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Period: Early 18th Century
An Eighteenth Century Pastoral Scene by Jan van Gool, 1719
Located in Philadelphia, PA
Jan van Gool
(Dutch, 1685-1763/65)
Pastoral Scene, 1719
Oil on panel, 15 x 21 3/4 inches
FRAMED: 23 x 29 1/2 (Approx.)
Signed and dated at lower left: "J V G...
Category
Old Masters Early 18th Century Art
Materials
Oil, Panel
New Revised North America Map with Mythical Figures and Animals
Located in Houston, TX
Copperplate engraving hand colored map of Northern America. The figures of the mythical figure along the right side and the animals were added in later after the original printing. T...
Category
Naturalistic Early 18th Century Art
Materials
Engraving
18th Century French Map and City View of Joppe/Jaffa (Tel Aviv) by Sanson
Located in Alamo, CA
An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants.
The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition.
Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU117324709892.
Artist: Nicholas Sanson d'Abbeville (1600 - 1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...
Category
Early 18th Century Art
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Art
Materials
Etching
Animal's Skeleton - Etching by Louis Legrand - 1711
Located in Roma, IT
Animal's Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807).
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec ...
Category
Modern Early 18th Century Art
Materials
Etching
Animal's Skeleton - Etching by Catherine Haussard - 1711
Located in Roma, IT
Animal's Skeleton is an etching realized in 1771 by C. Haussard.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description...
Category
Modern Early 18th Century Art
Materials
Etching
Skeleton - Etching by Catherine Haussard - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by C. Haussard.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...
Category
Modern Early 18th Century Art
Materials
Etching
Le Saki - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saki is an etching realized by Jean Charles Baquoy in 1771.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category
Modern Early 18th Century Art
Materials
Etching
Portrait of Man - Etching - 18th Century
Located in Roma, IT
Portrait of Man is a beautiful etching realized by an Anonymous artist active in the 18th century. Titled on the lower center "Giovanni Paisiello", wit...
Category
Old Masters Early 18th Century Art
Materials
Etching
Sleeping Nymph - Original Etching After Titian - Early 18th Century
By Anne Claude Philippe de Tubières
Located in Roma, IT
Image dimensions: 14.5 x 20.4 cm
Sleeping Nymph is a splendid original etching on cream-colored paper, realized by Anne Claude Philippe de Tubières, count of Caylus (1692-1765) in X...
Category
Old Masters Early 18th Century Art
Materials
Etching
Procida - Original Ink Watercolor by M. De Vito - Early 1800
Located in Roma, IT
Procida is an original watercolor on ivory-colored paper, realized by Michela De Vito in the first half of XIX century.
Good conditions except for two little foxings.
The title is...
Category
Modern Early 18th Century Art
Materials
Watercolor, Ink
Trinity College, Cambridge engraving Pieter van der Aa after David Loggan ii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Neville's Court Trinity College, Camb...
Category
Realist Early 18th Century Art
Materials
Engraving
Emmanuel College, Cambridge engraving Pieter van der Aa after David Loggan i
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Emmanuel College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Emmanuel College, Cambridge, engrave...
Category
Realist Early 18th Century Art
Materials
Engraving
Great St Mary's, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Great St Mary's, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Great St Mary's, Cambridge, engraved ...
Category
Realist Early 18th Century Art
Materials
Engraving
Clare College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Clare College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Clare College, Cambridge, engraved by P...
Category
Realist Early 18th Century Art
Materials
Engraving
King's College, Cambridge engraving Pieter van der Aa after David Loggan iv
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view King's College, Cambridge, engraved by Pi...
Category
Realist Early 18th Century Art
Materials
Engraving
York Minster, engraving Pieter van der Aa probably after Johannes Kip
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
York Minster
Engraving
12 x 16 cm
An eighteenth-century view of the York Minster, engraved by Pieter van der Aa aft...
Category
Realist Early 18th Century Art
Materials
Engraving
Peterhouse College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Peterhouse College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Peterhouse College, Cambridge, eng...
Category
Realist Early 18th Century Art
Materials
Engraving
Map of Biblical Jerusalem
Located in New York, NY
Original copper engraving hand-colored at the time of publication. Nuremberg, 1720.
Category
Early 18th Century Art
Materials
Paper
The Three Kings Miniature Painting
Located in New York, NY
The three kings miniature painting. Antique Louis XV period painting of the three wise men who paid homage to the King. The three kings on card paper in gilt oval frame with original...
Category
Early 18th Century Art
Materials
Paint
Ceramica antica figurativa a tema religioso italiana del XVIII secolo.
Located in Florence, IT
Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...
Category
Baroque Early 18th Century Art
Materials
Ceramic, Wood
18th Century Exterior Inn Cipper Todeschini Scene People Oil on Canvas Yellow
Located in Sanremo, IT
Painting Oil on canvas measuring 72 x 92 cm and 98 x 114 cm with a wonderful contemporary frame depicting an outdoor inn scene by the painter Giacomo Francesco Cipper known as Todesc...
Category
Italian School Early 18th Century Art
Materials
Canvas, Oil
Christ's College, Cambridge engraving by Pieter van der Aa after David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist Early 18th Century Art
Materials
Engraving
Large, 18th Century, Painted Santos Figure
Located in Los Angeles, CA
Hand-carved and painted, polychrome, Roman Santos figure in mid-stride. The figure wears stylized, flowing robes and stands atop a period base.
Category
Early 18th Century Art
Materials
Paint, Wood
18th Century Earth Allegory Felice Cignani Putti Oil on Canvas Blue Green
Located in Sanremo, IT
Painting with a diameter of 130 cm and 160 x 160 cm with a marvellous frame depicting an 'allegory of the Earth' by the painter Felice Cignani ( Bologna 1660 - 1724 ).
An oil on ca...
Category
Italian School Early 18th Century Art
Materials
Canvas, Oil
Public Schools facade, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Public Schools, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the facade of Oxford's Public Schools, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter.
Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...
Category
Realist Early 18th Century Art
Materials
Engraving
University of Oxford Botanic Garden by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The University of Oxford Botanic Garden
Engraving
12 x 16 cm
An eighteenth-century view of one of Oxford's dreamiest spaces: the Botanic Garden, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The University of Oxford Botanic Garden was founded in 1621 and is the oldest botanical garden in Great Britain. van der Aa's engraving focuses on its architectural qualities, with four features of the garden highlighted for their beauty, symmetry, and prowess of design.
Of particular interest in this etching are the four trompe l'oeil pieces of gently curling paper which frame the gates of the garden. The Danby Gate (bottom left) at the front entrance to the garden is one of the three entrances designed by Nicholas Stone...
Category
Realist Early 18th Century Art
Materials
Engraving
Jesus College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Jesus College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Jesus College, engraved by Pieter van der Aa a...
Category
Realist Early 18th Century Art
Materials
Engraving
Worcester College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Gloucester College, Oxford (now Worcester College)
Engraving
12 x 16 cm
An eighteenth-century view of Worcester College...
Category
Early 18th Century Art
Materials
Engraving
Merton College, Oxford St Alban Hall engraving after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
St Alban Hall, Oxford - now Merton College
12 x 16 cm
Engraving
St Alban Hall, sometimes ...
Category
Early 18th Century Art
Materials
Engraving
Pieter van der Aa: Cambridge from the East, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Cambridge from the East (1727)
Engraving
12 x 16 cm
An eighteenth-century view of Cambridge from the East, engraved by ...
Category
Early 18th Century Art
Materials
Engraving
Pieter van der Aa: 'Old St Paul's Cathedral', after Jan Kip
Located in London, GB
Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722)
Old St Paul's Cathedral (1707)
14 x 17 cm
Engraving
A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer...
Category
Early 18th Century Art
Materials
Engraving
!8th Century Portrait of a Dame French School Woman Oil on Canvas Gold Blue
Located in Sanremo, IT
Painting oil on canvas measuring 92 x 75 cm without frame and 102 x 87 cm with frame depicting a rich lady of the French school of the first half of the 18th century.
In its formal ...
Category
French School Early 18th Century Art
Materials
Canvas, Oil
Ritratto a matita del pittore Francesco Albani, inizi del XIX secolo
Located in Florence, IT
Il disegno rappresenta, come riportato a penna in basso al centro del foglio, il ritratto del celebre pittore dell'Emilia Romagna Francesco Albani, uno dei massimi rappresentanti del...
Category
Other Art Style Early 18th Century Art
Materials
Paper, Pencil
Samuel Buck (1696-1779) Ruins of Byland Abbey Yorkshire Engraving Print
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
Realist Early 18th Century Art
Materials
Engraving
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11" x 18.25"
Image size (platemark) (each): approx. 7.75" x 14.75"
Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category
Old Masters Early 18th Century Art
Materials
Laid Paper, Engraving, Intaglio
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
Old Masters Early 18th Century Art
Materials
Intaglio, Engraving, Laid Paper
18th Century by Gaspare Diziani Venus With Cupid Oil on Canvas
Located in Milano, Lombardia
Gaspare Diziani (Belluno, Italy, 1689 - Venice, Italy, 1767)
Title: Venus with Cupid
Medium: Oil on canvas
Dimensions: without frame 50 x 98 cm - with frame 64 x 112 cm
Gilded, carved and sculpted wooden cassetta frame...
Category
Old Masters Early 18th Century Art
Materials
Canvas, Cotton Canvas, Oil
John Gould - Trichoglossus goldiei-(Birds of New Guinea and the adjacent Papuan)
By John Gould
Located in BRUCE, ACT
Trichoglossus goldiei - John Gould lithograph with hand-colored
size 54 cm X 37 cm
This remarkable ornithology lithograph with hand-finished col...
Category
Early 18th Century Art
Materials
Lithograph
