1980s Art

Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St Ives and was elected Pr...

George McClancy (1930-2014) abstract pattern painting. Acrylic on canvas 72" x 72" George McClancy received a MA in painting from Catholic Universit...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Jungle Birds Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 40 x 27.5 in. (101....

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of a Nash's first born son Jackson, age five, looking into an aquarium in his San Francisco house...

A Particular Kind Of Heaven by Ed Ruscha 1983 Offset lithograph on paper size - 24 × 36 1/5 in 61 × 92 cm Open edition Mint conditio...

Untitled Abstract, an original oil on canvas by Edward Gilliam, is a piece for the true collector. Gilliam's use of color and paint thickness immediately captivates the viewer. It is...

Original lithograph poster for the Matisse exhibition at the Galerie Jacques Benador, Geneva 1980. The center of the composition features an image of a drawing by Henri Matisse of a ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Accompanied by a Certificate of Authenticity. Tete Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Crows On The Field - Abstract Expressionist Composition in Oil on Canvas Compelling abstract expressionist painting "Crows on the Field" by Kristin Cohen (American, b. 1963). This p...

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Alisei is an original artwork, a colorful lithograph on paper, realized by Piero Dorazio in 1981. Hand-signed and dated by the artist in pencil on the lower right. Numbered on the l...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

LLUÍS RIBAS CASTELLSAGUE (El Masnou, Barcelona, 1949). “Desnudo femenino”. Óleo sobre lienzo. Firmado en el ángulo inferior derecho. Medidas: 55 x 38 cm; 81 x 64,5 cm (marco). Lluís ...

"Grey Pitcher" is a pastel still life by American artist Warren Brandt created in 1986. Warren Brandt is known for his still-life paintings being especial...

Ira Moskowitz, Polish/American (1912 - 2001) - Psalm of Psalms, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 68/300, Image Size: 29.75 x 21.25 inch...

Neo-Classical Pool Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985. 40 ...

1987 Gelatin silver print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Steven K...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Rachel Year: 1984 Medium: Lithograph, signed and numbered in pencil Edition: 86/125 Image: 38 x 26 inches Size: 42 x 28.5 in....

Marcel Marceau, French (1923 - 2007) - Le Troisieme Oeil (The Third Eye), Year: 1981, Medium: Lithograph on Japon paper, signed and numbered in pencil, Edition: 66/70, Image Size:...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro, Mickey Rourke, The lobby cards would have been displayed inside the cinemas at the time of the film's release. An...

Untitled, c. 1980s Oil on canvas 43 1/2 x 55 1/2 in.

Life's a Beach Screen print, 1980's Signed lower right (see photo) Mr. Holch’s formal art training began at Trinity-Pawling School where he won their first annual art award. He conti...

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. From the same photoshoot, the so-called 'Zip' print by Ian San...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Sklye by Sam Francis (1923-1994) Acrylic on paper 14.6 x 10.2 cm (5 ³/₄ x 4 inches) Signed, Sam Francis and dated on th...

Dramatic, large scale black, white, green and grey Western American landscape with river, grassy banks, trees, and rolling clouds filling the sky. Hang in minimalist, modern, and con...

Marlene Dietrich Legendary Film Star 20th Century Litho NYT Published Mid-Centuy Al Hirschfeld (1903-2003) "Marlene Dietrich at the Palace, 1967" Hand-sign...

Old Days  - Bookshops in 1980s is a vintage black and white photograph. Good conditions.

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Sepia Aquatint. Edition 15/25 slice of watermelon on a table

Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School Modern painting of a nude woman with the Sausalito landscape in the background by American painter, P...

John Sex c. 1980s Signed and titled in ink, recto Vintage gelatin silver print 12 x 17 inches (30.5 x 43.2 cm), image 16 x 20 inches (40.6 50.8 cm), sheet ...

Judy Chicago Driving the World to Destruction, 1988 Silkscreen on wove paper Pencil signed, titled, dated and numbered 35/50 on the front Included with this work is an elegant hand ...

LA TOUR, LA NUIT, LE JOUR is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded...

City landscape is an artwork realized by Lello Barresi in 1980s. Oil on Canvas 67 x 47 cm ; 100 x 80 cm. Good conditions

'Pool On Amalfi Coast' A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Gorgeous blues in this image with the ocean and swimming pool, contrast...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Andy Warhol Dies! Set of four complete 1987 New York newspapers announcing Warhol's death. A rare, highly sought-after series that would look unique framed together as a collage. An ...

Ireland Landscape with Trees, Buildings & Sun Rays by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21 ...

#5-3062a Black & White Forest, contemporary oil on wood board displayed in a black and white wood frame, signed lower left by M.Mirabella .Image size 19.5 H x 19.5 W

Etching and aquatint on Auvergne paper, edited in 1980. Limited edition of 200 copies, numbered 129/200 in lower left. Hand signed by Salvador Dali in pencil in the lower right margi...

Artist: James Rosenquist Title: New York New York - Communications Center Year: 1983 Medium: Screenprint and Offset Lithograph, signed and numbered in pencil Edition: 250 Paper Size...

Charming vintage oil painting of the iconic La Canada Building on the corner of North Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by ...

This lithographic poster was printed in 1984 at the Atelier Mourlot in Paris. It is based on a 1947 lithograph entitled La Femme au Fauteuil. The image was composed of six colors, an...

Artist: Warhol, Andy Title: Mao (Wallpaper) Date: 1974 Medium: Screenprint on wallpaper Unframed Dimensions: 40.125" x 29.5" Framed Dimensions: 45.25" x 34.5" Signature: Unsig...

"Under the Mountain" - Modern Abstract Lithograph Bold abstract lithograph by Fran Ciscus (American, 20th Century). Signed "Fran Ciscus". The colors in this piece have a slight irid...

Artist: Peter Max (1937) Title: Spring Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.25 x 5.25 inches Condition: Excellent Inscrip...

11 x 14" vintage silver gelatin photograph of Dance Theatre of Harlem dancer Donald Williams in 'Billy the Kid', 1988. Signed on the print verso by Jack ...

Keith Haring Tony Shafrazi Gallery 1984: A RARE signed Keith Haring letter produced in 1984 by Haring's long-time gallerist, Tony Shafrazi in reference to Keith Haring's wood panel s...

Andy Warhol and his corsets at the fourth factory, New York, 1986 "Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...

Rosanna Lambertucci is a vintage black and white photograph realized in 1980s. Good conditions.

Beverly Sills Opera Singer Diva Classical Music Grammys Caricature 20th Century Al Hirschfeld (1903-2003) Beverly Sills Lithograph on heavy paper, 1983 Sight: 11 1/2 x 14 inches Sig...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1984. The composition features a nude figure in the center with their back...

GENIE 1980 is a hand drawn, limited edition lithograph printed on archival Arches printmaking paper 100% acid free created by the artist Gustave Kaitz, American Art Deco Master 1913-...

Eric Orr, (American 1939-1998) In Barcelona, 1989, Color lithograph, hand signed in pencil and numbered from edition of 75 sheet 30 x 22", Published by Poligrafia Eric Orr (1939–1...

Blue Cloud, Pink Sky is an original artwork realized by the English artist Martin Bradley in 1983. Original gouache on paper. Titled on the lower left corner Blue Cloud, Pink Sky...