1810s Prints and Multiples
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10
498
26
13
3
Overall Width
to
Overall Height
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262
154
1
1
311
15
15
3
3
4,795
10,302
57,742
24,888
727
993
2,222
2,337
2,474
5,067
7,983
13,651
7,804
4,078
3,940
307
222
11
457
216
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183
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96
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70
51
48
30
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497
88
47
7
7
11
480
140
22
Period: 1810s
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
Queens' College, Cambridge engraving by Bluck for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Chapel of Trinity College, Cambridge engraving by John Bluck for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Trinity College, Cambridge Bridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint, Engraving
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
John Alcock, Founder of Jesus College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Chapel of Caius College, Cambridge engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
Old Masters 1810s Prints and Multiples
Materials
Engraving, Intaglio
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Doctor in Divinity, Cambridge engraving by Agar after Uwins for Ackermann
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Cambridge, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Sidney Sussex College, Cambridge engraving by Havell after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
University of Cambridge Nobleman engraving by John Agar
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Nobleman, Cambridge (1815)
Aquatint with original hand colouring
30 x 25 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
Old Masters 1810s Prints and Multiples
Materials
Engraving, Etching, Laid Paper, Intaglio
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
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Samuel Sparrow (active 1770 - 1806) after Henry Barker (1774 - 1856)
Downing College...
Category
1810s Prints and Multiples
Materials
Engraving
Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann
Located in London, GB
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John Bluck after Frederick Mackenzie (1788 - 1854)
East Side of St Erasmus' Chapel, Westminster Abbey (1812)
Hand-coloured aquatint
28 x 19 cm
Published by Rudolph Ackermann...
Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
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Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
Realist 1810s Prints and Multiples
Materials
Engraving
Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order"
Portfolio: Monasticon Anglicanum: A History of the Abbie...
Category
Old Masters 1810s Prints and Multiples
Materials
Engraving
Bust and Cupid - Etching by Thomas Holloway - 1810
Located in Roma, IT
Bust and Cupid is an etching realized by Thomas Holloway for Johann Caspar Lavatera's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bens...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 1810s Prints and Multiples
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 1810s Prints and Multiples
Materials
Engraving
Architectural Segments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Specimens of the Architecture and Ornaments of the Abbey Church at St Albans
Engraving
62 x 46 cm
This engraving was originally published by the Societ...
Category
Realist 1810s Prints and Multiples
Materials
Engraving
Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 1810s Prints and Multiples
Materials
Engraving
Sea Creatures - Etching by Thomas Holloway - 1810
Located in Roma, IT
Creatures is an etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Be...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Mary Sister Of Martha - Etching by Thomas Holloway - 1810
Located in Roma, IT
Mary Sister Of Marthais an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London,...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Erasmusis - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Erasmusis an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Ma...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Head - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Lips - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Lips - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Ears - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Ears - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Silhouette Profile -The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profile - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowle...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy -The Profile - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - The Ears - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Ears is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Seated Maid - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Seated Maid - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - The Profile - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy -The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the ...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Eye - The Physiognomy - Original Etching by Thomas Holloway - 181
Located in Roma, IT
The Eye - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - Face and Babies - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Stony Face and Babies is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Kno...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Silhouette Profile -The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profile - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowle...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Silhouette Profiles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Silhouette Profiles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Hair - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Hair - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love ...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Profiles - The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - Profile - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Physiognomy - Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of John Hoze - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of John Hoze is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Bonnett of Geneva - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Bonnett of Geneva is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of George Aug. Eliott - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of General George Aug. Eliott is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledg...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Portrait - The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Charles De Valois - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Charles De Valois is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait Bonnet of Geneva - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait Bonnet of Geneva is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lov...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Fainting - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Fainting is an original Etching realized by Thomas Holloway after Heinrich Fussli in 1810.
The little artwork is on a yellowed paper.
Good condition, signature on the lower rig...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Rest - Original Etching by Isaac Taylor - 1810
Located in Roma, IT
The Rest is an original etching artwork realized by Isaac Taylor for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Londo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
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