1810s Still-life Prints
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Period: 1810s
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
Located in London, GB
Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
Category
Naturalistic 1810s Still-life Prints
Materials
Handmade Paper, Aquatint, Engraving
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
Flowering Justica Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Justicia Picta (B) Lurido-Sanguinea" (Bloody-Veined Justica), plate 1870, published in London in...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
19th Century Hand-colored Engraving of a Red Doyenne Pear by Sir William Hooker
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear" was plate 14 published in London in the 'Transactions of the Horticultural So...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
GALLESIO. A Group of Six Grapes.
Located in London, GB
Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...
Category
Naturalistic 1810s Still-life Prints
Materials
Handmade Paper, Engraving
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Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
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Euphorbia (Spurge) /// Antique Botanical Botany Plants Engraving Buffon Science
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Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Harrisoniae" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
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Naturalistic 1810s Still-life Prints
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"La Mer VE 2/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 2/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
Contemporary 1810s Still-life Prints
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Leaf
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This image is #17 of an edition of 35
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . .
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Category
Contemporary 1810s Still-life Prints
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Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265)
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Chair & rooftoop
Located in New York, NY
“Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...
Category
Modern 1810s Still-life Prints
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Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
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Category
Naturalistic 1810s Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Pylon (Brooklyn Bridge from Manhattan side of East River near South St. Seaport)
Located in New Orleans, LA
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Contemporary 1810s Still-life Prints
Materials
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Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302)
Portfolio: Histoire Naturelle
Year: 1749-1789
Medium: Original Hand-Colored Engraving on laid paper
Limited edition: Unknown
Printer: Imprimerie Nationale, Paris, France
Publisher: Georges-Louis Leclerc, Comte de Buffon, Paris, France
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Naturalistic 1810s Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Finger Print
By Tom Marioni
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- )
Title: Finger Print
Year: 1991
Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...
Category
Contemporary 1810s Still-life Prints
Materials
Drypoint, Etching, Mixed Media, Paper, Aquatint
Previously Available Items
Flowering Strawberry Plants with Fruit: A 19th Century Hand-colored Engraving
By Charles Robertson
Located in Alamo, CA
This early 19th century hand-colored engraving entitled "Keen's Seedling Strawberry" was drawn by Charles Robertson and engraved by William Say. It was plate 12, published in London ...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
19th Century Hand-colored Engraving of a Flowering Peony Annesley Tree
By William Say
Located in Alamo, CA
This early 19th century hand-colored engraving entitled "Paeonia Moutan Anneslai" was drawn by William Clark and engraved by William Say. It was plate 7, published in London in the '...
Category
Naturalistic 1810s Still-life Prints
Materials
Engraving
Rosa rubiginosa (Sweetbriar Rose)
Located in Saint Augustine, FL
An original hand-colored copper plate engraving by English artist James Sowerby (1757-1822) titled "Rosa rubiginosa (Sweetbriar Rose)", c. 1812. Printed and published by the artist i...
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Naturalistic 1810s Still-life Prints
Materials
Watercolor, Engraving
Three Coloured Ixia
By Miss Smith
Located in Saint Augustine, FL
An original hand-colored engraving with aquatint on Turkey Mills J. Whatman paper by English artist Miss Smith (Active: Early 19th Century) titled "Three Coloured Ixia", 1817-1820. L...
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Victorian 1810s Still-life Prints
Materials
Watercolor, Engraving, Aquatint
Plums (Plate XVII)
Located in Saint Augustine, FL
An original hand-colored aquatint engraving on wove paper by English artist George Brookshaw (1751-1823) titled "Plums (Plate XVII)", 1817. Limited edition unknown, presumed small. Comes from Brookshaw's famous "Pomona Britannica" (quarto edition) portfolio. The artwork features plum varieties, Prunus domestica: (from top to bottom) - Wine Sour Plum, Prune Plum, and Myrabolan or Queen Mother Plum. Printed by the author George Brookshaw and published by Longman, Hurst, Rees, Orme & Brown, Paternoster Row, and John Lepard at 108 Strand, London, England. Matted with archival matting from Holland. Matted size: 18" x 16". Sheet size: 10.75" x 13.25". Plate/image size: 10" x 8.25". Some minor toning and one foxing spot lower right. In otherwise very good condition. Strong colors. Very rare.
Brookshaw’s "Pomona Britannica" is widely considered the finest English color plate natural history study of fruit. Intended to accurately record the best available varieties and encourage their cultivation, it was first published in...
Category
Victorian 1810s Still-life Prints
Materials
Watercolor, Engraving, Aquatint
