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1830s Prints and Multiples

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Period: 1830s
FORK -TAIL PETREL - PLATE CCLX from Audubon's Famous "THE BIRDS OF AMERICA"
FORK -TAIL PETREL - PLATE CCLX from Audubon's Famous "THE BIRDS OF AMERICA"

FORK -TAIL PETREL - PLATE CCLX from Audubon's Famous "THE BIRDS OF AMERICA"

By After John James Audubon

Located in Santa Monica, CA

JOHN J. AUDUBON (1785 – 1851) FORK-TAIL PETREL - PLATE CCLX Audubon, John James. FORK-TAIL PETREL - PLATE CCLX OF "THE BIRDS OF AMERICA by John James Audubon. From the "Double Eleph...

Category

American Realist 1830s Prints and Multiples

Materials

Etching, Aquatint

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper

By Utagawa Hiroshige

Located in Soquel, CA

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...

Category

Impressionist 1830s Prints and Multiples

Materials

Rice Paper, Woodcut

Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard
Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard

Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Prints and Multiples

Materials

Engraving

Voilà... - Original lithograph - 1839
Voilà... - Original lithograph - 1839

Voilà... - Original lithograph - 1839

By Honoré Daumier

Located in Roma, IT

Voilà.... is an original colored lithograph, realized in 1839 by Honoré Daumier (1808-1879). The artwork is from the portfolio Types Parisiens composed of caricatures of the immense...

Category

Modern 1830s Prints and Multiples

Materials

Lithograph

Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms
Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms

Industry and Idleness Plate 1: The Fellow 'Prentices at their Looms

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Prints and Multiples

Materials

Engraving

Penwortham Church - Etching by Joseph Banks - 1837

Penwortham Church - Etching by Joseph Banks - 1837

By Joseph Banks 1

Located in Roma, IT

Penwortham Church is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edit...

Category

Modern 1830s Prints and Multiples

Materials

Etching

Sacred to the Memory of General George Washington 1838
Sacred to the Memory of General George Washington 1838

Sacred to the Memory of General George Washington 1838

Located in Paonia, CO

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

Category

Other Art Style 1830s Prints and Multiples

Materials

Engraving

Utagawa Kuniyoshi -- Yoshino-san bosetsu
Utagawa Kuniyoshi -- Yoshino-san bosetsu

Utagawa Kuniyoshi -- Yoshino-san bosetsu

By Utagawa Kuniyoshi

Located in BRUCE, ACT

Utagawa Kuniyoshi Yoshino-san bosetsu 吉野山暮雪 (Lingering Snow on Mount Yoshino) from Yobu hakkei 燿武八景 (Military Brilliance of the Eight Views) 1836 Woodblock print Oban size Sato Tada...

Category

1830s Prints and Multiples

Materials

Woodcut

Enigme - Lithograph by J.J. Grandville - 1835
Enigme - Lithograph by J.J. Grandville - 1835

Enigme - Lithograph by J.J. Grandville - 1835

By J. J. Grandville

Located in Roma, IT

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a wooden frame. In very good conditions. Here the ...

Category

Modern 1830s Prints and Multiples

Materials

Lithograph

Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830
Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830

Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830

By George Cruikshank

Located in Roma, IT

Comic Poems ("Seven illustrated books in one volume") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1829/1830. Published by Johnston, London. Original First Edition. Seven books bound in one volume (Tom Thumb, The real Devil’s Walk, Monsieur Tonson, The March of intellect, The Devil’s Walk, Steamers v. Stages and The Epping Hunt). Format: in 12°. The book includes Fortyfive etchings and woodcuts. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Category

Modern 1830s Prints and Multiples

Materials

Paper, Etching, Woodcut

Tropic Bird /// Ornithology John James Audubon Florida Keys Ocean Beach Seascape
Tropic Bird /// Ornithology John James Audubon Florida Keys Ocean Beach Seascape

Tropic Bird /// Ornithology John James Audubon Florida Keys Ocean Beach Seascape

By John James Audubon

Located in Saint Augustine, FL

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

Category

Victorian 1830s Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

Scarlet Ibis /// John James Audubon Havell Edition Bird Ornithology Engraving
Scarlet Ibis /// John James Audubon Havell Edition Bird Ornithology Engraving

Scarlet Ibis /// John James Audubon Havell Edition Bird Ornithology Engraving

By John James Audubon

Located in Saint Augustine, FL

Artist: John James Audubon (American, 1785-1851) Title: "Scarlet Ibis" (Plate CCCXCVII - 397; part No. 80) Portfolio: The Birds of America (Havell Edition) Year: 1837 Medium: Origina...

Category

Victorian 1830s Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

19th century color lithograph portrait indigenous male subject feathers signed
19th century color lithograph portrait indigenous male subject feathers signed

19th century color lithograph portrait indigenous male subject feathers signed

By McKenney & Hall

Located in Milwaukee, WI

"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

Academic 1830s Prints and Multiples

Materials

Lithograph

19th century color lithograph indigenous portrait figure feathers bison red
19th century color lithograph indigenous portrait figure feathers bison red

19th century color lithograph indigenous portrait figure feathers bison red

By McKenney & Hall

Located in Milwaukee, WI

"Kish-Ke-Kosh, A Fox Brave (Sauk-Fox)" is an original hand-colored lithograph by McKenney & Hall. This piece features a Native American man. Reference: Page 200 of The North American Indian Portfolios in the Library of Congress. 13 1/4" x 9 3/4" art 27 1/4" x 22 3/8" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

Academic 1830s Prints and Multiples

Materials

Lithograph

Pair of 19th Century Framed Botanical Prints  Hooker & Gardner
Pair of 19th Century Framed Botanical Prints  Hooker & Gardner

Pair of 19th Century Framed Botanical Prints Hooker & Gardner

Located in Jacksonville, FL

A stunning pair of original 19th-century hand-colored botanical engravings featuring Ipomoea horsfalliae and Chirita walkeria, attributed to renowned British botanists William Jackso...

Category

Victorian 1830s Prints and Multiples

Materials

Engraving

Tshusick, An Ojibway Woman
Tshusick, An Ojibway Woman

Tshusick, An Ojibway Woman

By McKenney & Hall

Located in Missouri, MO

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

Category

American Realist 1830s Prints and Multiples

Materials

Lithograph