Drypoint Prints and Multiples
to
155
739
205
148
52
31
Overall Width
to
Overall Height
to
400
163
128
80
64
25
17
14
9
2
2
1
97
36
35
30
23
7
113
981
134
28
102
143
69
32
82
79
132
48
26
4
752
401
21
744
571
412
223
203
188
134
80
76
68
58
39
38
35
34
29
26
26
26
26
1,294
34,920
18,833
18,216
10,352
178
237
755
391
Medium: Drypoint
Three Figures - Original Etching and Drypoint by Pierre Girieud - 1920
Located in Roma, IT
Three Figures is an Original Etching and Drypoint realized by Pierre Girieud (1876-1940).
Foxing and stains on top center.
Includes a white cardboard passpartout (69x49 cm).
Hand signed on the lower right corner.
Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
La Promenade
Located in Fairlawn, OH
La Promenade
Etching, soft-ground, aquatint & drypoint,
Signed in pencil lower left
Published by Edmund Sagot, Paris
Edition of 50 in black only, aside from the edition of 50 in co...
Category
Early 1900s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Woman's Head - Woman's Head in Profile (left) (Havard)
Located in Fairlawn, OH
Woman's Head - Woman's Head in Profile (left) (Havard)
Drypoint, 1920
Unsigned (as issued)
From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from th...
Category
1920s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Drypoint Prints and Multiples
Materials
Etching, Drypoint
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Drypoint Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
The Venetian Mast
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
1870s American Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Canadian Geese in Flight
Located in Fairlawn, OH
Canadian Geese in Flight
Drypoint printed with plate tone in the sky
c. 1940's
Signed in pencil lower right
Condition: Excellent
Image/Plate size: 8 3/8 x 10 1/4 inches
Provenanc...
Category
1940s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Acropolis, Athens
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984)
Good condition on a yellowed paper.
Edition of 3/25.
Hand-signed and numbered on the lower margin.
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Etching for Stephen Spender “Fraternity”
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 2...
Category
1930s Abstract Geometric Drypoint Prints and Multiples
Materials
Drypoint, Etching
Wheelbarrow Race
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Couple
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Drypoint Prints and Multiples
Materials
Drypoint
The Cabin - Original Drypoint by Sir Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
1870s Modern Drypoint Prints and Multiples
Materials
Drypoint
Scenario - Original Etching and Drypoint by Marino Marini - 1968
Located in Roma, IT
Hand signed. Artist's proof. Etching and drypoint on ivory colored paper. In excellent condition.
Image Dimensions : 48 x 32 cm
Reference:
I Selection, Plate IV, Propyläen, berlin,...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Vieux Faust (Old Faust) - Etching - 1960s
Located in Roma, IT
Vieux Faust (Old Faust) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis).
Etching, Drypoint, Watercolor and Roulette on Japon Paper, Hand signed an...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
The Cosmonaut
Located in Boston, MA
Artist: Dali, Salvador
Title: The Cosmonaut
Series: The Hippies
Date: 1969
Medium: drypoint with added color
Framed Dimensions: 34" x 28"
Signature: Pencil signed
Edition: II...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Leda and the Swan
Located in Boston, MA
Artist: Dali, Salvador
Title: Leda and the Swan
Series: The Mythology
Date: 1963
Medium: drypoint on Japon paper
Unframed Dimensions: 30" x 18 1/8"
Framed Dimensions: 42" x 34...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Kvinnehode (Schiefler 259; Woll 288), Edvard Munch
By Edvard Munch
Located in Auburn Hills, MI
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category
Early 1900s Expressionist Drypoint Prints and Multiples
Materials
Drypoint
"Victor Hugo de face" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Executed in 1885 and printed on thin china paper, this is an exceptionally rare state with the figure study of a child etched at the bottom lef...
Category
1880s Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Le Cocu Magnifique - Original Complete Suite of Etchings by Pablo Picasso - 1968
Located in Roma, IT
In-folio Oblong
Dimensions : 29x39 cm.
Paris
Atelier Crommelynck
1968
Edition of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and 1 e...
Category
1960s Cubist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category
Early 20th Century Realist Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Le Voil, I
Located in Fairlawn, OH
Provenance:
Marina Picasso Estate, her number verso
Purchased from Jan Krugier Gallery, NY
References And Exhibitions:
Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...
Category
1930s Drypoint Prints and Multiples
Materials
Drypoint
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
View of Rome - Etching and Drypoint by C.A. Petrucci - 1964
Located in Roma, IT
View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964.
Good condition included a white cardboard passpartout (37x52 cm).
Hand signed by the artist with pencil.
Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
Ponte de Rodillas - Etching, Drypoint - 1977
Located in Roma, IT
Ponte de Rodillas is a contemporary artwork realized in 1977.
The artwork is from the series: 'Les Caprices de Goya de Dali'.
Drypoint on Heliosgravure, on Rives paper.
Plate dime...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
TOD UND FRAU (DEATH AND WOMAN)
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
Category
1910s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued.
Edition of 226 pieces.
Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86).
Printed by Lacourièr...
Category
1940s Cubist Drypoint Prints and Multiples
Materials
Paper, Etching, Drypoint, Aquatint
The Fiancee of King of Garbe
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fiancee of King of Garbe
Series: Le Decameron
Date: 1972
Medium: drypoint printed in color
Unframed Dimensions: 17.72" x 12.2"
Framed Dimension...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Salvador Dalí -- Don Quichotte
Located in BRUCE, ACT
SALVADOR DALÍ
Don Quichotte, 1971
Color drypoint
Hand signed lower right
Numbered 16/100
Image size: 51 x 39 cm
Sheet size: 78.5 x 58.5 cm
Printed by Ateliers Rigal, Fontenay-aux-Ro...
Category
1970s Drypoint Prints and Multiples
Materials
Drypoint
'Mokihana (Hawaii)' — Classic Polynesian Portrait
Located in Myrtle Beach, SC
John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...
Category
1940s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Portrait of James McBey.
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Portrait d'Olga Picasso (Bloch 37; Baer 57)
Located in New York, NY
Drypoint etching, 1919-1920 on laid paper, printed later, 1961
#3 From the edition of 50
Signature Stamp Picasso, lower right and numbered, lower left
plate: 6 by 3 7/8 in (151 by...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Joan Miro, Le Matador, original etching, hand signed
By Joan Miró
Located in Chatsworth, CA
This piece is an original etching, aquatint, dry-point and carborundum by Joan Miro, done in 1969. It is hand signed and numbered 54/75 from the edition of 75 copies on Arches, plus ...
Category
1960s Abstract Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dali - The Beloved Feeds Among the Lilies - Signed Aquatint
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI (1904-1989)
THE BELOVED FEEDS AMONG THE LILIES, 1971
Board for the series "The Song of Songs hymns"
Aquatint and dry point on wove paper...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
Located in Roma, IT
Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65.
Image dimensions 49,2 x 39,7 cm.
Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Spring Song /// Antique Female Artist Children Child Etching British Art
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990)
Title: "Spring Song"
*Signed by Soper in pencil lower right
Year: 1924
Medium: Original Etching on cream laid paper
Limited edition: 178
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157
Sheet size: 8.13" x 10.13"
Image size: 6.63" x 9.63"
Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition
Notes:
Provenance: private collection - Boulder, CO.
Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching, Intaglio
Summer Maple
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Drypoint Prints and Multiples
Materials
Drypoint
La Reine avait Bliaut de Soie - Drypoint Etching attr. to S. Dalì - 1969
Located in Roma, IT
Colour-printed drypoint etching, from the print collection of 21 etchings of “Tristan et Iseult”.
Monogrammed "S.D." ”in graphite on lower-right margin. Italian Edition, Wucua e G...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
Profile Bust of a Girl - Woman's Head in Profile (Havard)
Located in Fairlawn, OH
Profile Bust of a Girl - Woman's Head in Profile (Havard)
Drypoint, 1920
Unsigned (as issued)
From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from ...
Category
1920s American Modern Drypoint Prints and Multiples
Materials
Drypoint
Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper
Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale.
Signed by hand "J. Alphege Brewer" in the lower right corner.
Titled "Chester Cathedral" in plate, lower left corner.
Includes original card with artist's name.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 7.75"W
James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer.
Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings.
Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
Category
Early 20th Century Romantic Drypoint Prints and Multiples
Materials
Paper, Ink, Drypoint
Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Drypoint Prints and Multiples
Materials
Etching, Engraving, Drypoint
Abstract Drypoint Etching Cheryl Warrick African American Woman Artist
Located in Surfside, FL
Cheryl Warrick (American, b. 1956),
"Peace Makes Plenty"
Color etching, soft ground, white ground, drypoint, and chine colle, on Hahnemuhle Copperplate...
Category
Early 2000s Abstract Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dali, signed and numbered drypoint etching 'The oak and the reed', 1974
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989)
The oak and the reed
Drypoint etching with hand coloured pochoir, on Richard de Bas Auvergne, 1974
From the suite Le Bestiaire de la Fontaine pri...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Storm at Saint Honoré
Located in New York, NY
Richly-inked and superb impression of this engraving and drypoint on cream wove paper. This is the eighth state (of 8). Signed, dated and numbered 28/100 in pencil by Bourgeois. Publ...
Category
1990s Contemporary Drypoint Prints and Multiples
Materials
Engraving, Drypoint, Lithograph
Aphrodite
Located in New York, NY
A very good, richly-inked impression of this Drypoint and aquatint printed in gray and black on cream wove paper. Signed, dated and numbered 20/150 by Dali. Printed by Robbe, Paris. ...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Color, Drypoint, Etching
Bibi Valentin
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Semen: large scale expressionist nude male figure portrait, floating in pink
Located in New York, NY
This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...
Category
1980s Contemporary Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category
Mid-20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Drypoint Prints and Multiples
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
Vin Rouge (Red Wine)
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint
Chevalier à Genou (Kneeling Knight) - Etching - 1960s
Located in Roma, IT
Chevalier à Genou (Kneeling Knight) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis).
Etching, Drypoint, Watercolor a...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Drypoint Prints and Multiples
Materials
Drypoint
Vieux Faust - Etching - 1960s
Located in Roma, IT
Femme au Clown (Woman with Clown) is an artwork belonging to the Series "Faust" (La Nuit de Walpurgis), and realized in 1968/69.
Etching, Drypoint, Watercolor and Roulette on Japon ...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
'Cargo Carriers' — New York Harbor
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce.
"On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
Scots Pine
Located in Deddington, GB
This print depicts a mature pine tree, standing proud from the rest of the tree line. The use of gampi chine collé with it's delicate sheen, helps to give an ethereal glow to the maj...
Category
2010s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
The Pink Tablecloth, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
English Bar
Located in Storrs, CT
English Bar. 1908. Etching and drypoint. Exsteens catalog 275 state ii. 8 1/8 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed ...
Category
Early 1900s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint, Etching
Rainy Night in Rome.
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Bowling Green, New York
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...
Category
1940s American Realist Drypoint Prints and Multiples
Materials
Drypoint
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”