Early 18th Century Art

No hay ninguna firma ni inscripción La obra se presenta enmarcada (el marco presenta algunos signos de uso) Medidas obra: 55 x 45 cm. Medidas del marco: 71 x 59 cm. Buen estado e...

The Marquis des Reaulx attributed to Nicolas de Largilliere. Circa 1730 Oil on canvas. Unsigned but carrying the Marquis des Reaulx coat of arms. Nicolas de Largilliere rarely signed...

Early 18th-Century Italian Venetian Portrait Painting on Glass This wonderful early 18th-century portrait of a lady holding a small dog is a classic example of reverse glass painting...

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

Portrait of a Nobleman, English School Oil Painting, Early 18th Century English School, early 18th century oil on canvas, unframed Canvas: 38.5 x 33 inches Provenance: private col...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

This exceptional Circa 1700 Spanish Colonial oil on canvas is a quintessential masterpiece of the Cuzco School (Escuela Cuzqueña), capturing the distinct syncretic artistry of vicere...

A beautiful example of an early 18th century devotional painting depicting the Holy Family in a landscape. On the left stands Mary, wearing a flowing pink dress with blue drapery, he...

An accomplished 18th century devotional portrait of Jesus Christ, gazing upwards, with a crown of thorns. The religious portrait has been beautifully presented in a giltwood frame wi...

Portrait of a Lady English School, 18th century oil on canvas, unframed canvas : 31 x 25 inches provenance: private collection, UK condition: good and sound condition

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Joseph Highmore (London 1692-1780 Canterbury) Portrait of a Knight Companion of the Order of the Bath, c. 1725-35 Previously identified as Charles Whitworth, 1st Earl Whitworth (1752...

Magnificent Italian painting from the first half of the 18th century. This oil on canvas artwork depicts the biblical episode of Moses driving the shepherds from the well of Midian. ...

La pintura representa a la Virgen María por su iconografía tradicional. Viste un manto azul verdoso que cubre su cabeza y hombros, y una túnica rosada con detalles en tonos claros. S...

Willem van Kessel (c.1691–1727) – Portrait of a Bewigged Gentleman in Armour, 1713 A highly decorative and striking oil painting depicting a bewigged gentleman clad in a suit of arm...

Artist/ School: Dutch School, early 1700's. Title: Elegant Court Figures at a Musical Soiree. Medium: oil painting on canvas, unframed. Size: painting: 40 x 49.5 inches Provenanc...

French School, circa 1720's circle of Nicolas Lancret (1690-1743) oil painting on canvas 15 x 23 inches provenance: private collection, UK Fine depic...

This strong Dutch Old Master portrait oil painting is attributed to a follower of Anthony Van Dyck. Van Dyck painted the original portrait in 1618 as he noted top right Anno 1618. He...

In this dramatic 18th-century religious composition, the body of Saint Aloysius Gonzaga lies serene upon a boat, surrounded in celestial radiance. Cherubs gather above, bearing witne...

This simply stunning large Old Master landscape oil painting is attributed to noted Dutch artist Adriaen van Diest. Painted circa 1700 this Mediterranean Italian landscape painting has everything; A really interesting landscape with land, river, sea and mountains, interesting figures and cattle and a wonderful sky with fading light. The details and the capturing of the light make this a really fantastic Dutch Old Master country house Grand Tour oil painting. Irresistible. Provenance. Dorset estate. Condition. Oil on canvas, 42 inches by 20 inches and in good condition. Frame. Housed in an English carved giltwood frame, 50 inches by 28 inches framed and in good condition. Adriaen van Diest (1655-1704) was born in the Hague in the Netherlands. Like his father and his brother, he pursued a career as a marine painter, that is, a painter of seascapes and sailing ships. In 1673, attracted by the thriving English market for portraits and marine paintings, he joined the exodus of Dutch artists leaving to work in England. It is thought that his master was Willem van de Velde the Younger...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Escuela colonial mejicana; siglo XVIII. “San Antonio con el Niño”. Óleo sobre tabla. Medidas: 28 x 21 cm. Gran pieza para coleccionistas de arte religioso de calidad San Antonio de P...

A remarkable 18th-century nativity painting depicting the adoration of the shepherds as they pay their respects to the newborn Jesus Christ, who lies...

Italian painter (18th century) - The Fruit Seller. 70.5 x 58.5 cm (without frame) - 88.5 x 75.5 cm (with frame). Oil on canvas, in a carved wood frame (not signed). The painting d...

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to Simon Pietersz Verelst. Painted circa 1700 it is a still life floral of a mixed flower arr...

Two Arcadic Landscapes are a couple of original oil paintings by a follower of the Flemish artist, Jan Frans Van Bloemen (1662-1749). These old master's original paintings represen...

A shepherdess and her flock rest on the bank of a meandering river, as rolling countryside recedes into the distance beyond. The work is signed and dated to the lower right, obscured...

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

This delightful 17th-century oil painting illustrates the biblical episode of the Flight into Egypt, rendered in a characteristically Dutch manner with careful attention to landscape...

The Madonna, with a crown upon her head, holds the baby Jesus as both return the viewer's gaze. Unsigned. On canvas on stretchers.

Italian Madonna, early 18th Century, probably Genovese. Beautiful color palette. Not signed.

A remarkable 18th-century Cuzco School painting of Saint Isidore (c.1070-1130), a Spanish agricultural labourer venerated as the patron saint of farmers and of Madrid. He was canonis...

Attributed to Francesco Simonini (Parma 1686 - Venice 1753) - Harbour landscape with tower and figures. 51.5 x 85.5 cm (unframed) - 57 x 91 cm (framed). Oil on canvas, in a gilded ...

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

This splendid early 18th-century oil painting by Dutch artist Philippus Vilain (c.1659-1729) depicts a gentleman dressed in black armour, standing beside a plumed helmet and holding ...

A fine and delicately painted genre scene depicting three musicians in convivial company, two playing a fiddle and the other a lute, set within the warm interior of a tavern or inn. ...

Artist/ School: Italian School, early 18th century The painting is almost certainly from the circle of the Italian Baroque painter known as 'Rosa da Napoli', Jacob Roos (Rome 1682-Na...

Philippe de CHAMPAIGNE (1602-1674), follower of (possibly a pupil) Madonna with child Oil on canvas Dimensions: 70x55 cm (with frame: 88x72 cm). In good condition, relined, professi...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

This stunning 18th-century Flemish religious scene portrays the entombment of Christ, capturing the solemn moment his lifeless body is carried into the tomb by devoted followers. Cha...

This refined early 18th-century Flemish oil painting depicts a gentleman dressed in a red robe, a fancy lace cravat and cascading cuffs. His wig falls in masses, framing his introspe...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

"Early 18th Century Old Master Christ Agonizing on the Cross." Oil on panel. Artwork: 18.2 × 13.4 cm (7.2 × 5.3 in.) ; This finely executed Early 1...

This sumptuous early 18th-century portrait by leading French artist Louis de Silvestre (1675-1760) depicts Baron Pierre de Gaultier, a nobleman and diplomat active during the final y...

Title: Virgin and Child - 18th Century Italian School (Circle of Jacopo Amigoni) Description: An important 18th-century Italian School oil on canvas depicting the classic iconograph...

A charming 18th-century interior scene by the Flemish artist Jan Baptist Lambrechts (1680-1731) depicting a husband and wife with their servant. Beautifully presented in an ornate pa...

A remarkable eighteenth-century crayon manner engraving by Gilles Antoine Demarteau (1722-1776) after a drawing by Jean-Joseph Taillasson (1745-1809) depicting Saint John of the Cros...

A rare late 17th century religious work portraying a Catholic priest, likely a Jesuit, holding a burning heart inscribed with the Latin word 'Charitas', symbolizing the sitter’s divi...

An 18th century devotional portrait of a religious saint, possibly Mary Magdalene. On panel. Image size: 13 x 8.5cm.

Portrait of Marc de Beauvau, Prince of Craon Studio of Hyacinthe Rigaud (1659–1743), circa 1710 Oil on canvas, not signed, dimensions: h. 80 cm, w. 63 cm Finely carved gilded wooden...

The Military Encampment Circle of Carel van Falens (1683-1733, Flemish) oil on canvas, unframed canvas: 8 x 10.5 inches provenance: private collection, UK condition: very good and so...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

Portrait of Lady Elizabeth Southwell (neé Cromwell), as the Magdalene, half-length wearing a red dress with black veil, a prayer book by her side Oil on canvas, circa 1705 In a ca...

A charming 18th-century Dutch genre scene depicting an intimate family moment: a mother and her elder daughter gently guiding the youngest as she takes her first tentative steps. The...

Italian painter (18th century) - Holy Family with the Infant Saint John. 43 x 38 cm (without frame) - 51.5 x 46.5 cm (with frame). Oil on canvas, in a carved and gilded wooden fram...

Sir John Wynn, 5th Baronet Canvas Size: 50 x 40" (127 x 102cm) Outside Frame Size: 58 x 48" (147 x 122cm) Unsigned but a catalogued attribution. Sir John Wynn, 5th Baronet (1628 – ...

A finely detailed engraving depicting Lumley Castle near Durham by William Byrne (1743-1805) and Samuel Middiman (1750-1831) after Thomas Hearne (1744-1817), with figures by Francesc...