1980s Art

Artist: Andy Warhol Title: Kiku Medium: Screenprint on Rives BFK paper Date: 1983 Edition: AP 12/30 Frame Size: 32 1/4" x 38 1/2" Sheet Size: 19 5/8" x 26" Signature: Hand signed and...

Elegant Ladies on the Beach Spanish Seaside Figurative Oil Painting Artist: Domenech (Spanish School, 20th century) Technique: Oil on canvas Signature: Signed lower right Dimensions...

Pastoral pencil on paper sketch by a celebrated Filipino artist, Jose V. Blanco. The drawing depicts Filipino women and children sorting out mangoes...

Overall 21 X 27 image is 17.25 X 23.5 This is a mixed media print on canvas by beloved comedian and artist Jonathan Winters. This one depicts old biplane airplanes and parachutes ...

Willem de Kooning, Dutch/American (1904 - 1997) - In the Sky, Year: 1982, Medium: Offset Lithograph Poster, Size: 26 in. x 30.5 in. (66.04 cm x 77.47 cm), Frame Size: 27.5 x 30...

Artist: Bob Ross Title: Untitled, similar to "Soft Mountain Glow" from season 12, episode 11 of "The Joy of Painting" Medium: Original Oil on Canvas Painting Size: 24" x 36" Year: c. 1987 Inscription: Signed "Ross" in red on lower left front Among the most recognizable figures in late twentieth-century American art, Bob Ross developed a visual language defined by immediacy, clarity, and an enduring celebration of the natural landscape. His compositions translate the complexities of wilderness into serene, approachable scenes, characterized by balanced compositions and a distinctive handling of light and atmosphere. This untitled original Bob Ross painting...

Titty Twister Edition of 25 signed and numbered by the artist Plastic breasts on display for sale in Amsterdam. JJK is a pseudonym for one of the world's most successful photo arti...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (Landscape with Red Sky)" Year: 1985 Medium: Original Offset-Lithograph, Exhibition Poster on smoo...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Seascape Moonlight with Crashing Waves Vintage British Oil Painting Signed to lower left Art measures 20 x 16 inches Frame measures 24 x 20 inches This painting depicts a serene an...

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

Crack Down! is an amazing screenprint on wove paper, realized in 1986 by Keith Haring. Signed and dated on plate on lower right margin. From an edition of 2000 copies. In excellent...

Jean-Michel Basquiat Gagosian Gallery 1986: Original 1980’s Basquiat exhibition poster, published on the occasion of: Jean-Michel Basquiat at Larry Gagosian Gallery, 510 North Robert...

Artist: Bob Ross Title: Untitled (Similar to "Peaceful Waters" from Season 3, Episode 13 of "The Joy of Painting") Dimensions: 16" x 20" Medium: Original Oil on Canvas Painting Year: 1979 Inscription: Signed and dated "Ross 79" in red, lower left front Executed in 1979, this untitled landscape by Bob Ross exemplifies the artist's early mature style, developed in tandem with the launch of his widely influential PBS series The Joy of Painting. Working in oil on canvas, Ross employs his characteristic wet-on-wet technique to construct a serene natural vista defined by crisp atmospheric transitions and controlled spontaneity. The composition is anchored by a distant mountain range rendered in cool blue and white tonalities, its snow-covered peaks receding into a softly diffused sky. This sense of depth is reinforced through the gradual modulation of color and value, a hallmark of Ross's approach to landscape painting. The foreground is articulated through a calm body of water bordered by clusters of evergreen trees and low vegetation, their forms built with economical brushwork and subtle textural variation. The reflective surface of the lake introduces a compositional counterbalance, mirroring the surrounding landscape while guiding the viewer's eye horizontally across the picture plane. Ross's use of framing elements—particularly the verticality of the trees at either side—creates a natural aperture, directing attention toward the central mountainous horizon and enhancing the illusion of spatial continuity. Though often associated with instructional painting, works such as this reveal a deliberate compositional structure and sensitivity to light, atmosphere, and balance. The restrained palette and clarity of form align with traditions of American landscape painting, while the immediacy of execution underscores Ross's pedagogical intent: to demonstrate that complex natural scenes can be achieved through accessible, repeatable techniques. The work is signed and dated "Ross 79" in red pigment at the lower left. Measuring 16 x 20 inches, the painting stands as a representative example of Ross's early output, bridging his role as both educator and practitioner within the broader context of late 20th-century American art. About Bob Ross Bob Ross remains one of the most recognizable figures in late 20th-century American art, celebrated for both his distinctive landscape paintings and his unprecedented impact on public engagement with painting. Best known as the creator and host of the long-running PBS television series The Joy of Painting (1983–1994), Ross produced thousands of original works, characterized by serene natural settings—mountains, forests, lakes, and skies—executed in his signature wet-on-wet oil painting technique. Ross's artistic practice emphasized accessibility, spontaneity, and technical efficiency. His method allowed him to complete fully realized compositions in a single sitting, a process that became central to his teaching philosophy and mass appeal. While often positioned outside traditional academic art circles during his lifetime, Ross's work has undergone significant reevaluation, with growing recognition of its cultural and artistic importance. In recent years, Smithsonian Institution has acquired original Bob Ross...

Paolo and Francesca is a lithograph realized by Tono Zancanaro in 1981. Hand-signed in pencil on the lower. Artist's proof. Very good conditions.

Portrait of Bruce Springsteen by Neal Preston is a vintage photographic print on double coated paper. Ink stamp of " London Features International LTD" with mention of photographer and ink stamp of Italian agency Grazia Neri. Slight ink traces on the front that do not create problems to the image. Very good conditions. Dim: cm 20 x 15 A rare and beauty print...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Erté's Triumph celebrates victory and achievement through Art Deco sculptural design with elegant bronze craftsmanship. This striking metal sculpture features the artist’s signature...

DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...

Kenny Scharf - Bad Girls Printed by 1989 AC&T, Japan (extremely scarce stateside) Lithograph done with 9 colors and 10 plates on Velin Arches Blanc paper Hand signed and numbered...

Alfonso Fraile (Spain, 1930-1988) 'Hombres', 1985 engraving on paper 18.2 x 13.8 in. (46 x 35 cm.) Edition of 10 ID: FRA1262-002-010 Hand-signed by author ___________________________...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Archival Pigment Print Captured in 1986, printed in 2026 Image size: 12.8 x 18 in. Paper size: 17 x 22 in. Signed and titled in pencil on print verso Open Edition Michael O’Brien is...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: An Evening in 1922 Year: 1982 Medium: Bronze Edition: 61/250 Numbered, 12 AP, 9 HC Size: 17 inches Condition: Excellent Inscription...

FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...

This contemporary abstract acrylic painting is by Carol Sutton. A flurry of colourful gestural brushstrokes dances across the canvas in this engaging acrylic painting by artist Caro...

Artist: Keith Haring Title: Apocalypse 2 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 22 of 90 Year: 1988 Notes: Hand-signed by artist, Signed, numbered, and dated in pencil. Published by George Mulder Fine Arts, New York. Catalog Raisonne: Littmann, 98. Text: Willliam S. Burroughs Page 2 The planet is pulling loose from its moorings, careening into space, spilling cities and mountains and seas into the Void, spinning faster and faster as days and nights flash by like subway stations. Iron penis chimneys ejaculate blue sparks in a reek of ozone, tunnels crunch down teeth of concrete and steel, flattening cars like beer cans...

Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustrated by Haring on the occasion of: 'Keith Har...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Portrait V paper/etching, 9.8x7.2 cm, 1986

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born...

Jagger 1980 - Dave Hogan Signed Limited Edition Pop star Mick Jagger gives the photographer the finger from inside a car, circa 1980. (Photo by Dave Hogan) Limited Edition Dave Hog...

Friedrich Schiemann Recklinghausen 1918 – 1991 Düsseldorf Composition, 1982 Oil on canvas Signed and dated lower right Dimensions: 29 x 48 cm Frame: 56 x 77 cm Schiemann was a gr...

Erté Title: Firebird Date: 1987 Medium: Screenprint with foil stamping, signed and numbered in pencil Edition: CCXXVIII/CCL (228/250) Size: 39.5 x 25.7 in. (100.33 x 65.28 cm) Frame...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

This original woodcut in colour is hand signed and dated in pencil "K. Haring 89" (Keith Haring 1989) at the lower right corner. It is also hand numbered 16 in pencil from the editio...

Edward M. Plunkett, American (1922 - 201?) - Salon d'Automne, Year: 1980, Medium: Lithograph, signed and dedicated in pencil, Image Size: 10.5 x 13.5 inches, Size: 17.5 x 19 in. ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Polarization Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 25 inches Size: 22 x 29.5 ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Iris on Blue II Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200, HC Size: 32 in. x 26 in. (...

Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: WP (Working Proof) of 90 Year: 1988 Notes: Ha...

This David Hockney poster, titled Montcalm Interior at Seven O’Clock, is printed in Bradford, West Yorkshire, England on a high-quality coated heavy stock paper. The work captures Ho...

Artist: Keith Haring Title: Apocalypse 10 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 75 of 90 Year: 1988 Notes: Hand-signed by a...

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

Beautiful and rare Book of Francisco Zuñiga Artist Monograph, 1st Misrachi Art Gallery Edition, 1980 Text in Spanish and English. 317 pages with 355 plat...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Rachel Year: 1984 Medium: Lithograph, signed and numbered in pencil Edition: 86/125 Image: 38 x 26 inches Size: 42 x 28.5 in....

Max Epstein, Canadian (1932 - 2002) - Tranquility, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 19 x 28 inches, Size: 23 in. x 35 in....

Naive Farmland Scene with Rolling Hills and Volcano - Original Oil Painting Patchwork farmland scene by Patricia A. Bannister (American b. 1959.) Along the hills which make up this ...

BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...

Josechu Lalanda (1939-2015) Solitaire, sanglier Bronze à patine brune H. : 15 cm ; L. : 24 cm ; P. : 12 cm Daté « 1986 », signé « J. Lalanda » et numéroté « 186 / 250 » Fonte d’édi...

A woman in a pink shirt and yellow skirt crouches to fit within the frame of the image, her hands tenderly holding up her face as she looks off to the left. Gorman has caught this fi...

Originally produced for the 1981 art show at Navy Pier in Chicago, these posters were part of an estimated edition size of about 2,000. The cropped version is particularly rare, as i...

This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. This piece is worn around the neck, like a bolo tie. The Memphis Designers...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Walter Beauvais (British, 1942–2012) Figures by the Water’s Edge Circa 1980–1990 Oil on board Signed lower left and on the reverse A light-infused and atmospheric composition, this...

Detritus Series 7 Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)