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Medium: Drypoint
Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI
Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Surrealist Boat (Vaisseau fantome) - Original handsigned etching - (Field #69-7)
Located in Paris, IDF
Salvador DALI
Surrealist Boat (Vaisseau fantome), 1969
Original etching
Handsigned in pencil
Numbered /200
on Rives BFK vellum 58 x 45 cm (c. 23 x 18 in)
REFERENCE :
- Catalog rai...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Portrait of Baron Simolin II (large version)
By Max Beckmann
Located in Roma, RM
Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928)
Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.
Category
1920s Expressionist Drypoint Prints and Multiples
Materials
Drypoint
Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Drypoint
Francesco Clemente - Hand-Signed Drypoint on Paper, 2/23
Located in Varese, IT
Francesco Clemente ( 1952 ) - hand-signed drypoint on paper - 74 x 124 cm, 2/23
Additional information:
Material: Drypoint on paper
Very limited edition, numbered in lower left corn...
Category
20th Century Drypoint Prints and Multiples
Materials
Paper, Drypoint
Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category
1920s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Children on the Shore Kinder am Ufer - German Expressionism
By Erich Heckel
Located in London, GB
This original etching and drypoint is hand signed and dated in pencil by the artist "Erich Heckel 12" at the lower right margin.
This work was hand printed by the artist in 1912 in ...
Category
1910s Expressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
A Breach of Promise - Hand Colored Etching on Paper 1900 Victorian
By James Dobie
Located in Soquel, CA
Victorian-style drypoint etching by James Dobie (British, 1849-1911), after a painting by Walter Dendy Sadler. Printed in London by J. Brooker & Co. and ha...
Category
Early 20th Century Victorian Drypoint Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
Sniggling for Eel
Located in Middletown, NY
Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...
Category
Mid-20th Century American Realist Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Man Holding Hat
Located in Middletown, NY
New York: Sylvan Cole, 1929.
Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...
Category
1920s American Realist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Drypoint Prints and Multiples
Materials
Drypoint
Ramblas
Located in New York, NY
Created by the artist in 1987-88, Ramblas is an original lithograph, drypoint, and etching in colors on Rives BFK paper. Hand-signed, dated, and numbered from the edition of 75 in pe...
Category
20th Century Abstract Expressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Lithograph
Antic Beauty - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Antic Beauty
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
AUS DEM TIERGARTEN
Located in Santa Monica, CA
LOVIS CORINTH (1858-1925)
AUS DEM TIERGARTEN 1920 (Schwartz 397)
Drypoint, signed and numbered 47/50. BEAUTIFUL IMPRESSION with RICH DRYPOINT. Plate 9 ½ x 12 ½ inches. Full margins...
Category
1920s Impressionist Drypoint Prints and Multiples
Materials
Drypoint
THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Drypoint Prints and Multiples
Materials
Drypoint
The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
Ruff's Farm
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Santiago de Compostela
Located in OPOLE, PL
Drypoint etching from 1969.
The edition XLIV/C on Japon paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre Argillet, Paris.
Printer: Atelier Robbe, Paris.
R...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Drypoint Prints and Multiples
Materials
Etching, Engraving, Drypoint
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo II', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5
Unframed
ID: CHI1038-013
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Drypoint Prints and Multiples
Materials
Paper, Drypoint
Marino Marini (1901 - 1980)-MARINO FROM SHAKESPEARE I-Etching, drypoint aquatint
Located in Varese, IT
Etching, drypoint and aquatint in 28 colours, edited in 1977.
Limited edition of 75 copies, numbered as 70/75 in lower left corner.
Hand signed by artist in pencil in the lower right...
Category
1970s Abstract Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Graceland Mansion
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
Le Demon Ailé - Etching and Drypoint - 1969
Located in Roma, IT
Le demon Ailé is a wonderful black and white drypoint realized in 1969.
The artwork is from the portfolio "Vénus aux fourrures", edited by Pierre Argillet, Parigi, 1969.
Hand signed in pencil by the artist on the lower margin. Dry stamp on the lower right margin
Numbered on the lower left margin. Ed.21/75.
Good conditions except for some light yellowing of paper along the margin.
Ref: Michler Lopsinger, "Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints 1924-1980", Prestel 1994, n. 371.
Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. Dalí epitomizes the idea that life is the greatest form of art; André Breton said about him: “It is with Dalí that, for the very first time, the windows of the mind are wide open”.
He always pushed boundaries, and he did the same with conventional lithography. He experimented a lot, also with techniques that would not be allowed today. He was a prolific printmaker, using techniques as drypoint, etching, woodcut and lithography. His output is esteemed at 1700 prints...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dali "King Lear"
Located in Boston, MA
Artist: Dali, Salvador
Title: King Lear
Series: Much Ado About Shakespeare
Date: 1968
Medium: original drypoint engravings
Unframed Dimensions: 17.72" x 12.6"
Framed Dimensions:...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Engraving, Drypoint
Riva San Giuliano
Located in Middletown, NY
Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...
Category
Early 20th Century French School Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Caesar - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Caesar
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression in sanguine ink on laid paper was printed in 1892 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/2 x 3 inches (115 ...
Category
1890s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Birth of Venus - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Birth of Venus
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Elegante Eventail
Located in Middletown, NY
A rare, signed image from a lesser-known female impressionist printmaker.
c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...
Category
Early 20th Century French School Drypoint Prints and Multiples
Materials
Etching, Drypoint
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Drypoint Prints and Multiples
Materials
Drypoint, Etching
American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) Love Food Life
Located in New York, NY
Robert Indiana
American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986
Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper
37 inches × 21 inches
...
Category
1980s Pop Art Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint, Stencil
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
Located in Saint Augustine, FL
Artist: Louis LeGrand (French, 1863-1951)
Title: "La Loge (The Lodge)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by LeGrand in the plate (printed signature) l...
Category
Early 1900s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Salvador Dali "Untitled 05 (Les Chants de Maldoror)"
Located in Boston, MA
Artist: Dali, Salvador
Title: Untitled 05 (Les Chants de Maldoror)
Series: Les Chants de Maldoror
Date: 1934
Medium: original drypoint
Unframed Dimensions: 12.5" x 9.75"
Framed...
Category
1930s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
$960 Sale Price
20% Off
Le Colosse
Located in New York, NY
Color drypoint. Signed by the artist in pencil lower right. Numbered 44/100 in pencil lower left. Published by Editions d'Art de Francony, Paris.
Catalogue raisonne reference: Fi...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Les Saltimbanques
Located in Wien, 9
Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...
Category
Early 1900s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Buisson - Etching by C.F. Daubigny - 19th Century
Located in Roma, IT
Le Buisson is a photogravure realized in the 19th Century.
signed.
Good condition.
Category
19th Century Drypoint Prints and Multiples
Materials
Drypoint, Etching
Restaurant in Mott Street
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$400 Sale Price
27% Off
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Drypoint Prints and Multiples
Materials
Drypoint, Etching, Engraving
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$800 Sale Price
36% Off
The Centenarian
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink.
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour.
In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography.
In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories.
In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé.
During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful.
In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Untitled - Original Etching and Drypoint by Wilfredo Lam - 1960s
By Wilfredo Lam
Located in Roma, IT
Untitled is an original artwork realized by Wifredo Lam in the 1960s.
Black and white drypoint.
Hand signed in pencil by the artist. Artist's proof (EA hand written on the lower le...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Enchanted Pool
Located in Middletown, NY
Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...
Category
Early 20th Century English School Drypoint Prints and Multiples
Materials
Etching, Laid Paper, Drypoint
Salvador Dali "The Raven and the Fox"
Located in Boston, MA
Artist: Dali, Salvador
Title: The Raven and the Fox
Series: Le Bestiaire de la Fontaine
Date: 1974
Medium: drypoint with color added by stencil
Framed Dimensions: 35.75" x 28"
S...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Stencil, Drypoint
$4,000 Sale Price
20% Off
Peggy /// Antique Victorian Etching Portrait Figurative British Children Child
Located in Saint Augustine, FL
Artist: Sidney Tushingham (English, 1884-1968)
Title: "Peggy"
*Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right
Cir...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching, Intaglio
Coentes Slip, NY
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category
Late 19th Century Victorian Drypoint Prints and Multiples
Materials
Laid Paper, Handmade Paper, Drypoint, Etching
'Mokihana (Hawaii)' — Classic Polynesian Portrait
Located in Myrtle Beach, SC
John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...
Category
1940s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint, Laid Paper
Forellenweiher - Etching and Drypoint by Franz Von Stuck - 1890s
Located in Roma, IT
Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891.
Hand signed in gr...
Category
1890s Symbolist Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued.
Edition of 226 pieces.
Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86).
Printed by Lacourièr...
Category
1940s Cubist Drypoint Prints and Multiples
Materials
Paper, Etching, Drypoint, Aquatint
Mein Weg mit dem Weib #13 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category
1910s Symbolist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
The Dance of Death. 1914-1918
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint
'Little Girl' — American Modernism
By Milton Avery
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm).
Collections: Cantor Arts Center, National Gallery of Art.
ABOUT THE ARTIST
"I never have any rules to follow; I follow myself."
"I paint not by sight but by faith. Faith gives you sight."
—Milton Avery
'His is the poetry of sheer loveliness.'
—Mark Rothko in his 1965 eulogy to Avery.
Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions.
Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style.
In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
Early 20th Century English School Drypoint Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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