1830s Prints and Multiples

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. ...

Fairy and Lion is a lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good conditions. Hégésippe Moreau (1810-1838) was a French lyric poet. The romantic ...

Charge of Hussars Republicans is an original Lithograph realized by Denis Auguste Marie Raffet in 1832. Signature on the lower margin, the artwork represent...

The Gifts is a lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good conditions. Hégésippe Moreau (1810-1838) was a French lyric poet. The romantic myth ...

Newhaven Pier is an engraving on paper realized by R. Brandard in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Banff is an engraving on paper realized by R. Waths in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Berwick Head is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Meeting is an lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French ...

What Are You Complaining About? is an original Lithograph realized by Denis Auguste Marie Raffet in 1836. Signature in plate on the lower margin, the artwork represents a military t...

Before The Gate is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The romantic ...

The Trip is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The romantic myth wa...

Terminally ill from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

Eugene Delacroix, French (1798 - 1863) - Muletiers de Tetuan, Year: 1833, Medium: Lithograph on Japon, Image Size: 8 x 10.5 inches, Size: 9.5 x 14 in. (24.13 x 35.56 cm), Publisher...

Paris Landscape, Title Page" Eaus Fortes" is an original etching artwork on paper realized in 1838 by Eugène Bléry (1805-1887). Signed on the plate lower center of the image. The State of preservation is very good except for diffused foxing along the white margin which does not affect the image. The artwork represents in an oval frame the landscape. The artwork is depicted skillfully through confident and precise strokes with harmonious composition.Eugène Stanislas Alexandre Bléry (Fontainebleau, March 3, 1805 - Paris, June 10, 1887) was a French engraver and draftsman.He also made large collections of etchings, such as Forests and landscapes and the surroundings of Fontainebleau, starting from his drawings or from works by Dutch authors such as Meindert Hobbema and Jacob van Ruisdael.

Napoléon au tombeu de Frédéric Le Grand is an etching realized after Marie-Nicolas Ponce-Camus that belongs to the suite AtlasBatt realized for Jacques Norvins Histoire de Napoleon, ...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

La Caricature provisoire – La Caricature, revue morale, judiciaire, littéraire, artistique, fashionable et scénique. 1838-1840. 4 volumes in-4° (37x25.6 cm.) which include 114 numbe...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

Retreat of Russia is an etching that belongs to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of...

Bonaparte à Toulon is an etching that belongs to the suite AtlasBatt realized within Jacques Norvins' Histoire de Napoleon, published in 1837. Author Jacques Norvins published one of the most comprehensive and influential histories on the life and military career of Napoleon, trought the works of the most important engravers of the time. 14x22 cm. Good conditions except for some yellow halos on the margins. The Battle of Regensburg was part of the Napoleonic Wars, and was fought on April 23, 1809 between the army of the First French Empire led by Napoleon Bonaparte and that of the Austrian Empire led by Charles of Habsburg-Teschen. Scene of the last battle of the Bavarian phase of the 1809 campaign, the brief defense of the city and the installation of a bridge to the east allowed the retreat of the Austrian army...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French lyric poet. The r...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes...

Petits Contes à ma Sœur is a Lithograph on paper realized by Hégésippe Moreau, dated 1838 s. The artwork is in good condition except some foxing that doesn't affect the image. H...

A Venerable Spider And A Buzzing Fly is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower ...

Woman With Cornucopia is a Lithograph realized by a French artist in 1830. Good condition on a brown paper. No signature, numbered,373 on the upper margin.

Bijinga is an original modern artwork realized by Keisai Eisen in the 1830s. Oban from the series "Keisei dochu Sugoroku, mitate Tokaido gojusan stugi" (...

A Joseph Nash, ca. 1839-49, hand-colored lithograph on paper, Chapel, Haddon Hall, Derbyshire, plate 25 in the disbound book “The Mansions of England in the Olden Time”, first series...

Parade is an Original Lithograph realized by Auguste Raffet in 1831. Hand-Signed by the artist on the lower right corner. Good conditions on a cream colored cardboard. Denis Augus...

Les Métamorphoses du Jour is an original Modern Artwork realized in the 1830s by the French artist Grandville. Original Lithograph hand watercolored...

The bowing scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jo...

Original hand-watercoloured lithograph also signed in plate by publisher C. Hallmandel; C. E. Jackson, "Dictionary of Bird artists of the world", Woodbridge, Suffolk 1999, pp. 259-26...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

Roman Costume is a beautiful etching and watercolor realized by Bartolomeo Pinelli in 1831. In Good condition, worn paper on the marginal line and some little stains on the back. ...

L’artillerie du Diable is an original lithograph, realized by Jean-Jacques Grandville in 1834, plate 371 from La Caricature n°176. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

State Major is an original Lithograph realized by Denis Auguste Marie Raffet in 1837. Signature on the lower right corner. Good condition, included a white cardboard passpartout (3...

The Beautiful singeris an original Lithograph realized by Denis Auguste Marie Raffet in 1832. Signed and dated on the lower left corner. Good condition, included a white cardboard ...

Foetus Politiques Morts-Nés is an original lithograph, realized by Charles Joseph Traviès in 1834, plate 441 from Caricature n°211. Includes a wooden frame. In very good conditi...

The Saint from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The original artwork Ponte Mammea oggi Ponte Mammolo is an etching on copper, drawn and engraved by the artist Antonio Acquaroni (signed Aquaroni), for the print series Ponti antichi...

"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

Ex Libris Alapit is an original woodcut realized in 1838. Original B/W woodcut on ivory-colored paper. Dated on plate on the lower margin: 1838. The work is glued on cardboard. To...

Hemisphere Of The New Continent is an artwork realized around 1760 by Johann Georg Heck Original colored print. Good conditions except for yellowing of paper and tears along the m...

A Victim of the Old System is an original hand-colored lithograph, realized by Henry Monnier in 1834, plate 1 from La Caricature n°145. Included a fram...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a wooden frame. In very good conditions. Here the ...

L’îvrogne is an original lithograph realized by French artist Honoré Daumier in 1834, plate from Charivari. In good conditions. Included a frame. This lithograph is Representing, a gloomy man, with a desperate and serious look, beside him there is a hat on the ground and in his background, there are a couple hugging each other on the left and a lonely man...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 10, from the series Souvenirs Grotesque...

The Cat's Paw is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower center). The artwork i...

A Nocturnal Adventure is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower left). The art...

Rare print from the series "Political Sketches". John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and...

War Dance Of The Sauks And Foxes Hand Colored Lithograph c.1837 Published by E.C. Biddle, Philadelphia. Beautiful hand colored lithograph from the "History of the Indian Tribes of ...

Bataille de la Moskwa is an Etching realized by Pierre François Tardieu in 1837. It represents one of the most famous battles of Napoleon. Good conditions. The artwork is realized...

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

A Joseph Nash ca. 1839-49 hand-colored lithograph on paper of Porch and Corridor, Ockwells, Berks., plate from the disbound book “The Mansions of England in the Olden Time”, first se...

"Kish-Ke-Kosh, A Fox Brave (Sauk-Fox)" is an original hand-colored lithograph by McKenney & Hall. This piece features a Native American man. Reference: Page 200 of The North American Indian Portfolios in the Library of Congress. 13 1/4" x 9 3/4" art 27 1/4" x 22 3/8" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

A Joseph Nash ca. 1839-49 hand-colored lithograph Porch and Corridor, Ockwells, Berks. from "The Mansions of England in the Olden Time". Printed by Charles Joseph Hullmandel (Pub. L...