Early 18th Century Art

Italian painter (18th century) - Holy Family with the Infant Saint John. 43 x 38 cm (without frame) - 51.5 x 46.5 cm (with frame). Oil on canvas, in a carved and gilded wooden fram...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

A fine late eighteenth-century portrait depicting a young man fashionably attired in a black high-collared coat and white cravat. The painting is well presented in a vintage gilt fra...

A fine portrait of Nicholas Lanier (1588-1666) after Anthony van Dyck (1599-1641). Lanier was a multi-instrumentalist, singer, composer, performer, and the court musician and ‘Master...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Running at the ring, very rare and large representation of the medieval horse game Dutch ar. 1720 unsigned Oil on canvas / relined Size: 42,5 x 114 cm Frame: 47 x 118 cm This is an extremely rare museum piece from the 18th century! Viewing and collection by prior appointment is possible. Authenticity is guaranteed in writing. Running at the ring, riding at the ring or tilting at the ring is an equestrian tournament activity originally practiced at European royal courts and likely derived from other lance games like quintain. It gained new popularity at Natural Chimneys near Mount Solon, Virginia, possibly as early as the 1820s, and since 1962, has been the state sport of Maryland. A similar contest, the corrida de sortija, is held in Argentina where it is considered a gaucho sport derived from the Spanish tradition of medieval tournaments. This version of a lance game or quintain could be played in teams, and the riders sometimes dressed in exotic fancy costume as a spectacle at weddings or other court festivals. Costumes for a 1570 tournament in Prague were designed by Giuseppe Arcimboldo. At Munich in February 1568, at a match held at the wedding of Renata of Lorraine and William V, Duke of Bavaria, the spectators were entertained by the costumed aristocratic riders and professional Italian comedians. Henry of Navarre bought steel rings and painted lances for a masquerade in 1576. There are many records of running at the ring at the Scottish and Tudor courts. At court, the prize was often a diamond ring presented by a lady. A tournament of tilting at the ring continues to be held in Denmark at Sønderborg annually in July and the Ringridermuseet is dedicated to the sport. It is also a tradition to have variations of this game at summer get-togethers in small Danish villages. Here they will often use anything but a horse, such as bike, lawnmower, tractor or even other people. Modern ring tilting tournaments have also been held in Croatian Istria since at least the 1970s. Running at the ring, usually referred to as a ring tournament, ring jousting, or simply as jousting, has been practiced in parts of the American South since at least the 1840s. Ring tournaments are still held in Virginia, West Virginia, North Carolina, and South Carolina, but most frequently in Maryland, which made this form of jousting its state sport in 1962. Costume fabrics for Henry VIII of England to run at the ring at Greenwich Palace in January and February 1516 included velvets, damasks, satins, and sarcenets. He performed at Richmond Palace for the Venetian ambassador in May 1517. In February 1547, English soldiers at Boulogne held a tournament to celebrate the coronation of Edward VI. Instead of tilting, they held courses of running at the ring. One team of six were dressed "like Turks". John...

French School, circa 1720's circle of Nicolas Lancret (1690-1743) oil painting on canvas 15 x 23 inches provenance: private collection, UK Fine depic...

Attributed to Francesco Simonini (Parma 1686 - Venice 1753) - Harbour landscape with tower and figures. 51.5 x 85.5 cm (unframed) - 57 x 91 cm (framed). Oil on canvas, in a gilded ...

An evocative 18th-century oil depicting St Francis Xavier - the 16th-century Catholic missionary and co-founder of the Jesuit order. The artist has depicted the figure with elements ...

A fine 18th century ink and wash drawing by an unknown hand depicting Parthamasiris, King of Armenia in a scene from Ancient Rome, likely a monument or relief sculpture. In 113 CE, ...

An accomplished 17th renaissance portrait of Saint Helena, mother of Constantine I, holding the True Cross of Christ. Possibly a fragment study from a larger known fresco painting. W...

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to Simon Pietersz Verelst. Painted circa 1700 it is a still life floral of a mixed flower arr...

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Portrait of a Noble Lady French, circa 1730-1750 period Circle of Philippe Mercier (French, 1689-1760) unsigned oil on canvas, framed framed: 38 x 30 inches canvas: 36 x 28 inches P...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

This refined early 18th-century Flemish oil painting depicts a gentleman dressed in a red robe, a fancy lace cravat and cascading cuffs. His wig falls in masses, framing his introspe...

A finely detailed engraving depicting Lumley Castle near Durham by William Byrne (1743-1805) and Samuel Middiman (1750-1831) after Thomas Hearne (1744-1817), with figures by Francesc...

Italian painter (18th century) - The Fruit Seller. 70.5 x 58.5 cm (without frame) - 88.5 x 75.5 cm (with frame). Oil on canvas, in a carved wood frame (not signed). The painting d...

An accomplished 18th century devotional portrait of Jesus Christ, gazing upwards, with a crown of thorns. The religious portrait has been beautifully presented in a giltwood frame wi...

A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

Venetian painter (18th century) - Time and Youth. 59 x 43 cm (unframed) - 70 x 54 cm (framed). Oil on canvas, in a carved and gilded wooden frame (not signed). This small-sc...

A pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. I...

A remarkable eighteenth-century crayon manner engraving by Gilles Antoine Demarteau (1722-1776) after a drawing by Jean-Joseph Taillasson (1745-1809) depicting Saint John of the Cros...

Roman painter (18th century) - Landscape with Wayfarers. 43.5 x 34.5 cm (without frame) - 58.5 x 49.5 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not signed)...

Several figures load firewood onto horses in a snow-covered landscape. Beautifully presented in an ornate gilt-effect frame. Unsigned. On canvas on stretchers.

Two Arcadic Landscapes are a couple of original oil paintings by a follower of the Flemish artist, Jan Frans Van Bloemen (1662-1749). These old master's original paintings represen...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...

18th Century French Rococò Painting An oil on panel painting attributed to the great French artist of the eighth century, Jean Ra...

An accomplished 18th century devotional portrait of Mary , Handmaid of the Lord, depicted with her arms crossed at chest level in a gesture indicating unconditional acceptance of God...

This early 18th-century oil painting by English artist Joseph Highmore (1692-1780) depicts Thomas Marsh Esq. (c.1667-1739), a Kent landowner and senior militia officer, shown at appr...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Group of four oils on panel, in wooden frames (not signed). The serie...

Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...

This lovely Old Master portrait oil painting is attributed to the circle of Michael Dahl. Painted circa 1710 the sitter is Rachel Missing, wife of Roger Hogg of Newliston, near Edinb...

Italian Madonna, early 18th Century, probably Genovese. Beautiful color palette. Not signed.

Willem van Kessel (c.1691–1727) – Portrait of a Bewigged Gentleman in Armour, 1713 A highly decorative and striking oil painting depicting a bewigged gentleman clad in a suit of arm...

Magnificent Italian painting from the first half of the 18th century. This oil on canvas artwork depicts the biblical episode of Moses driving the shepherds from the well of Midian. ...

Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...

Italian School, circa 1700's Classical figures in landscape oil on canvas, framed framed: 36 x 32 inches canvas: 30 x 25 inches provenance: private collection, UK condition: very goo...

Philippe de CHAMPAIGNE (1602-1674), follower of (possibly a pupil) Madonna with child Oil on canvas Dimensions: 70x55 cm (with frame: 88x72 cm). In good condition, relined, professi...

This religious painting depicts the Virgin Mary and Baby Jesus appearing in a heavenly vision above kneeling monks. The composition is framed by a floral wreath with cherubs dotted t...

This simply superb French Old Master self portrait oil painting is attributed to portrait artist Alexis Grimou. Painted circa 1720 it is a bust length standing portrait of the artist...

Escuela colonial mejicana; siglo XVIII. “San Antonio con el Niño”. Óleo sobre tabla. Medidas: 28 x 21 cm. Gran pieza para coleccionistas de arte religioso de calidad San Antonio de P...

The Madonna, with a crown upon her head, holds the baby Jesus as both return the viewer's gaze. Unsigned. On canvas on stretchers.

A charming 18th-century oil study depicting a woman gathering wheat in the fields. Part of a pair of oils of women harvesting by the same hand. Unsigned. On panel.

Salmon On The Riverbank, 19th Century by JOHN BUCKNELL RUSSELL (1819-1893) sales to $20,000 Large 19th Century English study of salmon on the riverbank, oil on canvas by John Bickn...

A charming George III framed needlepoint sampler by Catharine Mouds, aged 10. Dated, 1797.The sampler displays alphabet numbers and a biblical verse with floral detail to bottom edge...

US buyers pay no import tariffs on this item. This exquisite and exceedingly rare early 18th-century Russian Staurotek icon depicts The Crucifixion of Christ with an assemblage of s...

US buyers pay no import tariffs on this item. This extensive early 18th-century oil painting attributed to German artist Franz Joachim Beich (1665-1748) depicts a mountainous Italia...

A dramatic 18th-century oil painting portraying Jesus Christ in a moment of profound suffering. The composition emphasizes the blood trickling from the crown of thorns, a symbol of s...

A delightful 18th century genre scene depicting hunters and their dogs pausing to rest beneath a soft, pastel-hued sky. The artist captures the movement of the moment, from the passi...

Court Portrait Of Anne Of Cleves (1515-1557), Queen Of England, 18th Century English School - Oil On Oak Panel Antique court portrait of Anne of Cleves, Queen of England, oil on pa...

Amsterdam is rendered in magnificent detail in this eighteenth-century "vue d'optique" engraving with hand colouring. Engraved by Thomas Bowles (c.1712-1767) after Peter van Ryne (17...

An exceptional 18th century devotional portrait depicting Christ as the Man of Sorrows, crowned with thorns in a moment of sacred suffering. Rich in biblical symbolism, the compositi...

A rare late 17th century religious work portraying a Catholic priest, likely a Jesuit, holding a burning heart inscribed with the Latin word 'Charitas', symbolizing the sitter’s divi...

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...

Outstanding early 18th century English portrait of James Bellevue. The portrait was always believed to be the work of Sir Godfrey Kneller who was known to have painted James Bellevu...