C Print Photography

Long Way Home (Stranger than Paradise) - 1999, 3 x 58x56cm, installed 58x180cm, (sold out Edition of 10), this is THE last Artist Proof 3/3. 3 Analog C-Prints, hand-printed by th...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home t...

Kirsten Red Lips 114x142 cm, Edition 1/3, analog C-Print, hand-printed by the artists, based on the Polaroid. Mounted on Aluminum with matte UV-Protection. Certificate and Sign...

Converse, Cut is a dynamic C-Type print, sold in this size in an Edition of 12. The price listed is for two C-Type prints, which are 30" x 22" in size, and are sold unframed. This...

ICES Multicolor Set of Twelve Framed Artworks. A set of 12 pop art prints by Richard Heeps from his Great British Staycation series 'On-Sea'. Taken betw...

Conca dei Marini, 1984 by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Conca dei Marini, 1984' is a Limited Edition Estate Sta...

Captured when documenting the Preston Hall Museum, this atmospheric piece beautifully captures the nostalgic feeling of a record collection, the added detail of 'His Master's Voice' ...

Otherworldly (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20430....

Rendering Memories II (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13388. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Day breaks and the morning ritual of making bread begins – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...

Spare Parts (29 Palms, CA) -1999 48x46cm, Edition of 5/10. Analog C-Print, hand-printed by the artist, based on the Polaroid, Artist inventory 320. Signature label and Certificate...

Melancholy (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Untitled (Cowboys and Angels) - 2005 39x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. artist Inventory No...

Dearest (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1...

Porto Ercole Watercraft, 1969 - Crystal Waters Italian Coastline Tuscany Hotel by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Joshua Tree American Desert landscape photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues o...

Fabien (The Last Picture Show) triptych - 2005, 30x30cm each, Edition of 10 plus 2 Artist Proofs. 3 Archival C-Prints, based on the three original Polaroids. Certificate and sign...

Playing in Heaven (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #2...

Honey, I love you (Till Death do us Part) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist In...

Zermatt Skiing, 1980 - Matterhorn Photograph Swiss Ski Landscape Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Zerm...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Copper Penny Sunday School (Sidewinder) 2005, Edition of 4/5, 125x154cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back. artist Inventory No. 3...

Icebergs is a gorgeous C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas. This print is from the older series that Thoma...

Museum quality fine art print of Beyoncé by photographer Markus Klinko in 2003 This print is available in the following sizes, signed and numbered by Markus Klinko 24" high - Editio...

Swimming in the Bahamas, 1959 - Nassau Bahamas Snorkelling Scuba Diving by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Swimmi...

Swinging Sixties – Twiggy, Surrey, May, 1967 Limited Edition Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produ...

Skiers in Gstaad - Ski Resort Switzerland Fashion Photography Winter Snow Sports by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Late...

Heidler and Heeps Vinyl Collection 'Press Conference Carmine Red'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully ...

This stylish artwork, 'Floral Wicker Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork is a ...

Bahamas Signpost - Bahamas Vacation Island Photograph by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Bahamas Signpost, May 19...

'Swimming Pool On The Beach' 1981 Slim Aarons Limited Estate Edition Print The pool at the Meridian Club, owned by Ginny and Bill Cowles, on the Turks and Caicos islands, March 1981...

Sleeping Beauties II (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective,...

Twiggy – at David Steen’s Home, Surrey, Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultu...

Anne Ryan, California Fashion - Hollywood Fashion Poolside Cocktails al Fresco by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Oh Darling! (Oxana's 30th Birthday) - 2007 40x48cm, Edition of 10. Archival C-Print print, based on the Polaroid, Certificate and Signature label. Artist Inventory # 4737. Not ...

Stars 10, 2015 - Stars and Trees in Ancient English Woodland Forest Landscape by Ellie Davies Stars 10 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, Chromaluxe Photograhy. Framed. Signed and numbered out of 15 Ac...

Burning Bright - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #2116...

Yellow Flower (The Last Picture Show) - 2005 128x125cm, Edition of 5, analog C-Print, based on the Polaroid, hand-printed by the artist on Fuji Crystal Archive Paper. (matte) Ar...

The morning after (Till Death do us Part) - 2005 20x20cm, Edition of 10. Archival C-Print print, based on a Polaroid, Certificate and Signature label. artist Inventory #9173. Not...

Digital C-print Signed and numbered, verso 16 x 20 inches (Edition of 15) 24 x 30 inches (Edition of 10) 30 x 37.5 inches (Edition of 5) This photograph is offered by ClampArt, l...

Roy's Cafe (California Badlands) - 2010 20x24cm, Edition 2/10, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 10905. Not m...

Lost (Stranger than Paradise) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20375. Signature la...

Liberty Multi-Colour Mosaic, from the Heidler & Heeps American Stamp Collection, these historic postage stamps are given a twenty-first century pop art...

Southwold Pier, waterscape photograph from Richard Heeps' series, On-Sea. Symmetry of the architectural structure draws your eyes hypnotically to the horizon as the sun is setting on...

Scared (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # ...

Blue Tinted Cassette, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Darth Bot and Cyclops, Natasha Heidler brings childhood favorite toys to life in her conceptual pop art photography. This listing is for two individually framed artworks each measur...

Light Blue Lingerie - however - (Wastelands) - 2003 57x56cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Number 1179.04. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

Lullaby (The Girl behind the White Picket Fence) - 2013 100x120cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

Max, smoking in Car (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, matte su...

Just ok (High Desert) - 2019 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 22192 Not mounted. Stefanie ...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Hitachi TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. A sense of nostalgia with seventies inspired mustard wallpaper as a retro kitsch backdrop for a black and white vintage Hitachi TV. This artwork is a limited edition of 25 gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass, signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order. This artwork is available in other sizes and pairs well with Richard's other artworks so be sure to look at our 1stdibs store to see more of his work. “Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival products – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors. Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...

Heidler and Heeps Vinyl Collection Fifteen Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heid...

Goldfinch is part of the In Flight collection, a series of portraits of the wild birds taken in the gardens of Mark Harvey's home in Norfolk, England. What could be more eye catchin...

Chrome, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their perso...

Amboy Salt Flats (California Badlands) - 2010 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 10918. Not mou...

Dusk (The last Picture Show) - 2005 Edition of 5, 38x36cm each, installed with gaps 124x118cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on t...

Rod Stewart in Silk – Beverly Hills, Los Angeles, 1976 Limited Edition Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper Size: 54 x 38.5 Image size 50 x 34.5 inches Limited to 10 only this size All prints are bespoke and printed to order stamped and numbered by the Estate David Steen recalls: “When Britt Ekland (whom I had known and photographed over the years) moved in with Rod Stewart they invited me to stay with them at their house in Beverley Hills to do some shots of Rod who had several major recordings due out at that time. The house was a treasure-trove of clothes and the sort of beautiful objects that made perfect props. Britt had always been an avid collector of stylish, decorative bits and pieces; Rod had money to spend and took to this new lifestyle with enthusiasm. Suddenly he was becoming glamorised by Britt and they became the couple to watch. From a photographer’s point of view it worked well; masses of clothes (white suits, silk pyjamas...