1980s Art

Keith Haring, Fill Your Head with Fun! Start Reading! 1988: Vintage original Keith Haring illustrated poster produced for the New York Public Library system in 1988 to promote litera...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

6165 Maine costal landscape Set in a brack frame with gold trime Image size 13.5x10.5" Signed on verso

Karlo Kacharava (1964-1994). Harlequin in a Landscape, ca. 1985. Enamel paint and marker on gloss paper, sheet measures 19.5 x 15.25 inches. Signed lower left. Unframed. Wit...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Oliver ZLADKU (1952-) Fishermen in Cassis, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 28 x 38 cm Excellent con...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - Running Fence, Year: 1976, Medium: Poster, signed upper left, Size: 25 x 39 in. (63.5 x 99.06 cm), Description: Image by Wolfgan...

Stunning, vivid non-objective abstract screen print titled "Barnabas' Voyage State 2" by Michael Gallagher (American, b. 1945). Signed and numbered lower left corner. Ink on paper using unique bleed screening process. #10/20. Unframed. Size 49"H x 37"W. Shipped in tube. Born 1945 in Los Angeles, California. In 1965 Gallagher attended UCLA and studied painting and drawing with David Hockney, Alfred Leslie, Jan Stussy, Sam Amato & Richard Diebenkorn. Michael has studied painting with Edgar Ewing and Keith Crown...

Rare early 1980s exhibition catalogue published on the occasion of: “Expressive Painting After Picasso”- a group featuring works by: Pablo Picasso, Jean-Michel Basquiat, Francis Baco...

Abstract Expressionist Portrait -- The Red Headed Woman by Chicano Artist Ricardo de Silva This striking abstract expressionist portrait is by Latino artist Ricardo (Richard) de Sil...

Erté Title: Firebird Date: 1987 Medium: Screenprint with foil stamping, signed and numbered in pencil Edition: CCXXVIII/CCL (228/250) Size: 39.5 x 25.7 in. (100.33 x 65.28 cm) Frame...

Vintage American school realist landscape oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 23 by 28 inches overall. Handsomely framed in ...

Va firmado por el artista en la parte inferior Se presenta enmarcada la obra Buen estado de conservación Medidas obra: 46cm. de altura x 38cm. de ancho Medidas marco: 69cm. de al...

Artist: Richard Corman Year: 1983 Title: Madonna Bathroom #1 Edition Details: 12-color archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by ...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at Paul Maenz Gallery in Cologne (Hari...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Titty Twister Edition of 25 signed and numbered by the artist Plastic breasts on display for sale in Amsterdam. JJK is a pseudonym for one of the world's most successful photo arti...

Screen print on Lenox museum board. Hand signed lower front by Andy Warhol. Hand numbered 50/60 lower front (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. P...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Naive Farmland Scene with Rolling Hills and Volcano - Original Oil Painting Patchwork farmland scene by Patricia A. Bannister (American b. 1959.) Along the hills which make up this ...

5029 Impressionist painting city scape Framed.Image size 12x16" Signed L.M.O'Connell

Artist: Andy Warhol Title: Fish Portfolio: The Toy Suite Medium: Original painting on canvas Date: 1983 Edition: Unique Frame Size: 20" x 23" Sheet Size: 11" x 14" Signature: Estate...

Marko Spalatin, Croatian/American (1945 - ) - Oblik VIII, Year: circa 1982, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 66/70, Image Size: 21 x 21 inches...

Ponce - Woman Standing, Year: 1981, Medium: Woodcut on Arches, signed, numbered and dated in pencil, Edition: 1/15, Image Size: 11.25 x 7 inches, Size: 15 x 11 in. (38.1 x 27.94...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph by the renowned American artist Romare Bearden, printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. TWO WORLDS, FACES OF THE FUTURE is a multicolored collage landscape portraying a mysterious, jigsaw-shaped starry night sky in shades of deep blue, hues of bright green, golden yellow, and touches of red. In the foreground of TWO WORLDS, FACES OF THE FUTURE two human figures stand face to face exchanging stars beneath a celestial blue sky showered with twinkling lights. Bearden created this image bearing in mind the importance of advancement through education. This very unique Romare Bearden lithograph...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Sheet size: 15" x 11" Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Condition: In excellent condition Rare Notes: Provenance: private collection - Nacka, Sweden. Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

Offset lithograph poster Boldly signed by Christo on the front Measurements: 39" (vertical) x 25 inches (horizontal) Published by Christo/CVJ Corp., photograph by Jeanne-Claude Unfra...

Artist: Jessica Rice, Belgian (1941 - ) Title: Faces at the Beach Year: 1988 Medium: Oil on Canvas, signed l.l. Size 48 x 72 in. (121.92 x 182.88 cm) Frame Size: 53 in. x 77 in. (1...

Keith Haring Rare Hiroshima Peace Celebration poster (hand signed by Keith Haring), from the Patrick Eddington Collection, 1988 Framed Original offset lithograph (Hand signed by Keit...

Butterfly Maiden, by Dan Namingha limited edition lithograph Hopi kachina pink limited edition color lithograph unframed

Ted Lownik, American - Abstract Waves, Year: circa 1980, Medium: Acrylic on Canvas, signed bottom, Size: 30 in. x 30 in. (76.2 cm x 76.2 cm), Frame Size: 36.5 inch diameter

Delicate watercolor, pen and ink floral study of a cyclamen blending into line drawing, with brilliant attention to detail and a signature delicate style, by California artist Debora...

6136 Water color and india ink on paper of wolf in the wild Framed image size 9.5x8.5"

Lush Green English Countryside with Cottage & River by British Landscape Artist, Lesley Hammett (Born 1955) Art measures 16 x 12 inches Frame measures 19 x 15 inches This pai...

This early-1980s photograph, taken by society photographer Slim Aarons, features the Italian mountain climber and explorer Guido Monzino (1928-1988) and four people relaxing on the t...

Sitting Figure By Lynn Chadwick 1982 Stamped with monogram and numbered 804S 8/9 (underneath) part-polished bronze with a black patina 19.5cm high Lynn Chadwick was a British s...

Oliver ZLADKU (1952-) Saint Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm Excellent condition

Artist: Robert Motherwell Title: Music Portfolio: Ulysses Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Image Size: 6" x 6" Signature: Initialed (...

Artist: Bob Ross Title: Untitled, similar to "Soft Mountain Glow" from season 12, episode 11 of "The Joy of Painting" Medium: Original Oil on Canvas Painting Size: 24" x 36" Year: c. 1987 Inscription: Signed "Ross" in red on lower left front Among the most recognizable figures in late twentieth-century American art, Bob Ross developed a visual language defined by immediacy, clarity, and an enduring celebration of the natural landscape. His compositions translate the complexities of wilderness into serene, approachable scenes, characterized by balanced compositions and a distinctive handling of light and atmosphere. This untitled original Bob Ross painting...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 14 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Artist: James Norman, American (1927 - 2011) Title: Oscillation I Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 35/95 Image Size: 10 x 33 inches Size: 25 x 3...

CALM is an original hand drawn lithograph(not a photo reproduction or digital print)by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arche...

Piet Bekaert was a Flemish Artist born in 1939. He attended both the Royal Academy in Ghent and the Academy Julien in Paris. It was in his Parisian years that he spent long days cont...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

Dalí Circle Surrealist Mineral Landscape, Spanish Catalan Oil Painting Artist: Antoni Pitxot Soler / Antoni Pichot Soler (Figueres, 1934 – 2015) Title: Surrealist Mineral Landscape Date: 1985 Medium: Oil on canvas Dimensions: 50 × 61 cm / 19.7 × 24 in Framing: Unframed Signature: Signed and dated lower right Condition: Very good overall condition. Stable canvas and paint layer. Rich surface texture, visible impasto and original brushwork. Description Powerful surrealist oil painting by Antoni Pitxot Soler, one of the most important Catalan artists connected to Salvador Dalí’s inner circle and a key figure in the visual universe of Cadaqués and Figueres. Painted in 1985, this work belongs to Pitxot’s mature period and presents one of his most recognizable subjects: a dreamlike mineral landscape built from stones, fragments, shells, fossil-like forms and metamorphic shapes. The composition seems suspended between landscape, archaeology and hallucination, where inert matter becomes almost alive. The painting is especially strong visually. The lower section is constructed through a dense accumulation of sculptural forms, painted with thick, expressive brushwork and a refined chromatic range of blues, ochres, pinks, whites, greys and earthy tones. Above them, a floating organic form...

Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...

Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: WP (Working Proof) of 90 Year: 1988 Notes: Ha...

Silkscreen VIII from Apocalypse is a 1988 vintage offset lithograph postcard, published by Art Unlimited Amsterdam and printed in Holland. The postcard is framed in a black wood fram...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

Bruce Springsteen 1981 Original Vintage Poster Measures 32×23″ inches / 81×58 cm Condition : Excellent As part of the European leg of Bruce Springsteen and the E Street Band’s ‘Th...

Bromine oil gelatin silver print/Agfa paper. Bromoil gelatin silver print/Agfa paper. Printed 1993 Hand signed, verso In great condition

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

Robert Motherwell (1915 – 1991) Lament for Lorca 1982 lithograph in colors on white Tyler Graphics Ltd. (TGL) handmade paper Printed with full margins; initialed and numbered 30/...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Nude Male Torso Bronze Sculpture on Marble Base Nicola Rivelli large bronze sculpture of a male torso mounted on a rectangular gray stone/marble base, artist signed on back lower ri...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...