Katie VanVliet

"Timesteps", Two Plate Intaglio Etching, Representation of Common Objects

2023

This piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "La Mer VE 5/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

This piece titled "La Mer VE 2/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed and numbered 1 of 5 (1/5) by the artist on the front Frame Included: elegantly floated and framed in a museum quality hand made wood frame, finished with authentic gold leaf The present work is one of a suite of hand colored prints that were included in the exhibition "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Excerpt from the PACE Gallery Press materials: It is clear that Moix, a true Catalonian, has a rightful claim to the lineage that spawned the extraordinary draughtmanship of his Spanish predecessors- Goya and Picasso. “Part of the pleasure of this project on Quixote by Santi Moix is that it boldly closes the gap between writing and art, between the markmaking of the pen, the stylo, the etching tool, between the fiction of two absolutely distinct means of expression, and proposes instead a true imaginative domain in which unity is everything” – Adrian Dannati, 2008 Measurements: Frame: 22 x 27 x 1.5 inches Print: 19.5 x 25 inches Exhibition History: "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Published by Pace Prints, in collaboration with the Institut Ramon LLull Provenance: PACE Editions, New York, NY This work is elegantly floated and framed in a hand made museum quality wood frame, finished with genuine gold leaf, under UV plexiglass. About Santi Moix: Santi Moix was born in Barcelona in 1960. Recent solo exhibitions include “Brooklyn Studio,” M77 Gallery, Milon, Italy; “Santi Moix on Huckleberry Finn: Watercolors and Wall Dryawings,” Paul Kasmin...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

OWL ROCK is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is currently unframed. Like Wortsman's own sculptures, the abstract components here mix the organic with roughly-hewn geometric forms. Note the dialogue between the colors umber, green and white, with the 3 perforations tying it all in – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. OWL ROCK was exhibited at Tabla Rasa Gallery, Brooklyn, New York in 2013. And at Made In Brooklyn, Hanson Gallery, Honesdale, Pennsylvania, 2015. From Harold Wortsman – "I was introduced to printmaking in the 1990s by legendary printmaker, the late Sheila Marbain. Printer to the masters of Pop Art, like Oldenberg, Lichtenstein and Warhol, she tired of conventional silkscreen and developed her own silkscreen monotype technique. Several years of work with Marbain led to etching and hand-tooled aluminum intaglio with the great printer Sheila Goloborotko. I currently work with master printer Kathy Caraccio. While working together on a difficult project, Caraccio exclaimed: “This is not a print; it’s a painting.” Printmaking is now an integral part of the work I do." From Jonathan Goodman, Art Critic – "There are certain kinds of art that endure beyond the novel effect, demonstrating an awareness of time-honored methods and even historically potent imagistic biases, and Wortsman's work belongs to this ongoing vision." – Fronterra D, October 2016. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...