Drypoint Prints and Multiples
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Medium: Drypoint
L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Aquatint, Etching, Drypoint
Grand-mere (effet de lumiere)
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Blues Melody 1
Located in Buffalo, NY
An original drypoint monotype by American female artist Kathleen Sherin.
Category
1990s Contemporary Drypoint Prints and Multiples
Materials
Drypoint, Monoprint, Paper
Blues Melody 2
Located in Buffalo, NY
An original drypoint monotype by American female artist Kathleen Sherin.
Category
1990s Expressionist Drypoint Prints and Multiples
Materials
Monoprint, Monotype, Drypoint
Blues Melody 3
Located in Buffalo, NY
An original drypoint monotype by American female artist Kathleen Sherin.
Category
1990s Expressionist Drypoint Prints and Multiples
Materials
Monoprint, Monotype, Drypoint
Westminster Palace
Located in New York, NY
Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Etching, Drypoint
Studio Interior #2.
Located in New York, NY
Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...
Category
Mid-20th Century American Realist Drypoint Prints and Multiples
Materials
Drypoint
Summer
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint
Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Le Blessé dans la Tranchée (variante 1) - Original Etching and Drypoint
Located in Roma, IT
Hand signed. Edition of 75 prints.Original Prints.
From the suite: “Huit Illustrations de Guerre”.
Image Dimensions : 16.5 x 11 cm
This artwork is shipped from Italy. Under existing...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint
Ostend Horse
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations.
Provenance: Kennedy Galleries (with their stock number A49359)
Ex Collection: Albert M...
Category
1920s Realist Drypoint Prints and Multiples
Materials
Drypoint
Le Pont de Pierre, a Rouen
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Royal Marine Artillery Camp. The Evening Before the Battle of Messines.
Located in Storrs, CT
6 3/8 x 7 7/8 (sheet 9 1/4 x 10 1/2.) Series: Twelve Drypoints of the War 1914-1918. A rich impression with velvety drypoint burr, printed on cream wove paper. Signed and titled in p...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint
Venus
Located in New York, NY
James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60
A very fine impression.
A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope.
Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...
Category
1850s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Charles Cundall, R.A.
By Francis Dodd
Located in Storrs, CT
Schwabe 171.v. 18 x 11 3/4 (sheet 20 1/2 x 14 5/8). Illustrated: Print Collector's Quarterly 13 (1926): 373; Guichard, British Etchers, 1850-1940. A rich impression printed on the fu...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint
LE PONT AU CHANGE
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Category
1850s Realist Drypoint Prints and Multiples
Materials
Etching, Drypoint
Shere Mill Pond II (Large Plate)
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
1860s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Gad
Located in Boston, MA
Artist: Dali, Salvador
Title: Gad
Series: The Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Framed Dimensions: 33" x 27.25"
Signature: Pencil ...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Portrait of E.D.
Located in Chicago, IL
This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277.
This is one of Jacques Villon’s great 1913...
Category
1910s Cubist Drypoint Prints and Multiples
Materials
Drypoint
La Corrida
Located in New York, NY
Hermine David (1886-1970) La Corrida, etching and drypoint, 1929, signed and numbered (20/100) in pencil (Inventaire Bibliotheque Nationale de France #22)....
Category
1920s Realist Drypoint Prints and Multiples
Materials
Etching, Drypoint
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Drypoint Prints and Multiples
Materials
Drypoint
The Beggars
Located in New York, NY
James Whistler (1834-1903), The Beggars, etching and drypoint, 1879-80, signed with the butterfly and inscribed “imp”. Reference: Glasgow 190, seventh sta...
Category
1870s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Etching 1916 Number II
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat.
A fine fresh impression of this great rarity, printed in a dark brown ink.
Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14.
Provenance: Kornfeld Auction, Bern, June 2007.
The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category
1910s Abstract Drypoint Prints and Multiples
Materials
Drypoint
Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Ostend Bathing Machine.
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing.
The bathing machine...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist Drypoint Prints and Multiples
Materials
Aquatint, Drypoint, Etching
The Picador Incites the Bull.
By James McBey
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
THE BRIDGE
By Frank Benson
Located in Portland, ME
Benson, Frank. THE BRIDGE. Paff 227. Drypoint on copper, 1923. A trial proof of the second state, printed on uncalendared Japanese Vellum, annotated "B-1," the first of two trial pro...
Category
20th Century American Realist Drypoint Prints and Multiples
Materials
Drypoint
Jesus Fish Fossil
By Nicola Tyson
Located in New York, NY
Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Die Loge im Gaite Montparnasse (Paris)
By Emil Orlik
Located in New York, NY
Emil Orlik (1870-1932), Die Loge im Gaite Montparnasse (Paris), drypoint, etching and soft ground, 1911, signed and numbered in pencil lower right, for the portfolio Zuschauer und Zu...
Category
1910s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Gossip
By Nicola Tyson
Located in New York, NY
Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Vin Rouge (Red Wine)
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint
Battersea Morn (also Battersea Dawn)
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist Drypoint Prints and Multiples
Materials
Drypoint
La Fumee du Bateau
Located in New York, NY
Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
Category
1910s Realist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Weehawken Ferry.
Located in New York, NY
This drypoint from 1942 was printed in a very small edition. Signed under the image in pencil at the lower right.
Armin Landeck (1905-1984) was born in Crandon, Wisconsin, June 4...
Category
1940s American Modern Drypoint Prints and Multiples
Materials
Drypoint
The Avon on the Road to Bexhill
Located in New York, NY
Theodore Roussel (1847-1926), The Avon on the Road to Bexhill, drypoint, 1919, signed in pencil and dated (15.7.19) lower left [also signed in the plate]. Reference: Hausberg 115, f...
Category
1910s Impressionist Drypoint Prints and Multiples
Materials
Drypoint
Femme a la Barriere (Woman at the Gate)
Located in New York, NY
Camille Pissarro (1830-1903), Femme a la Barriere (Woman at the Gate), etching and drypoint, 1889, signed in pencil with the initials CP lower right (annotated “imprime par C.P.”), a...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Etching, Drypoint
La Couseuse (The Seamstress)
Located in New York, NY
Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Aub...
Category
Early 1900s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint
Etching for Stephen Spender “Fraternity”
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 202, only state. From the editio...
Category
1930s Abstract Geometric Drypoint Prints and Multiples
Materials
Drypoint, Etching
Lagoon: Noon
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
1870s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Marechal Ferrant (The Blacksmith)
Located in New York, NY
Hermine David (1886-1970), Marechal Ferrant (The Blacksmith), etching and drypoint, signed in pencil lower right [also signed in the plate lower left], ...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Drypoint Prints and Multiples
Materials
Drypoint
The Centenarian
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink.
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour.
In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography.
In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories.
In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé.
During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful.
In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Circus Night.
By Martin Lewis
Located in New York, NY
Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...
Category
1930s Realist Drypoint Prints and Multiples
Materials
Drypoint
THE CLINIC
By Peggy Bacon
Located in Portland, ME
Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Penny Passengers, Limehouse
Located in New York, NY
James Whistler (1834-1903), Penny Passengers, Limehouse, 1860. Etching and drypoint, signed in pencil with a butterfly and inscribed imp, printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded, 31/4 x 81/8 inches (8.2 x 20.7 cm)
A fine impression of this great rarity.
Provenance: Otto Gerstenberg, stamp verso [Lugt 2785]
Reference: Kennedy 67; Glasgow 71
The buildings on the far bank of the Thames and the ship and their masts moored there show the distinctive draughtsmanship of the period 1859–1860 when Whistler worked in Limehouse and made an etching there which was published in the Thames Set. Penny Passengers, Limehouse is very rare, with only five impressions known, all but our impression in public collections. It shows in outline a group of passengers waiting for the ferry...
Category
1860s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Temples of New York
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
1910s Futurist Drypoint Prints and Multiples
Materials
Drypoint
Tree, Manhattan
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Chasseurs de Lion (The Lion Hunters)
Located in New York, NY
Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches.
Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin.
A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr.
The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching.
Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...
Category
1920s Cubist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Femme Assie
Located in Fairlawn, OH
Signed in pencil lower left; publisher stamp lower right
100 (88/100)
Category
1910s Drypoint Prints and Multiples
Materials
Etching, Drypoint
Outside Kilburn Underground Station
By Leon Kossoff
Located in London, GB
58.42 x 66.04 cms (23 x 26 ins)
Edition of 40
Published by Bernard Jacobson Gallery
Category
1980s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Damme
Located in Storrs, CT
Rinder 391. state iii. image 10 1/8 x 7 13/32 (sheet 16/4 x 9). Belgian set #5. Edition 63. Illustrated: The Studio Volume 44 (1908): 92; W.P. Robins, The Etching Craft Lon Bookman's...
Category
Early 1900s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
The Manhattan Municipal Building
By Chester B. Price
Located in Fairlawn, OH
Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…"
Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...
Category
1910s Drypoint Prints and Multiples
Materials
Drypoint
Pastoral: Figure and Grazing Animal
By Nicola Tyson
Located in New York, NY
Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Second Frontispiece (Sitting on the Globe)
Located in San Francisco, CA
Original drypoint printed in black ink on laid paper bearing a portion of the Van Gelder watermark (fleur-de-lys in a crowned shield surmounting the letters “VGZ”).
Signed and dat...
Category
19th Century Victorian Drypoint Prints and Multiples
Materials
Drypoint
Demolition No. 1
Located in Storrs, CT
Demolition No. 1. 1940. Drypoint. Kraeft 80. 4 7/8 x 8 7/8(sheet 12 x 13 7/8). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression with tonal wiping...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Voil, I
Located in Fairlawn, OH
Provenance:
Marina Picasso Estate, her number verso
Purchased from Jan Krugier Gallery, NY
References And Exhibitions:
Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...
Category
1930s Drypoint Prints and Multiples
Materials
Drypoint
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
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