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Medium: Drypoint
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Drypoint Prints and Multiples
Materials
Woodcut, Drypoint
"Study of nude woman" 2007 Original Signed Engraving Drypoint Mexican Artist
Located in Miami, FL
Javier Areán (Mexico, 1969)
"Mujer desnuda (estudio)" (Study of nude woman), 2007
dry point on paper Fabriano 300 g.
16 x 13.6 in. (40.5 x 34.5 cm.)
Edition of 20
ID: ARA-101
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Ink, Drypoint
'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Etching, Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
La Réparation: Spiral Woman -- Portrait, Woman, Feminist Art by Louise Bourgeois
Located in London, GB
La Réparation: Spiral Woman, 2003
Louise Bourgeois
Drypoint and engraving, with selective wiping
On Hahnemuehle copperplate warm white wove
Signed, dated and numbered from the editi...
Category
Early 2000s Feminist Drypoint Prints and Multiples
Materials
Drypoint
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$975 Sale Price
22% Off
The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
The Pink Tablecloth, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
Here They Come !
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Drypoint Prints and Multiples
Materials
Drypoint
14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category
Mid-20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Drypoint Prints and Multiples
Materials
Drypoint, Etching
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Drypoint Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
Street in Wilmersdorf, from: The Creators German Expressionism Berlin
Located in London, GB
LUDWIG MEIDNER (1884-1966)
Bernstadt 1884 - 1966 Darmstadt (German)
Title: Street in Wilmersdorf, from: The Creators Straße in Wilmersdorf, von: Die Schaffenden...
Category
1910s Drypoint Prints and Multiples
Materials
Drypoint
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Archival Paper, Drypoint, Etching
Boxing Match
Located in New York, NY
Hermine David, drypoint and engraving, Boxing Match, circa 1927, signed and numbered in pencil, lower margin. Reference: Jean Adhemar, Inventaire Biblioth...
Category
1920s Realist Drypoint Prints and Multiples
Materials
Engraving, Drypoint
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Mein Weg mit dem Weib #18 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category
1910s Symbolist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Manhattan Nocturne
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
"La Mer VE 1/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Archival Paper, Color, Etching, Intaglio, Drypoint, Aquatint
Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
Located in Roma, IT
S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65.
Image dimensions 49,2 x 39,7 cm.
Beautiful Proof on vélin filigrané “Arches”, full margins, not signed....
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Etching, Aquatint, Drypoint
A thought by Dieter Roth abstract geometric black and white etching
By Dieter Roth
Located in New York, NY
Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...
Category
1970s Abstract Drypoint Prints and Multiples
Materials
Drypoint, Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category
1990s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Reguliersracht during winter, Amsterdam
Located in Middletown, NY
Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...
Category
Early 20th Century Dutch School Drypoint Prints and Multiples
Materials
Drypoint, Etching
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category
1930s Drypoint Prints and Multiples
Materials
Drypoint, Etching
$2,200 Sale Price
20% Off
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Abstract Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century.
In very good conditions.
The artwor...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Salvador Dalí (1904-1989) - King Solomon - drypoint, etching - 1975
Located in Varese, IT
Drypoint etching on Japanese paper, edited in 1975.
Limited edition of 250 copies, numbered 101/250 in lower left corner.
Hand-signed by artist in pencil in the lower right margin.
...
Category
1970s Abstract Drypoint Prints and Multiples
Materials
Etching, Drypoint
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$1,500 Sale Price
40% Off
"Madame Georges Menier" Portrait, by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 -1927)
"MADAME GEORGES MENIER"
Montesquiou XXI
Drypoint in colors, c. 1900
Signed in pencil, lower right
Printed on wove paper
Full...
Category
Early 20th Century Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$850 Sale Price
43% Off
'Grand Central Station' — New York City Landmark
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...
Category
1920s American Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
$2,080 Sale Price
20% Off
Small Beasts (Dog) Aquatint Etching Jim Dine Pop Art Print
By Jim Dine
Located in Surfside, FL
Jim Dine (American, b. 1935)
Etching depicting a dog or wolf
Published by Enitharmon Press for Whitman College, London 1999
Hand signed in pencil lower right. Measures 9" x 7" sheet size
This is not numbered. from a limited edition of 30 (plus proofs).
Drypoints with aquatint and spit-bite
Printed by Julia D'Amario
Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...
Category
1990s Pop Art Drypoint Prints and Multiples
Materials
Drypoint, Etching
Three Yellowlegs.
By Frank Benson
Located in New York, NY
The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Early 20th Century American Realist Drypoint Prints and Multiples
Materials
Drypoint
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category
Early 20th Century American Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1930s American Realist Drypoint Prints and Multiples
Materials
Drypoint
"Timesteps", Two Plate Intaglio Etching, Representation of Common Objects
Located in Philadelphia, PA
This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Aquatint, Intaglio, Etching, Drypoint, Paper
La Grenouille (The Frog), from Buffon's l'Histoire Naturelle
Located in Washington, DC
Artist: Pablo Picasso
Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle
Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...
Category
1940s Cubist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Two nudes - Figurative etching print, Monochromatic, Minimalistic, Female nude
By Leszek Rózga
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015)
He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Watercolor, Paper, Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
$876 Sale Price
20% Off
Hooked Salmon, angling fish etching by George Marples, circa 1920
Located in Melbourne, Victoria
Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...
Category
1920s Other Art Style Drypoint Prints and Multiples
Materials
Etching, Drypoint
6p.m. from Air: 24 Hours
Located in Houston, TX
Jennifer Bartlett
6 p.m. from Air: 24 Hours, 1994
Drypoint
19 x 19 inches
Edition of 65
Unframed
Category
20th Century Contemporary Drypoint Prints and Multiples
Materials
Drypoint
George Constant, When We Were Very Young
Located in New York, NY
The Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Salvador Dali "Transfiguration"
Located in Boston, MA
Artist: Dali, Salvador
Title: Transfiguration
Date: 1973
Medium: Drypoint with Added Watercolor
Unframed Dimensions: 30" x 22"
Signature: Pencil signed
Edition: 100/100
Litera...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Watercolor
La Promenade
Located in Fairlawn, OH
La Promenade
Etching, soft-ground, aquatint & drypoint,
Signed in pencil lower left
Published by Edmund Sagot, Paris
Edition of 50 in black only, aside from the edition of 50 in co...
Category
Early 1900s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
La Toilette
Located in Fairlawn, OH
La Toilette
Drypoint, 1908
Signed and numbered in pencil by the artist (see photos)
Edition: 65 this state (35/65)
Published by Gustave Pellet (1859-1919),...
Category
Early 1900s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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