Skip to main content

1810s Prints and Multiples

534 Results
1810s More Prints
1810s Interior Prints
1810s Still-life Prints
1810s Figurative Prints
1810s Landscape Prints
to
7
485
26
24
3
Overall Width
to
Overall Height
to
267
147
1
300
15
15
4,967
10,632
59,106
25,591
759
1,038
2,043
2,272
2,490
5,049
7,978
13,833
8,611
4,599
4,074
309
218
11
457
213
206
200
190
121
97
93
72
49
48
30
19
13
12
11
11
10
10
10
494
86
50
8
8
11
477
518
20
Period: 1810s
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann

Joseph Constantine StadlerJesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann, 1815

$306

Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann

By Joseph Constantine Stadler

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

Category

Realist 1810s Prints and Multiples

Materials

Aquatint

“A Trip to Scarbro’”
“A Trip to Scarbro’”

Thomas Rowlandson“A Trip to Scarbro’”, 1813

$575

“A Trip to Scarbro’”

By Thomas Rowlandson

Located in Southampton, NY

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Category

Academic 1810s Prints and Multiples

Materials

Etching, Aquatint

Portraits - Etching by Thomas Holloway - 1810

Thomas HollowayPortraits - Etching by Thomas Holloway - 1810, 1810

$409

Portraits - Etching by Thomas Holloway - 1810

By Thomas Holloway

Located in Roma, IT

Portraits is an artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, ...

Category

Modern 1810s Prints and Multiples

Materials

Etching

MA Masters of Arts and Trinity College, Cambridge member engraving by John Agar
MA Masters of Arts and Trinity College, Cambridge member engraving by John Agar

Rudolph AckermannMA Masters of Arts and Trinity College, Cambridge member engraving by John Agar, 1815

$306

MA Masters of Arts and Trinity College, Cambridge member engraving by John Agar

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Category

1810s Prints and Multiples

Materials

Aquatint

Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann

Joseph Constantine StadlerChapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann, 1815

$306

Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann

By Joseph Constantine Stadler

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Category

Realist 1810s Prints and Multiples

Materials

Aquatint

University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann

Rudolph AckermannUniversity of Oxford Bachelor engraving by Agar after Uwins for Ackermann, 1814

$306

University of Oxford Bachelor engraving by Agar after Uwins for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Servitor, Bachelor of Divinity, Collector (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Servitor; Bachelor of Divinity; and Collector of the University of Oxford. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Category

1810s Prints and Multiples

Materials

Aquatint

University of Cambridge Nobleman engraving by John Agar
University of Cambridge Nobleman engraving by John Agar

Rudolph AckermannUniversity of Cambridge Nobleman engraving by John Agar, 1815

$306

University of Cambridge Nobleman engraving by John Agar

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Category

1810s Prints and Multiples

Materials

Aquatint

Read More

Decked Out: How Skateboards Became Collectible Art

Once built for curbs and handrails, these boards now hang beside blue-chip works in major museums and collectors’ homes.

Revisiting Robert Rauschenberg’s Creative Rebellion on His 100th Birthday

A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.

Red Grooms’s 3D Tugboat Is a Chaotic, Comic Take on New York Life

The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.

Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life

Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.

The 1stDibs Guide to Types of Abstract Art

Get to know the key movements and artists who have influenced visual culture for more than a century.

Romare Bearden’s Humanity Infuses His Bright, Bold Art

Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.

Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight

This set of recipes and original prints might not make you a better chef. But it will make you smile.

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

More Ways To Browse

Dali Da Vinci
Dartmouth Winter Carnival Posters
Daude Pianos Poster
Eileen Mayo
Georg Gerster
Goldie Lipson
John Gallucci
Posters San Sebastian
Princesse Lointaine
Robert Indiana Love Is God
San Sebastian Poster
Shepherd Fairey
Terminator 1984
William Stilson
Adolphe Crespin
Alex Katz Black Dress
Andy Warhol Coke
Andy Warhol Fish
View All Popular Prints and Multiples Searches