Drypoint Prints and Multiples
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Medium: Drypoint
Western Hills Viaduct Under Construction
Located in Fairlawn, OH
Western Hills Viaduct Under Construction
Drypoint, June 1931
Signed in pencil lower right (see photo)
Initialed and dated in the plate lower right above pencil signature (see photo)
From: Cincinnati Series, 1930-1931, 8 plates, this No. 5
Small edition, not specified
From Greenfield Hill
Condition: Excellent
Image/Plate size: 8 1/2 x 15 1/4 inches
Sheet size: 11 1/4 x 18 1/2 inches
Louis Conrad Rosenberg
1890-1983
An American architectural etcher...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Paper, Etching
Levi
Located in Boston, MA
Artist: Dali, Salvador
Title: Levi
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Framed Dimensions: 33" x 27.25"
Signature: Pencil signed
Edition: XXII/XXXV
Literature: AF 78
Provenance: Acquired directly from the Artist, Private Collection, Palm Beach, Fl; DTR Modern Galleries
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Sator
Located in Boston, MA
Artist: Dali, Salvador
Title: Sator
Series: Faust
Date: 1969
Medium: drypoint with color
Framed Dimensions: 22.5" x 18.5"
Signature: Pencil signed
Edition: 49/145
Literature: AF 50
Provenance: Acquired Directly from the Artist, Private Collection, Palm Beach, FL; DTR Modern Galleries
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Zebulon
Located in Boston, MA
Artist: Dali, Salvador
Title: Zebulon
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Framed Dimensions: 33" x 27.25"
Signature: Pencil signed
Edition: XXII/XXXV
Literature: AF 78
Provenance: Acquired directly from the Artist, Private Collection, Palm Beach, Fl; DTR Modern Galleries
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Isle of View
Located in New York, NY
George Trakas
Isle of View, 2006
Aquatint and dry point etching printed on Lana Gravure paper
Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front
18...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Mixed Media, Drypoint, Etching
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings.
Stamp with coat of arms on verso.
Artist's info written on verso.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 6.75"W
Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category
1910s American Impressionist Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, ...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Etching, Drypoint
Cobea (Pisum Sensuale), Drypoint Etching by Salvador Dali
Located in Long Island City, NY
This surreal botanical print by Salvador Dali is from a suite of 10 engravings called "Flora Dalinae". Growing from a vine are leaves shaped like lips an...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Etching, Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
Le Couple
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Drypoint Prints and Multiples
Materials
Drypoint
Bust
Located in Boston, MA
Artist: Dali, Salvador
Title: Bust
Series: Faust
Date: 1969
Medium: drypoint
Framed Dimensions: 22.5" x 18.5"
Signature: Pencil signed
Edition: 49/145
Literature: AF 50
Provenance: Acquired Directly from the Artist, Private Collection, Palm Beach, FL; DTR Modern Galleries
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
John Howard Payne-Home Sweet Home
By Samuel Margolies
Located in Raleigh, NC
Depicted is the birthplace of John Howard Payne in Easthampton, Long Island, N.Y.
The prepatory drawing for this drypoint is in the collection of the Brooklyn Museum.
The print is ...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Grande Albero
By Safet Zec
Located in Ljubljana, SI
Grande Albero. Original aquatint and dry-point, 1992-3. Edition of 60 signed and numbered impressions on Arches paper.
Safet Zec is a Bosnian painter and graphic designer, known as one of the major artists of poetic realism. At the beginning of the 90’s he became one of the most important artists...
Category
1990s Post-Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Faces - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Faces is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June ...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
Keresan Dancers
By Gene Kloss
Located in Fairlawn, OH
Keresan Dancers
Etching & drypoint, 1962
Signed lower right (see photo)
Inscribed lower left: "Artist's Proof Keresan Dancers"
Depicts Keresan speaking peoples at Sam Felipe Pue...
Category
1960s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition,3/40.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
Jonas and the Whale - Drypoint - 1975
Located in Roma, IT
Jonas and the whale is an artwork realized in 1975.
Drypoint with pochoir on Arches paper, from the Series "Our Historical Heritage".
Signed and numbered. Edition SA 51/300.
Image 56x40cm - Sheet 66x50.5cm.
Ref Michler/Löpsinger 759; Field 75-4 D. Prov. Private Collection France.
Very Good condition.
Salvador Dalí was an icon of Surrealism, the 20th-century avant-garde movement that sought to release unconscious creative potential through art that featured dreamlike imagery. Dalí's fantastical prints, paintings, sculptures, films, and writing helped cement
the movement's identity. Working off psychoanalytic ideas, Dalí rendered fantastical creatures and landscapes that could unsettle and awe. His 1931 canvas The Persistence of Memory...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Journal D'Un Graveur - Vol. 2 Plate 3
By Joan Miró
Located in Roma, IT
This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Victorian Gasometer, by Jenny Robinson
Located in Palm Springs, CA
Medium: Etching and spitbite
Year: 2010
Edition: 7 (EV)
Image Size: 22 x 17.5 inches
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the A...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Jean Francois Millet, "La Boullie (The Porridge)", Drypoint Etching, 1861
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category
1860s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Innamorati
By Emilio Greco
Located in Ljubljana, SI
Innamorati (eng. Lovers). Original drypoint, 1982. Edition of 90 signed and numbered impressions on Arches paper.
Emilio Greco is one of the greatest sculptors, engraver and medalist of modern time. He is best known for his monumental bronze sculptures of the human figure. The sculptures and figures in graphics, primarily female nudes and portraits, tended to be refined, with elongated forms in the Italian...
Category
1980s Academic Drypoint Prints and Multiples
Materials
Drypoint
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
By Ray Smith
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan.
Cartas del Japon, 1988-89
Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper
Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs.
Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989.
Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category
1980s Pop Art Drypoint Prints and Multiples
Materials
Drypoint
Edge of the Woods.
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Located in Soquel, CA
"Bessie Smith" - Musician's Portrait Etching on Paper (A/P)
Clean and modern drypoint etching of a jazz singer Bessie Smith by Maria Bennett (American, 20th Century). The singer is ...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
Joseph and Potiphar's Wife 1
Located in Santa Monica, CA
LOVIS CORNTH (German 1858 - 1925)
JOSEPH und POTIPHARS WEIB 1, 1914 (S. 168)
Drypoint, Unsigned, platemark 7 3//8" X 9 5/8 " on good watermarked laid paper. Full margins, deckl...
Category
1910s Expressionist Drypoint Prints and Multiples
Materials
Drypoint
Self Portrait - Drypoint after Giuseppe Viviani - 1983
Located in Roma, IT
Self Portrait is a drypoint realized after Giuseppe Viviani in 1983.
Hand signed and numbered. 1983 edition of 100 prints.
Signed by the Artist widow "Eralda Benso Viviani".
Refe...
Category
1980s Modern Drypoint Prints and Multiples
Materials
Drypoint
'Fantasia Americana - 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
"The Winner" - Etching on Paper (10/25)
Located in Soquel, CA
"The Winner" - Etching on Paper
Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
Dans la Poudrière - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Rising Tides, by Jenny Robinson
Located in Palm Springs, CA
Medium: Intaglio on Mulberry paper
Year: 2017
Edition: 15 (edition sold out, this is the last artist proof)
Image Size: 20 x 20 inches
Robinson has been honored as the recipient of...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Untitled (Sign), by Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist.
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint
On Christmas Day
By Gene Kloss
Located in Fairlawn, OH
On Christmas Day
Drypoint and aquatint, 1979
Signed lower right: Gene Kloss (see photo)
Inscribed lower left:
"Artist's Proof", and titled "On Christmas Day"
An "artist's proof" imp...
Category
1970s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Manfredi - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Manfredi - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Rêve - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Le Rêve-from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917.
Hand signed on the right margin . Edition n. 18/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper and some foxing.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
Sleep - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Sleep - from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917 s.
Hand signed on the right margin . Edition n. 14/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions.
Good conditions, except for a light yellowing of the paper.
Anselmo Bucci (1887-1955) was an Italian painter and printmaker.
He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
"Portrait of Abel Hermant" original etching and drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 5/8 x 4 1/8 inches (143 x 105...
Category
1920s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper
Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale.
Signed by hand "J. Alphege Brewer" in the lower right corner.
Titled "Chester Cathedral" in plate, lower left corner.
Includes original card with artist's name.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 7.75"W
James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer.
Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings.
Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category
Early 20th Century Romantic Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
untitled (Duck taking to flight, flushed by a dog)
Located in Fairlawn, OH
untitled (Duck taking to flight, flushed by a dog)
Drypoint & Aquatint, c. 1940
signed lower right
Created while the artist was a commercial artist working in Minneapolis, after his ...
Category
1940s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Before Day Light
Located in Fairlawn, OH
Before Day Light
Drypoint, c. 1940
Signed lower right (see photo)
Titled lower left (see photo)
Created while the artist was a commercial artist working in Minneapolis.
In the 1930’s...
Category
1940s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category
1980s Minimalist Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression in sanguine ink on laid paper was printed in 1892 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/2 x 3 inches (115 ...
Category
1890s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Spring Song /// Antique Female Artist Children Child Etching British Art
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990)
Title: "Spring Song"
*Signed by Soper in pencil lower right
Year: 1924
Medium: Original Etching on cream laid paper
Limited edition: 178
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157
Sheet size: 8.13" x 10.13"
Image size: 6.63" x 9.63"
Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition
Notes:
Provenance: private collection - Boulder, CO.
Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Intaglio, Drypoint, Laid Paper, Etching
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
Comanche Dance, Ildefonso Pueblo, New Mexico Southwest Framed Etching
By Gene Kloss
Located in Denver, CO
Comanche Dance at San Ildefonso Pueblo (New Mexico). Etching and drypoint, artist's proof from an edition of 50 prints. Presented in a custom frame, outer dimensions measure 22 ¼ x 18 ½ x ½ inches. Image size is 11 ¾ x 14 ½ inches.
Print is clean and in very good vintage condition - please contact us for a detailed condition report.
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Gene (Alice Geneva) Kloss is considered one of America’s master printmakers. She was born in Oakland, California and established herself as an artist on the West coast.
Kloss was introduced to etching by Perham Nahl while at UC Berkley. She graduated in 1924, and in 1925 married poet Phillips Kloss. In her late twenties, Kloss moved to Taos, New Mexico and began her life’s work of the New Mexican landscape and peoples. It was at this time that she received national acclaim.
Her artwork exudes an unmistakable content and style. Enchanted by the architecture, mountainous landscapes and rituals of the inhabitants, Kloss captured the beauty of the Southwest and surrounding areas. Her style was bold yet deftly simple, masterfully expressing the elusive Southwestern light...
Category
1980s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Serenite
Located in Palm Springs, CA
This is a unique print from the second state, signed and titled in pencil. the final edition of 180 was completed for the Société des peintres-graveurs français. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italian traditions, Houtin's gardens are well furnished with fragmentary architecture conveying a mood of elegiac decay, while the vestiges of grand designs, manifest in a profusion of topiary-lined avenues, evoke French precedents. Elsewhere, temples and pavilions scattered over undulating slopes speak of an enthusiasm for English garden practice.
Bordering at times on the surreal, baroque in their richness and extravagance of conception, Houtin's gardens are hybrid creations in terms of both their botany and architecture, which wittily plunder a wide spectrum of conventions.
François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...
Category
1980s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Street Market - Montmatre, France, etching, 1922
Located in Melbourne, Victoria
Monogram and date of etching in the plate bottom left.
220mm by 305mm (platemark) 310mm by 390mm (sheet)
Category
1920s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint, Etching
Drypoint Etching "Penguin Island" 1926
By Peggy Bacon
Located in Surfside, FL
Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and drawings, as well as for her satirical caricatures of prominent personalities in the late 1920s and 1930s. Bacon's parents were both artists and met while attending the Art Students League in New York. At the end of 1913, Bacon first studied art at the School of Applied Design for Women but disliked it calling it, "the prissiest, silliest place that ever was." She transferred after a few weeks to the School of Fine and Applied Arts on the West Wide where she took classes in illustration and life drawing. During the summer of 1914 Bacon attended Jonas Lie's landscape class in Port Jefferson, Long Island.
From 1915-1920 Bacon studied painting with Kenneth Hayes Miller, John Sloan, George Bellows and others at the Art Students League. While at the League, Bacon became friends with several other artists. Her circle of friends and acquaintances included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Head of a Man
By Milton Avery
Located in New York, NY
A superb impression of this very scarce drypoint. Edition of 100. Signed in pencil by Avery. Printed by Atelier 17, New York. Published by Laurel Gallery, New York. From "Laurels Por...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint
"A Mirage" signed etching / drypoint, trial proof
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with George Burr's monogram signature. The published edition consisted of 40 numbered impressions. Plate size: 6 7/8 x 9 7/8 inches (175 x 250 mm). American Impressionist George Elbert Burr is best known for Southwestern Art...
Category
1920s Drypoint Prints and Multiples
Materials
Etching, Drypoint
"L'attente" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...
Category
Early 1900s Drypoint Prints and Multiples
Materials
Etching, Drypoint
Woman's Head
Located in Fairlawn, OH
Edition of 50 printed by Charles White in 1951 for the estate
Bibliography:
Lincoln Kirstein, Elie Nademan (New York: The Eakins Press, 1973),, 20
Elie Nadelman
Born 1882, Warsaw...
Category
1920s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Small Beasts (Dog) Aquatint Etching Jim Dine Pop Art Print
By Jim Dine
Located in Surfside, FL
Jim Dine (American, b. 1935)
Etching depicting a dog or wolf
Published by Enitharmon Press for Whitman College, London 1999
Hand signed in pencil lower right. Measures 9" x 7" sheet size
This is not numbered. from a limited edition of 30 (plus proofs).
Drypoints with aquatint and spit-bite
Printed by Julia D'Amario
Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...
Category
1990s Pop Art Drypoint Prints and Multiples
Materials
Drypoint, Etching
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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