Vertical Photography

36 x 50 cm, 14.2 x 19.7 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Delfino Sisto Legnani lives and works in Milan. His photography has ...

Portrait of Galla Placidia and Children-  Vintage Photo is a black and white photograph realized by  Alinari in Brescia in the early 20th century. Good condition.

Francis APESTÉGUY - Dalida 2007 Format A2 (40x60cm) Digital print from an original photo taken by the artist, inkjet on baryta paper Signed and numbered on 9 copies Box 350 ...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

'Utopian Foyer IV', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

This rare signed poster features a reproduction of "Earth Day" 1990 taken by William Eggleston. A beautiful image of clouds in the sky, there were more images of clouds from the 1970...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Image size: 100 x 125 cm 7 Limited Editions + 2 Artist Proofs Archival Pigment Print White Floating Box frame size: 125 x 153 cm Evocative, sensual and voluptuous, Marc Lagrange's ...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

The Dancer (Stay), 2006, 37x36cm, Edition of 2/5, Lambda Print, based on a Stefanie Schneider expired Polaroid photograph Certificate and Signature label artist Inventory Nr. 5315.10...

Through his exploration of bodily movement, with modern and ballet dancers, and with particular attention to the male physique, the artist has focused on the curves and lines of thei...

Hot fan - Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. This print that is be...

Conca dei Marini 1984 - Slim Aarons Estate Stamped A quiet bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984 40 x 30" inches / 102 x 76 cm paper size Estate Stam...

Vintage Photo. The actress and dancer Alessandra Martines dancing in a television ballet. Photo by Italian news agency S.P.A.

Hungry Heart 1988 - Dave Hogan Signed Limited Edition Musician Patti Scialfa performing on stage with Bruce Springsteen at Wembley Stadium, London, June 30th 1988. (Photo by Dave Ho...

"In Praise of Entropy (Untitled #1)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

Untitled (Paradise) - 1999, 98x97cm. Edition 3/10. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 20451. Not mounted. ...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

'Black rose' 2023 It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art pap...

'Spider Lily’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

"The Chase" In this award-winning, best-selling image, a wild stallion runs on the beach on Sable Island without a care in the world. The print series Discovering the Horses of Sab...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor and vibrant color p...

Sports Photographer Klaas Jan van der Weij Cycling - Tour de France, Andorra Arcalis, Tom Dumoulin 2016 Edition of 10, Hand-signed and numbered by Klaas Jan van der Weij. Printed wi...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Limited edition of 10, fine art print, signed by the author.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Vintage black and white photograph. 1970s. Copyright by Dufoto. Very good condition.

The Birds (Haley and the birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...

'Peony’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of musician and actor Ned Brower. From personality portraits and advertising campaign...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Three framed artworks from Richard Heeps Burlesque series. Boudoir, Tease-O-Rama, Hollywood, 2003 Delilah Right Red Hand I, The Whoopee Club, London, 2004 Dirty Martini Fan Dance XX...

A lone white horse plays beneath a might Icelandic waterfall A lone white horse enjoys a moment to himself below a mighty waterfall. He appears to be playing, almost invigorated by ...

'The End' photograph from Richard Heeps Dream in Colour series. The vintage tv plays the end credits of a movie still with the familiar words 'The End', set in a warm wood panelled i...

La Concha Beach Club 1975 - Slim Aarons Estate Stamped Bathers at La Concha Beach Club, Acapulco, Mexico, February 1975. 60 x 40" inches / 152 x 102 cm paper size Estate Stamped ...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor of spring and vibrant color palette of nature with highly detailed captures Flora Italiana ( Iris Bianco ) delicate flower petals of the white iris 40 x 32 inches (102 x 81cm) signed edition of 25 60 x 48 inches (152 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis...

Palm Tree, photograph from Richard Heeps Salton Sea series. An almost silhouette of a palm tree dominates the image, set against the ultra blue Californian which sky radiates warmth....

Juliet (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 17...

This late-1970s photograph, captured by society photographer Slim Aarons, features Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d'Amp...

"Breathless" The wind sweeping the beautifully unkempt mane of this wild horse on Sable Island is a reminder of nature's perfection. The print series Discovering the Horses of Sable...

John Vaccaro's Play House of the Ridiculous performing ‘Persia: A Desert Cheapie’ in 1972, photographed for The New York Times. This is an 8 x 10" vintage s...

Swimming In Spain 1970 - Slim Aarons Estate Stamped Swimming and snorkelling in the bay at the Hostal De La Gavina, in S’agaro, Costa Brava, Spain, July 1970. 30 x 20" inches / 61...

Edition of 10 More sizes available on request. Silhouette of a woman in black and white. Artist Statement: Art is the air that I breathe. I grew up in an artistic family, surround...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda. ...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

This late 1970s portrait photograph, captured by society photographer Slim Aarons, features sunbathers by a swimming pool at the Hotel Punta Tragara on the island of Capri, Italy, Au...

Three Wait on Dock, Cherry Grove, Fire Island, NY 1978 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 5 + 2 APs) 20 x 16 inches (Edition of 5 + 2 APs)...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

New York City based wildlife and street photographer Viet Chu, captured this breathtaking monochrome shot of a profile of a Zebra on a Black background. This image was taken in 2016, in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, and to inspire us by the beauty and grace of this black and white striped animal. Viet Chu is a world traveler for photographic assignments. He finds beauty in life’s special moments in time, capturing each with his unique photographic style. Chu’s work is a reflection of his journey’s and life experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting. It is then infused with his intuitive sensibility, converging it with emotional intelligence, to create a simple composition of shadows, light, subject and background. His goal is to capture a moment in time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

Silver Gelatine Print by Erich Andres, 1941. This black-and-white photograph, taken in 1938, shows a scene from a lighthouse on the island of Amrum, Germany. A man and a young boy a...

Palm Springs Palm Trees X (Californication) - 2019 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. ...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Stevie Ray Vaughan backstage at the Orpheum Theatre in Memphis,TN on August 26, 1986, taken by photographer, Ebet Roberts. Signed limited edition, ...