C Print Photography

Running in Front of Church (Sidewinder) - 2005 Edition of 5 plus 2 Artist Proofs. 4 pieces, 82x101 each, installed including gaps 170x210cm. 4 analog C-Prints, hand-printed by the...

American model Jean Patchett photographed in Paris wearing a Jean Dessès evening gown. American Vogue magazine April 1, 1950. Paris Drama, 1950 C print Estate stamped and numbered e...

Black-and-white Portrait of Topmodel Gisele Bündchen with luxurious jewelry and cigarette, photographed by Michel Comte in Cannes for Vogue Italia 1999. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. In 1999, Star Photographer Michel Comte created a series of images capturing intimate moments with a young Gisele Bündchen in Cannes, France, for a Jewelry Campaign published in Vogue Italia. The highly praised artworks are now part of fashion and fine art history and are sought-after worldwide. This black-and-white portrait shows the supermodel with wet hair and smeared makeup as if she had just come back from a swim in the ocean. Her head is tilted back slightly, and the look she is shooting the camera is somewhat condescending yet challenging. With one hand, she is brushing her messy hair out of her face, showing off the cigarette she is holding to the viewer. The grungy and rebellious image is juxtaposed by the lavish jewelry the Model is wearing: Big chandelier earrings...

Edition of 3 More sizes on request. 6 ladies dancing in baroque costumes. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Richard Heeps photography captured in the iconic home of speed, Bonneville Salt Flats. This listing is for 2 x Richard Heeps artworks. 1. Ferguson Racing Streamliner 2. LSR Streamli...

Romina's Wedding Day (29 Palms, CA) - 2013 125x154cm, Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signature l...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

Primo Tempo 7 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A Baroque style landscape appears between a break in the canop...

Boy (Vegas) - 2000 Edition 5/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #542....

The spectacular rugged coastline of Fuerteventura in the Canary Islands is a sight to behold. This is 'La Pared' which is a popular spot for surfers and fans of amazing sunsets. Andr...

Boccia VI (Beachshoot) - 2005 38x36cm, Edition of 10. Digital C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring Cami...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5252 Not...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Candy Floss was taken by Richard Heeps when travelling in China. The street food vendor with pops of colour and the layers of detail draw you in. The Chinese Writing does not say 'ca...

Renée's Dream XI (Days of Heaven). Part of the 29 Palms, CA Project - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label ...

'Primary Colors' (Stranger than Paradise) - 2001 each 20x20cm plus 5 cm in between each print together, 70x70cm, sold out Edition of 10, Artist Proof 2/2, Archival C-Print print,...

Heidler & Heeps Dice Series - Chartreuse Yellow Six (inky blue). Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have...

'Zzyzx Resort Pool', photograph from Richard Heeps 'Dream in Colour' Series, he was set a challenge to find something interesting on the road from LA to Las Vegas. In the heart of th...

Minnie and Dru Montagu by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Minnie and Dru Montagu" is a Limited...

Chrome, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their perso...

Fairytales (dyptych) - 2006 Edition of 30, 38x36cm each, 38x85cm installed, including gaps. 2 Archival Prints based on 2 Polaroids. Signature label and Certificate. Artist Inv...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Poodles are most often known for their polished puffs, clean lines and rounde...

Heidler & Heeps Vinyl Collection Nine Piece Blue Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

'RV in the Morning Sun' from Richard Heeps Dream in Colour series. This artwork brings about a romantic dream of living in an RV. Captured in the morning sun at the start of a beauti...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

'Eleuthera Pool Party' by Slim Aarons LIMITED EDITION ESTATE STAMPED PRINT Numbered in ink to 150 only and emboss stamped on front. Guests at the French Leave...

Girls (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. ...

Heidler and Heeps Vinyl Collection 7" B Side Recording. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising...

Nail Polish (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventor...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. There is a cinematic style to this artwork, 'Lone Pine',...

Kabul by Justin Creedy Smith Street scenes, Kabul Afghanistan, during a pre-christmas visit by French foreign minister, Michèle Alliot-Marie, to the French soldiers based in Afghanistan. Photo December 2006 Exquisite large oversize 30 x 20 inches archival pigment print - Galerie Prints Limited...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

New age design in Charles de Gaulle airport in Paris, France. Barry Cawston's photograph captures a modernist architecture bathed in serene ambient light. A glowing spherical lamp, ...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

The grand stand, at the authentic modest but historic Inyokern Airport Drag Strip. As a drag racing fan Richard is pleased he got to photograph there for h...

What are we gonna do?! (Till Death do us Part) - 2008 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature la...

The Silver State, a classic yellow Cadillac, captured by Richard Heeps while at Viva Las Vegas 2001, where he was photographing for Classic American maga...

Rosegarden #01 (Suburbia), diptych - 2004 20x24cm each, 20x52cm installed. Edition of 10, Archival C-Print, matte surface, based on the Polaroid, Signature Label and Certificate,...

Heidler & Heeps Vinyl Collection Ten Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

Endless Summer (Beachshoot) - 2005 38x37cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1413....

Fishing Boats by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Fishing Boats' is a Limited Edition Estate Stamped Digital C-Typ...

A moody fenland sky is a backdrop to a classic British Fish & Chips Van. Part of Richard Heeps series, A View of the Fens from the Car with Wings. This artwork is a limited edit...

Cavallo Coast by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Cavallo Coast" is a beautiful Limited Edition Estate Stamped Digi...

Departure (Bombay all Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Type II, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, perso...

Baltic Ice II, Paernu 007 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 dimens...

Buick in the Dust, features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport he ...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...

'Utopian Foyer IV', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing...

Heidler & Heeps B Side Vinyl Collection Sixteen Piece Multicolor Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to mak...

Juliet (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 17...

The Birds (Haley and the birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...

Edward Burtynsky (b. 1955) is Canada's most successful photographer. A noted filmmaker, entrepreneur and environmental advocate, Burtynsky is best known internationally for his larg...

'Porto Ercole' Italy (Slim Aarons Estate Edition) A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Beautiful greens of th...

Signed limited edition print of Led Zeppelin by legendary rock photographer, Robert M Knight, taken in Hawaii at Honolulu airport on 12th May 1969, holding the master tapes to Led Ze...

Fishing Boats, 1952 by Slim Aarons 16" x 16" image on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Fishing Boats' is a Limited Edition Est...

'Nomad, New York', artwork by Richard Heeps featuring a time-lapse of the iconic art deco Empire State building in the mist. Photographed in New York City in 2017, he executed this i...