Skip to main content

Drypoint Prints and Multiples

to
203
773
197
186
44
32
Overall Width
to
Overall Height
to
431
161
133
85
72
27
18
14
10
2
2
2
122
38
36
30
24
9
115
1,034
133
29
103
144
89
30
85
89
157
45
25
5
806
405
20
769
582
437
232
212
200
137
88
79
63
57
40
37
36
34
34
28
27
26
25
1,348
35,460
19,278
17,491
10,571
186
237
779
351
Medium: Drypoint
Birch
By Lars Nyberg
Located in Palm Springs, CA
Drypoint on paper Dimensions: 5.9 x 3.9 in. (15 x 10 cm) Signed in pencil, lower margin Edition of 30 This exquisitely detailed drypoint print by Swedish printmaker Lars Nyberg reve...
Category

Early 2000s Contemporary Drypoint Prints and Multiples

Materials

Drypoint

Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category

Early 20th Century French School Drypoint Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Salvador Dali "The Fiancee of King of Garbe"
Located in Boston, MA
Artist: Dali, Salvador Title: The Fiancee of King of Garbe Series: Le Decameron Date: 1972 Medium: drypoint printed in color Unframed Dimensions: 17.72" x 12.2" Framed Dimension...
Category

1970s Surrealist Drypoint Prints and Multiples

Materials

Drypoint

Microwave Oven (A Couple in the Sea)
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...
Category

Early 2000s Expressionist Drypoint Prints and Multiples

Materials

Drypoint

Storm at Saint Honoré
Located in New York, NY
Richly-inked and superb impression of this engraving and drypoint on cream wove paper. This is the eighth state (of 8). Signed, dated and numbered 28/100 in pencil by Bourgeois. Publ...
Category

1990s Contemporary Drypoint Prints and Multiples

Materials

Engraving, Drypoint, Lithograph

"Un rideau" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...
Category

Early 1900s Drypoint Prints and Multiples

Materials

Drypoint, Etching

original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression in sanguine ink on laid paper was printed in 1892 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/2 x 3 inches (115 ...
Category

1890s Drypoint Prints and Multiples

Materials

Drypoint, Etching

Joan Miro, Le Matador, original etching, hand signed
Located in Chatsworth, CA
This piece is an original etching, aquatint, dry-point and carborundum by Joan Miro, done in 1969. It is hand signed and numbered 54/75 from the edition of 75 copies on Arches, plus ...
Category

1960s Abstract Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Etching 1916 Number II
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category

1910s Abstract Drypoint Prints and Multiples

Materials

Drypoint

"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Montesquiou XXXVI, c. 1906 Drypoint printed in colors on pale cream wove paper Sig...
Category

Early 20th Century Post-Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Untitled - Original Drypoint by Eugene Corneau - XX Century
Located in Roma, IT
Untitled is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Monogram in pencil on the lower left. Excellent conditions. Precious an...
Category

20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint

A Gale at Port Errol
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category

1930s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Bowling Green, New York
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...
Category

1940s American Realist Drypoint Prints and Multiples

Materials

Drypoint

Mother Earth
Located in New York, NY
William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...
Category

1890s Symbolist Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint

MANHATTAN MINARETS
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category

1930s Drypoint Prints and Multiples

Materials

Drypoint

20th century drypoint etching figurative animal print black and white signed
Located in Milwaukee, WI
"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...
Category

1930s American Realist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Chris Ofili, Untitled - 2000, Signed Aquatint and Drypoint Etching, British Art
Located in Hamburg, DE
Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...
Category

21st Century and Contemporary Contemporary Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Children on the Shore Kinder am Ufer - German Expressionism
Located in London, GB
This original etching and drypoint is hand signed and dated in pencil by the artist "Erich Heckel 12" at the lower right margin. This work was hand printed by the artist in 1912 in ...
Category

1910s Expressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Minne Playing with a Cat (Minne Jouant avec un Chat)
Located in New York, NY
Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...
Category

Early 1900s Impressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Aquatint

Couple Under a Tree
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches. A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category

1930s Art Nouveau Drypoint Prints and Multiples

Materials

Drypoint, Etching

Le Portique de la Galerie Nationale a Londres by J.J. Tissot
Located in Hinsdale, IL
J.J. Tissot Le Portique de la Galerie Nationale a Londres (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only st...
Category

1890s Realist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Gala's Castle
Located in OPOLE, PL
Salvador Dali (1904-1989) - Gala's Castle Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Transworld Art, ...
Category

1970s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

The Laurels of Happiness
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Laurels of Happiness Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Trans...
Category

1970s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Don Quixote Pear from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Don Quixote Pear from Flordali suite Lithograph with drypoint etching from 1969. The edition 32/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. ...
Category

1960s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Le Bourg de Batz
Located in New York, NY
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
Category

1910s Realist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Coentes Slip, NY
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category

Late 19th Century Victorian Drypoint Prints and Multiples

Materials

Laid Paper, Handmade Paper, Drypoint, Etching

The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches. A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work. According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category

1880s Impressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Vieille Masken, La Servante Anversoise
Located in Middletown, NY
Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...
Category

Late 19th Century French School Drypoint Prints and Multiples

Materials

Laid Paper, Engraving, Drypoint, Etching

Barcarolle.
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category

1920s Impressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Barcarolle.
Barcarolle.
$9,000 Sale Price
33% Off
Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Ber
Located in OPOLE, PL
Bernard Buffet (1928-1999) - Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Bergerac) Complete portfolio of 18 original drypoint etchings from 1958. E...
Category

1950s Expressionist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Le Viol d'Europe
Located in New York, NY
A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....
Category

1970s Surrealist Drypoint Prints and Multiples

Materials

Color, Drypoint

Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches. Provenance: unknown collector’s mark verso (GOE in oval) A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark. The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category

1910s Naturalistic Drypoint Prints and Multiples

Materials

Drypoint

Fourteenth Street Oriental
Located in Middletown, NY
New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...
Category

Mid-20th Century American Realist Drypoint Prints and Multiples

Materials

Drypoint, Aquatint

At the Show
Located in New York, NY
Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...
Category

1920s American Realist Drypoint Prints and Multiples

Materials

Drypoint, Etching

Erotic Scene - Etching ad Drypoint by A. Doré -1950s
Located in Roma, IT
Erotic Scene is a fun and pleasant drypoint realized by the French painter, illustrator, and writer Amandine Doré around the mid-20th century. The state...
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Kvinnehode (Schiefler 259; Woll 288), Edvard Munch
Located in Southampton, NY
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category

Early 1900s Expressionist Drypoint Prints and Multiples

Materials

Drypoint

Returning Fishermen
Located in Santa Monica, CA
ARMIN HANSEN (1866-1957) RETURNING FISHERMEN, 1925 (White 75) Etching, signed and titled in pencil. Image 5 7/8 x 7 7/8”, sheet 8 ¼ x10 5/8” In very good condition. Hansen was an im...
Category

1920s Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Drypoint Prints and Multiples

Materials

Drypoint, Etching, Aquatint, Laid Paper

YELLOW CALLA LILLIES
Located in Portland, ME
Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-...
Category

1970s Drypoint Prints and Multiples

Materials

Drypoint, Etching

Signed and numbered Salvador Dali drypoint and etching on japan paper
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989) Immortality of the Itinerant Insect, 1973 Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right) Drypoint with etching and heliograv...
Category

20th Century Surrealist Drypoint Prints and Multiples

Materials

Etching, Drypoint

Nude Woman after the Bath - Original etching - 1951
Located in Paris, IDF
Andre DERAIN Nude Woman after the Bath Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
Located in New York, NY
Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category

1980s Abstract Expressionist Drypoint Prints and Multiples

Materials

Mixed Media, Drypoint, Etching, Aquatint, Screen

Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category

Early 20th Century English School Drypoint Prints and Multiples

Materials

Laid Paper, Etching, Drypoint

La Ronde, Old Masters Drypoint by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - La Ronde, Year: 1883, Medium: Drypoint, signed in pencil, Image Size: 4 x 5.75 inches, Size: 13.25 x 9.5 in. (33.66 x 24.13 cm), Reference: Del...
Category

1880s Old Masters Drypoint Prints and Multiples

Materials

Drypoint

Blues Melody 3
Located in Buffalo, NY
An original drypoint monotype by American female artist Kathleen Sherin.
Category

1990s Expressionist Drypoint Prints and Multiples

Materials

Drypoint, Monoprint, Monotype

Portrait of Baron Simolin II (large version)
Located in Roma, RM
Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.
Category

1920s Expressionist Drypoint Prints and Multiples

Materials

Drypoint

Salvador Dalí (1904-1989) - La cogida y la muerte - Drypoint, etching - 1973
Located in Varese, IT
Drypoint etching on Arches paper, edited in 1973. Limited edition of 400 copies, numbered 352/400 in lower left corner. Hand-signed by artist in pencil in the lower right margin. Pa...
Category

1970s Abstract Drypoint Prints and Multiples

Materials

Etching, Drypoint

Amulet in Crowd
Located in Bristol, GB
Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...
Category

21st Century and Contemporary Contemporary Drypoint Prints and Multiples

Materials

Drypoint

The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category

Mid-17th Century Old Masters Drypoint Prints and Multiples

Materials

Drypoint, Laid Paper, Etching

A Sunset in Ireland.
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category

19th Century Modern Drypoint Prints and Multiples

Materials

Drypoint, Etching

Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Drypoint Prints and Multiples

Materials

Etching, Drypoint, Aquatint

La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Drypoint Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Aquatint

AUS DEM TIERGARTEN
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925) AUS DEM TIERGARTEN 1920 (Schwartz 397) Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
Category

1920s Impressionist Drypoint Prints and Multiples

Materials

Drypoint

“City Roofs” drypoint engraving by Peter Takal
Located in Berlin, MD
Peter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...
Category

Mid-20th Century Abstract Drypoint Prints and Multiples

Materials

Drypoint

"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England Darsham village etching by London artist Pip Carpenter (UK, 20th C.) Drypoint etching with hand coloring teal blue wash. The name of...
Category

Late 20th Century Impressionist Drypoint Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category

Late 19th Century Impressionist Drypoint Prints and Multiples

Materials

Drypoint

Salvador Dali "Nude with Snail"
Located in Boston, MA
Artist: Dali, Salvador Title: Nude with Snail Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25" ...
Category

1960s Surrealist Drypoint Prints and Multiples

Materials

Drypoint, Etching

City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category

Early 20th Century Modern Drypoint Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Original Drypoint Art and Other Fine Art Prints

Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.

Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.

Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure). 

“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints

Find a collection of drypoint art and other types of prints on 1stDibs.

Recently Viewed

View All