Early 18th Century Drawings and Watercolor Paintings

Il disegno rappresenta, come riportato a penna in basso al centro del foglio, il ritratto del celebre pittore dell'Emilia Romagna Francesco Albani, uno dei massimi rappresentanti del...

Italian School Around 1700 Beheading scene in front of an enthroned king, probably a martyr scene Black pencil 21.5 x 28 cm 29.5 x 39 cm Provenance: Fryszman collection, sale on 01...

This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...

A fine 18th century watercolour study depicting figures on a road by a wayside cottage. The colours and style are typical of the period and the piece serves as an excellent example o...

A delightful watercolour study depicting a young woman wearing a dress and smock. She points to her left hands showing her palm to the viewer. The artist captures her with a delicate...

A heartwarming sepia study of a shepherdess comforting her young baby. Well-presented in a contemporary gilt-effect frame. Unsigned. On paper.

A delicate 18th century sepia watercolour depicting an angelic child praying amongst reeds. Beautifully presented in a period gilt frame with sgraffito decoration. Much of the artist...

A delicate 18th century sepia watercolour depicting The Infant Bacchus with Goats. Beautifully presented in a period gilt frame with sgraffito decoration. Much of the artist's graphi...

A charming watercolour interpretation of chapter forty-seven verse seven of Genesis where Joseph presents his father Jacob to the Pharaoh. The artist captures the religious figures o...

A fine 18th century portrait in watercolours, depicting a blind man seated in an expansive country landscape. The artist delicate brushwork and monochrome pa...

This fine renaissance study, attributed to Bolognese painter Prospero Fontana (1512-1597), depicts two cherubs seated in clouds, playing with the arms of Mars. Elegantly mastered in ...

This rare drawing by Nattier is part of a set of preparatory studies executed in 1717 for one of the painter's first commissions, the painting commissioned by Tsar Peter I of Russia ...

Pen and sepia ink on cream laid paper, 8 3/4 x 5 3/8 inches (222 x 136 mm). Scattered paper tape repairs on the verso in the area of the upper left corner, and along the right sheet...

Georg Philipp I RUGENDAS (1666-1742) Frederick I of Prussia Red chalk, ink and brown wash on paper 45x42 cm This drawing has been long considered representative of Charles VI. In r...

A particularly fine Georgian watercolour of wild roses & lilies circulated by two pollinating butterfly. Indistinctly signed and dated '1829' to the lower right. Beautifully mounted ...

18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...

Artist/ School: French School, 18th century Title: Classical figures within an interior. Medium: chalk on paper, mounted. Size: drawing: 11.5 x 13.5 inches Provenance:...

Due Angeli is an original artwork realized by Andrea Brustolon. Mixed media, ink and watercolor. The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...

Landscape is a beautiful artwork realized by Jan Peter Verdussen. In good condition. illegible Hand-signed on the lower right margin. passepartout included ( 49 x 69 cm). The artwork represents a landscape river in sanguine drawing...

Allegorical Scene is an original modern artwork attributed to the Louis Fabricius Dubourg in the first half of the XVIII Century. Original sepia drawing...

Woman In Costume is an original watercolor on ivory-colored paper, realized by Michela De Vito in the first half of XIX century. Good conditions exc...

The Baker is an original watercolor on ivory-colored paper, realized by Michela De Vito in the first half of XIX century. Good conditions except for a very light shading on right s...

François Boitard (1670-1715) Abraham and the Three Angels, Signed lower left "Boitard (...) fecit (...)" 28 x 44 cm Pen and ink on yellow prepared paper I...

Figure of Breton Woman is a beautiful ink and watercolor original drawing on wire rod and watermarked paper realized at the middle of XVIII century by Jan Peter Verdussen. This ori...

Procida is an original watercolor on ivory-colored paper, realized by Michela De Vito in the first half of XIX century. Good conditions except for two little foxings. The title is...

Watercolour. Hand-Numbered "312" lower-right on margin. In very good condition except a little stain on the high left corner. Wonderful Watercolour drawing by Jan Peeter Verdussen, s...

A fine 18th century ink and wash drawing. Well-presented in a gilt-effect frame with a new card mount. Unsigned. On laid.

A fine ink drawing depicting Christ carrying the cross in an Italian school style. The artist captures the figure in a delicate hand, using a soft ink wash to show depth in the scene...