Drypoint Prints and Multiples

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

Stanley Anderson 1884-1966 Drypoint, signed out of the image bottom centre Image size: 9 x 11 inches (22.8 x 28 cm) Acid free mount Alfred Charles Stanley Anderson CBE RA was a Brit...

Mixed Media (Watercolor, Ink and digital retouch) Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He...

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was printed by Pan-Presse, Berlin in 1922 and published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Rassenfosse, Armand.( 1862-1934) Sortie De Bal, 1894. Original drypoint in colors on Japan, initialled in red ink by artist with his monogram. Beautiful impression. In addition, the ...

58.42 x 66.04 cms (23 x 26 ins) Edition of 40 Published by Bernard Jacobson Gallery

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...

Leon Kossoff Outside Kilburn Underground Station 1984 Drypoint etching, Edition of 40 58.42 x 66.04 cms (23 x 26 ins) (paper size) 31 x 40.5 cms (12 3/16 x 15 15/16 ins) (plate size)

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

REMBRANDT HARMENSZ. VAN RIJN 1606 Leiden Amsterdam 1669 Death Appearing to a Wedded Couple from an Open Grave 1639 drypoint and etching; 109 x 78 mm Bartsch 109, White/Boon only s...

The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...

Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Night Opening 2022 Signed, dated, and numbered in pencil, recto Drypoint etching on BFK Rives paper (Edition of 100) 11.811 x 9.45 inches, sheet 5.71 x 4.92 inches, image Contact...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...

Wayne Thiebaud has long been recognized as one of America’s most prominent modern artists. Probably best known for his straightforward, deadpan still-life paintings of the 1960s, and...

Mark Tobey "Pensees Germinales" 1973 Drypoint Engraving Printed in Brown and Blue by Willie Steinert, Karlsruhe, Germany, on Auvernge Paper Handmade by Richard de Bas Signed Lower R...

The images in Wayne Thiebaud's drypoints fill the space around them, carving into it. They are images of mountains. In one, only the mountaintop shows and a gigantic cloud is in the ...

Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...

Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...

Dimensions : Image 7 7/8” x 5 7/8”, Paper 16” x 12” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 15/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...

Dimensions : Image 9 7/8” x 7 7/8”, Paper 19” x 15” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 11/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...

Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...

Artist: Dali, Salvador Title: Benjamin Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Framed Dimensions: 33" x 27.25" Signature: Pencil signe...