1830s Prints and Multiples

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

Voilà.... is an original colored lithograph, realized in 1839 by Honoré Daumier (1808-1879). The artwork is from the portfolio Types Parisiens composed of caricatures of the immense...

"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

A Venerable Spider And A Buzzing Fly is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower ...

A Nocturnal Adventure is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower left). The art...

Foetus Politiques Morts-Nés is an original lithograph, realized by Charles Joseph Traviès in 1834, plate 441 from Caricature n°211. Includes a wooden frame. In very good conditi...

JOHN JAMES AUDUBON Birds of America Octavo Edition Philadelphia, 1839 New York 1856-71 Lithographs. Original Hand-Color. 6.5” x 10.25” Unframed Born in Haiti, John James LaForest A...

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

Title at the center of the lower margin. Some visible stains and light abrasions on the margins, an evident rip in the left-margin of center. Interesting colored lithograph which de...

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

Pauvre France is an original litograph, realized by Jean-Jacques Grandville in 1831, plate 164 from La Caricature n°82. Included a frame. In very good conditions. Here the artwork...

L’îvrogne is an original lithograph realized by French artist Honoré Daumier in 1834, plate from Charivari. In good conditions. Included a frame. This lithograph is Representing, a gloomy man, with a desperate and serious look, beside him there is a hat on the ground and in his background, there are a couple hugging each other on the left and a lonely man...

“O-hya-wa-mince-kee. A Chippewa Chief.” [Yellow Thunder.] From McKenney & Hall’s History of the Indian Tribes of North America. Philadelphia: Rice & Clark, 1843. Folio: image ca. 15 x 12. Lithograph. Original hand color. Very good condition. The McKenney & Hall lithographs of Native Americans The McKenney & Hall prints of Native Americans, from their History of the Indian Tribes of North America (1837-1844), document an important part of American history, illustrating the great leaders of the Indian nations which have disappeared since the mid-nineteenth century. Thomas McKenney, head of the United States Bureau of Indian Affairs for many years, was a champion of the Indian and fought throughout his tenure to preserve something of their culture, so integral a part of the history of the United States. His legacy was a gallery of portraits of the great chiefs by artists such as James Otto Lewis, Charles Bird King and George Cooke...

"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Singeries is an original lithograph, realized by Jean-Jacques Grandville in 1832, double table 158/159 of La Caricature n ° 79 (3 maggio), sheet size 36.5x55 cm. In very good cond...

La Jument du Prince et le chien de la Princesse is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 424 from La Caricature n°203...

"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three. Original Text: Ce matin, avant l'aurore, Un Dieu vint me réveiller ; Il me dit : tu dors encore… Est-il temps de sommeiller ? De ton Papa c’est la fête, Fais lui quelque don flatteur En lui posant sur la tête Une Couronne de fleurs. Translation: This morning before dawn A God came to wake me up The curtains they were drawn And my snoring had to stop It is your daddy's birthday, A time for gifts and flowers To be placed on his head so gray Instead of his morning showers. Artwork Size: 9 1/4" x 9 1/4" Frame Size: 20 1/2" x 17 5/8" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

La Caricature provisoire – La Caricature, revue morale, judiciaire, littéraire, artistique, fashionable et scénique. 1838-1840. 4 volumes in-4° (37x25.6 cm.) which include 114 numbe...

Honore Daumier (1808-1879), “Dup…”, lithograph, 1832, from the series Celebrites de la Caricature, plate 171. Reference: Delteil 45, Daumier Register 45, only state. In generally goo...

Views in Rome, drawn and engraved by Bartolomeo Pinelli, of Rome, London, W.B. Cooke, 1834. In-8° (cm 24x17). Unumered pages with 27 b/w plates out of the text, etchings on copper with tissue paper. Polished speciment, with diffused foxing on margins. Brown Canvas Binding Cover with title marked in gold on wedge in the spine. Spine ligtly damaged in lower margin. Cover with the Castle Saint Angel...

Le Mariage de Figaro is an original artwork realized in 1838 by the artist Louis Stanislas Marin-Lavigne. Original black and white lithograph. Printed by Imprimerie de Lemercier, Bernard & Co. in Paris (printed on plate on lower center). The artwork is after an original painting realized by the artist Eugène Deveria...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

The Cat's Paw is an original artwork realized by John Doyle in 1831. Original colored lithograph. Published by Thomas McLean, London (as printed on the lower center). The artwork i...

The original artwork Ponte Mammea oggi Ponte Mammolo is an etching on copper, drawn and engraved by the artist Antonio Acquaroni (signed Aquaroni), for the print series Ponti antichi...

Kabuki actor is a superb colored woodblock print realized around 1830 by one of the most famous Japanese Ukiyo-e artists Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - ...

This piece is a framed set of two original etchings by Eugene Delacroix. Under each etching is the original title in French, "Un Homme d'Arme du Temps de Francois" and "Etude de Femm...

Au Bord d'une Rivière is an original artwork realized by Alexandre Decamps in 1831. Original lithograph on paper. Very good conditions. Original artwork representing a river with ...

Rare print from the series "Political Sketches". John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and...

Rare print from the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and a...

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

Honore Daumier (1808-79),La fortune fait oublier les amis,lithograph, plate 31 from the series Caricaturana, published in Le Charivari in 1837; later in Alb...

Title at the center of the lower margin. Signed on the plate "Petrone." in the lower left margin. "Con permis", in lower-right "Lit. D. Festa, 1836". In very good conditions except ...

Honore Daumier (1808-1879), Les Grandes Celebrites de la France, lithograph, 1939, plate 2 from the series Les Saltimbanques, from La Caricature Provisoire (also published later in Le Charivari, 1843). Reference: Daumier Register 620, second state (of 5). With lettering, and the initials (in the plate lower left). Printed on a wove paper. In good condition (formerly folded across the middle, now flattened) , 11 1/2 x 8 7/8, the sheet 13 1/8 x 10 inches. A very good impression. An impression of Les Grande Celebrites de la France was shown in the Metropolitan Museum's show Seurat's Circus Sideshow...

Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...