (American, 1942-1994). Image is floated on a silk background. Pencil signed and dated "Bruce Weinberg 1980" lower right. Pencil signed title "Crescent Rose" lower left. Displayed in a giltwood frame with spacer. Image size: 24"H x 35"L. Framed size: 31"H x 43"W x 2"D. Bruce Weinberg was a long time resident of the San Francisco Bay Area. He studied Interior Design at the Philadelphia College of Art and Architectural Space Planning at Temple University. During the 1970s he studied printmaking and drawing at San Francisco's Fort Mason...

A lithograph based off of an original drawing that was given to Yoko Ono as a wedding gift, published by his estate (Bag One Arts) in 1986 Date: 1986 Lithograph and chine colle on A...

The 1981 original poster by Jean De Brunhoff, titled Babar a 50 ans!, commemorates the 50th anniversary of Babar, one of the most beloved characters in children's literature. This po...

This rare original equine painting by renowned artist, Jenness Cortez, features legendary racehorse Secretariat sprinting towards the finish line at the 1973 Belmont race, winning by an incredible and historical 31 lengths. Titled, “Secretariat, Winning the Belmont at 31 Length”, this beautiful oil painting measures 16 x 24.5 and is framed in an ornate warm silver and gold frame, complete with a commemorative plaque. Secretariat is widely considered to be the greatest racehorse of all time and the most recognizable name in thoroughbred racing. Big Red, as he is most often affectionately referred, became America’s Horse after his historic Triple Crown win in 1973, winning the Belmont Stakes by an unimaginable 31 lengths (in world record time) in what stands today as the single greatest horseracing performance ever. About Jenness Cortez: Jenness Cortez is a distinguished figure in the contemporary revival of classical realist painting. She was born in Indiana and exhibited a very early talent for art. As a teenager, she took private lessons with Antonius Raemaekers...

Blue, light blue, reading, flowers Olga BOGAEVSKAJA (St. Petersburg 1915 – 2000) She is regarded as one of the leading representatives of the Leningrad School of painting. She was ...

A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...

Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-scale abstract piece features a cool color palette with layered geometric shapes and planes, evocative of outer space and the cosmos. Signed and dated "1980" on the bottom right. Presented in a metal frame. Image size, 39"H x 48"L. About the Artist: Mentors: William Brice, Ron Pekar, Manfred Mueller, Gere Kavanaugh. Permanent Museum Collections: Huntington Library Archive, “Intimate View of LA”, San Marino, CA South Bay Contemporary Museum, Torrance, CA Published Work: 2012 “Nymphas Dissolutio”, The Bride Revisited Mercedes Gertz/ Nancy Louise Jones 2010 Billy IDOL...

Green,Village ,Russian Art,Impressionist ,countryside Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) Born in Ukraine in 1937, he first studied in Saratov and in 1957 he joined the R...

Oil measures 60x73 cm. Frameless. Cleaning and removing old varnish is recommended. A painter born in Baeza but living in Valencia, José Cózar joins his a...

Signed lower right, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, 'La Route Vers St Jean Cap Ferr'...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

This original poster was created by Chinese-American New Yorker T.F. Chen for the Statue of Liberty Centennial in 1986. Chen’s signature use of vibrant, bold colors forms the backdro...

Artist: George Clair Tooker, Jr., American (1920 - 2011) Title: Woman with a Sprig of Laurel Year: 1978 Medium: Color Lithograph, signed and numbered in pencil Edition: AP Image: 17....

James Rosenquist (1933-2017) THE GLASS WISHES (Glenn 161) Color lithograph, 1978-1986, on wove paper, hand signed, dated, titled, dedicated for Jack Martin...

Artist: Jean Michel Folon, Belgian (1934 - 2005) Title: Editions Lahumiere Year: Circa 1980 Medium: Screenprint on Arches Paper Paper Size: 29.5 in. x 39.5 in. (74.93 cm x 100.33 cm)

The image shows a cyclist on a wooden pier extending over the calm waters of Guanabara Bay. The cyclist, shirtless and with his back turned to the viewer, seems to be gazing into the...

Russell Chatham Lithograph signed and numbered the “January evening”. In good condition signed and numbered. Measures 45x34 unframed. Some wear on the right side of the corner

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...

'Sunbathing On Capri' by Slim Aarons Huge Oversize 72 x 48 inches / 183 x 122 cm paper size Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte...

Alexandre Siches (1921-2009) - Woman in profile - Oil on canvas Oil measures 73x54 cm. Frameless. Alexandre Siches Piera (1921-2009) Catalan painter with an innate capacity for dra...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume IV 1981. Published by Maeght Éditeur...

Artist: Jack Youngerman (American, 1926-2020) Title: Mandala Blue Medium: Pochoir in colors with screenprint and embossing Date: 1980 Dimensions: 37" x 36" Signed, dated and numbered...

Sharon Sutton Time In A Most Tantalizing Space - 1981 Print - Silkscreen print on Somerset Paper paper size 29.5'' x 29.5'' inches image size 24" x 24" inches Edition: Signed, title...

Super rare original signed The Gates proposal book for famous art critic: Christo: The Gates Project for Central Park New York City (Hand Signed and Inscribed to art critic Anthony ...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #8 Original Star Wars lobby card of Han Solo and C3P0 Framing options available: Black, brown, white and perspex Condit...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Morning Rush" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on Arches pape...

"Fast Sketch Still Life with Abstract" abstract serigraph of a bowl of fruit with flower by artist Tom Wesselmann. Published by International Images. Printed by Steve Maiorano, Scree...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

BLUE BOY is a limited edition lithograph by the Dutch artist Karel Appel, printed using hand lithography techniques on archival Arches paper, 100% acid free. BLUE BOY presents a fant...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Al Pacino is smoking a cigar, a s...

Gene Davis Royal Curtain - 1980 Print - Silkscreen, on Arches archival paper 30'' x 22'' inches Edition: signed in pencil and marked 180/250 Unframed Known for his dazzling and ...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Untitled, Lincoln Center by Joyce Kozloff, American (1942) Date: 1982 Screenprint, signed, numbered, and dated in pencil Edition of 38/144 Image Size: 2...

The Seine at the Louvre. Oil on canvas, 50 x 65 cm Serge Mendjisky was born in 1929 in Paris. His father, Maurice Mendjisky, was a painter from the School of Paris, this is how Serge became acquainted with the world of arts since childhood. After completing his studies at the School of Fine Arts of Paris, he soon became a recognized artist and his work was exposed in Europe, Japan and the United States. He used photography to make his preliminary studies in painting. By decomposing and recomposing the horizons of some of the most famous cities of the world like New York and Paris, Serge Mendjisky creates new urban landscapes which put into question our perceptive faculties. Volumes, lights and colors create different visual rhythms which create new connections between time and space. Through Serge Mendjisky's creativeness, Broadway becomes an explosion of colored lights...

Title: Grazalema Artist: Rafael Durán Benet (1931-2015) Technique: Oil on lined panel Dimensions: 13 x 16 in (unframed), 14.6 x 17.7 in (framed) Date: Circa 1970s-1980s Signatur...

Original 1987 Keith Haring Safe Sex poster: Illustrated by Keith Haring in conjunction with his many Aids Awareness efforts. A historical ...

THE COUPLE by the woman artist Robin Morris, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE COUPLE is a modern Art Deco styled portrait of a sophisticated, elegantly dressed urban couple formally poses for their portrait, an attractive woman with her short blonde bob hairstyle is seated wearing a fashionable purple and magenta ensemble and 1920's style flapper hat...

Salvador Dali (after) New-York City : Plaza Lithograph after a watercolor Printed signature in the plate On BFK Rives vellum 50 x 65 cm (c. 20 x 26 in) Printed in Matthieu workshop circa 1981...

Oil Painting of a Cottage on the Rugged Cliffs & Coastline of Northern Ireland Art measures 22 x 16 inches Frame measures 34 x 28 inches Presented in a large gold frame with cre...

Artist: Hunt Slonem, American (1951 - ) Title: Pocahontas Pillow Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Size: 26 x 29 inches

The 1985 original advertising poster for Cartier, titled "Joailliers Horlogers Depuis 1847 - Fondation Cartier", is a visually striking and elegant representation of the brand’s timeless craftsmanship and luxurious appeal. Created in celebration of Cartier’s long-standing tradition as a master jeweler and watchmaker, this poster encapsulates the brand's dedication to artistry, precision, and sophistication. Founded in 1847 by Louis-François Cartier, the French luxury house Cartier quickly became renowned for its high-end jewelry and watches, catering to European royalty and aristocrats. Over the decades, Cartier expanded its influence to become one of the most prestigious names in the world of luxury goods, known for creating iconic designs such as the Tank watch, the Santos watch, and the Love bracelet. By 1985, Cartier was well-established as a global leader in luxury timepieces and jewelry, and the brand’s advertising was aimed at reinforcing its legacy and status. The poster for “Joailliers Horlogers Depuis 1847” captures this legacy in a sleek, modern format while also nodding to the classic, refined elegance that Cartier represents. The 1985 poster emphasizes Cartier’s expertise in watchmaking, with the focus on a close-up of one of its iconic timepieces. The clean, minimalistic composition is dominated by an enlarged image of a Cartier wristwatch, likely the classic Tank model, which was originally designed in 1917. The Roman numerals on the dial and the blue sapphire cabochon crown, signature elements of Cartier watches, are prominently displayed, highlighting the exquisite attention to detail and precision craftsmanship for which Cartier is famous. The design uses muted colors, with shades of gold and beige contrasting against the clean white and blue tones of the watch. The blue of the sapphire cabochon, a signature detail of Cartier watches, draws the viewer’s eye, subtly signifying the luxurious nature of the product. The use of metallic gold accents further enhances the feeling of opulence and high quality. The typography is refined and elegant, with the name “Cartier” placed delicately above the image, reinforcing brand recognition without overwhelming the visual composition. The lower part of the poster contains the phrase “Joailliers Horlogers Depuis 1847,” which translates to "Jeweler and Watchmaker Since 1847," emphasizing the long history and heritage of the brand. The words “Fondation Cartier” reference the Fondation Cartier pour l'Art Contemporain, which was established in 1984, just a year before this poster was released. The foundation represents Cartier’s commitment not just to luxury goods but also to the broader cultural and artistic spheres, a theme which resonates in this poster. By the 1980s, Cartier had already achieved global status, and its advertising reflected the brand's mix of historical prestige and modern relevance. This poster is an excellent example of how Cartier balanced its traditional craftsmanship with contemporary design aesthetics. The 1980s were a time of opulence and luxury in the fashion world, and Cartier’s marketing emphasized timeless elegance over fleeting trends. The watch featured in the poster exemplifies Cartier’s ethos: classic, functional, yet utterly luxurious. The simplicity of the design does not detract from its inherent value, making it appealing to a wide range of customers, from royalty to modern-day collectors. Cartier’s ability to craft products that are instantly recognizable while maintaining exclusivity has been a key part of its branding, and this 1985 poster is a perfect illustration of that strategy. The 1985 Cartier Joailliers Horlogers Depuis 1847 - Fondation Cartier poster...

This offset lithograph, OK Hot Shot, is part of a now out-of-print six-print portfolio published by the Guggenheim Museum, highlighting Roy Lichtenstein’s signature Pop Art aesthetic...

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of model Lisa Ann. From personality portraits and advertising...

1-4083 Oversized abstract on rapped canvas Unframed Ready to hang Signed on back Brunelli

This intriguing colourful contemporary painting so impressively large in scale and architectural in form is by Canada’s Yvonne Lammerich. Recognized both nationally and international...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 2 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 ...

Spanish school - Landscape - Oil on board Oil size 22x28 cm. Frame size 35x40 cm.

A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...

La Terrazza Lithograph, 1987 Signed, titled and numbered in pencil (see photos) Published by Kandfall Press, Chicago (their stamp verso) Landfall drystamp recto lower left Edition 12...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Paper Size: 38 x 21.5 inches ( 96.52 x 54.61 cm ) Image Size: 30.25 x 18.5 inches ( 76.835 x 46.99 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Suppleme...