Glass Color Photography

A pigment print of sunlit blue waves is perforated with a brilliant orange concentric design in this tondo by Ryan Van Der Hout. The precise, laser cut design glows with orange and r...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

De Kikker The Frog Photo on Dibond Framed Still Life in Plastic Series Flowers Richard Kuiper (the Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

De Zwarte Engel The Black Angel Photography on Dibond Still Life in PlasticDe Zwarte Engel The Black Angel Photography on Dibond Still Life in Plastic Richard Kuiper (the Netherlands 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach... The image endeavours to celebrate of the noble presence and elegant sway of the...

“Colour gives me a new way of working - in complete darkness. It seems contradictory that to produce colour you need to work in the dark. You blindly feel your way around the paper w...

Dark Flora #5 - May Foxgloves, 2020 Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous... Inspired by Victorian era taxidermy dioramas...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Orotones leafed in 24kt gold, Price includes frame

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...

"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

George McLeod Untitled #7, Tree Huggers from the Future, 2021 Archival Pigment Print, Mounted Dibond in custom frame; with Black Stained Oak and antire...

"All about the light. The rich golden light at sunset on a beach in Sri Lanka. Palm trees are everywhere and they have many identities. They can sway gracefully in the breeze, or the...

De Kers The Cherry Photograph on Dibond Framed Still Life in Plastic Series Richard Kuiper (the Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka. The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

De Bloei Photography on Dibond Blooming Flowers Still Life in Plastic Series Richard Kuiper (The Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

UNTITLED #5, 2021 Archival Pigment Print, Mounted on Aluminium Dibond, Framed with antireflective art glass 90 x 60 cm 91 x 61 cm - framed _ Overseas ship...

49" x 70" Ed. of 8 $9,800 & larger 41" x 59" Ed. of 10 $6,800 36" x 50" Ed. of 6 $5,200 30" x 42" Ed. of 6 $3,600 Recommended option to use museum glass/acrylic priced on request In this photograph, Lenoir captures a calming seascape featuring a group of piping plovers on East Hamptons beach...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

49" x 70" Ed. of 8 $9,800 & larger 41" x 59" Ed. of 10 $6,800 36" x 50" Ed. of 6 $5,200 30" x 42" Ed. of 6 $3,600 In this photograph, Lenoir captures a calming seascape featuring a group of piping...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

"The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't re...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Noverre - Horse Landscape I, 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14....

Noverre - Horse Landscape 2, 'Mane', 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14.5 x 37 inches approx. Ed...

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...