Academic Prints and Multiples

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

Baronagium Genealogicum: or the Pedigrees of the English Peers. Sir William Seagar (c1554-1633). Re-issued by Joseph Edmonson. London, 1764. Engraving with later hand-color. ...

100 Chrysanthemums Keika Hasegawa Kyoto, Japan Meji Era (ca. 1895) Japanese Woodblock Printed in Color with some Touching by Hand Search listings for companion pieces. Keika Hasegawa was active from 1893-1905. His most famous work is 100 Chrysanthemums, a glorious celebration of Japan’s most famous flower. As the Imperial Seal...

Carel Nicolaas STORM VAN'S GRAVENSANDE Fisherman Boats on the Scheldt Original etching Printed signature in the plate On laid paper, 26,5 x 38 cm (c. 10,4 x 14,9 inch) Excellent co...

This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...

Original German vintage poster: International Leipzig Trade Fair Leipziger Messe in NYC. Beginning Feb. 28th, 1937. Held in New York City. Th...

This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...

Early 20th century engraving of Edouard Manet's "Boy with Sword" by notable artist Henry Wolf. Manet's stepson, Léon Koëlla-Leenhoff, posed for the original work in 1861. Manet dressed him in a seventeenth-century costume, adding a period sword as a prop—a tribute to the great Spanish painters he admired, notably Velázquez. Signed and dated by Wolf in the front lower right corner. Currently hung in a gold frame with a cream matting. Dimensions Without Frame: H 10.25 in. x W 7.5 in. Artist Biography: Henry Wolf was born on August 3, 1852 in Eckwersheim, France. He lived in Strasbourg and studied under Jacques Levy and exhibited in Paris. Henry Wolf moved to New York City in 1871, where he created wood engravings of works by Gilbert Stuart, Enric Serra Auqué, Frank Weston Benson, Howard Pyle, Henry Salem Hubbell, John Singer Sargent, A. B. Frost, Jan Vermeer...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous Lent....

George-Louis Leclerec, Comte de Buffon. HistoireNaturell, Generale et Particuliere avec la Description du Cabiner du Roi. Paris, 1749 Drawings by Jacques E. DeSeve. Engravings with l...

George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...

A hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engraving entit...

This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...

JOHNSON’S HOUSEHOLD BOOK OF NATURE Craig Hugh, Editor Henry J. Johnson, Publisher New York, 1880 64 Chromolithographs 7” x 10” Unframed “…full ...

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

Neoclassical landscape etching in the style of Joseph Vernet. The work includes a group of fishermen with nets and a boat set against an idealized backgr...

Diana Thorne’s Dogs: An Album of Drawings. Diana Thorne. Julian Messner, Inc. New York, 1944. 24 Drawings in Lithography. “In drawing them,” she writes, “I have tried to ma...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Horse and Woman Medium: Silkscreen, signed in pencil Edition: EA Size: 30 x 22 in. (76.2 x...

FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

In this archival framed and matted engraving by C. Cousen, figures are cast in an outdoor scene near Lake Como, Italy. Cousen lived from 1819-1889. He was a line engraver and etche...

George-Louis Leclerec, Comte de Buffon. HistoireNaturell, Generale et Particuliere avec la Description du Cabiner du Roi. Paris, 1749 Drawings by Jacques E. DeSeve. Engravings with l...

After Giovanni Antonio Canaletto Venice: View of the Grand Canal Héliogravure after the original etching (Atelier Jacomet) Printed signature in the plate On paper Vergé de Hollande,...

100 Chrysanthemums Keika Hasegawa Kyoto, Japan Meji Era (ca. 1895) Japanese Woodblock Printed in Color with some Touching by Hand Search listings for companion pieces. Keika Hasegawa was active from 1893-1905. His most famous work is 100 Chrysanthemums, a glorious celebration of Japan’s most famous flower. As the Imperial Seal...

MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. 400 Plates. Image Size 4.5” x 5.25” Unframed. ...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

Yosha Zuko Fuzu Meiji 33 (1900) Woodblock with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins...

Ben Avon, Near Braemar, January by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Sign...

JOHNSON’S HOUSEHOLD BOOK OF NATURE Craig Hugh, Editor Henry J. Johnson, Publisher New York, 1880 64 Chromolithographs 7” x 10” Unframed “…full ...

ARCHIV FUR ORNAMENTALE KUNST. W. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...

Flora and Sylva Henry G. Moon (1857-1905) London, 1903 Chromolithography. They say that luck is just an opportunity that is taken. It was certainly true for Henry G. Moon whe...

This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...

Paul Jones. (1921-1997) Flora Magnifica. London, 1976. Edition of 506. Lithographs. The portraits of flowers by Paul Jones are quite impressive with dramatic backgrounds and ...

Iconographie des Orchidees Jean Linden (1817-1898) Brussels, 1885-1894 Chromolithographs “Orchid Fever” was not just a 19th century phenomenon. To this day the orchid has remained...

A hand-colored copper plate engraving depicting "Calendula prolifera; Calendula lutea flore pleno; Calendula lute medioruffa" flowers from Basilius Besler's landmark work, Hortus Eys...

Balmoral Winter Scene by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limited...

JOHN JAMES AUDUBON. BIRDS OF AMERICA from Drawings Made in the United States and Their Territories. Lithographed, colored, and printed by J. T. Bowen. Philadelphia. Published by V. ...

FUGAKU HYAKKEI Views of Mt. Fuji Katsushika Hokusai (1760-1849) Woodblock Print 1834-5 Edo period It signifies the long history and the aspirations of the race; it is a token ...

Diana Thorne’s Dogs: An Album of Drawings. Diana Thorne. Julian Messner, Inc. New York, 1944. 24 Drawings in Lithography. “In drawing them,” she writes, “I have tried to ma...

Highgrove by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associate...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first ...

George EDWARDS Traveling animals Original engraving enhanced with watercolor Signed in the plate and dated, 1746 28.6 x 23.5 cm From Volume II of the Natural History of Birds, plat...

Edition 7/22 A resident of East Hampton, New York, Beth Rundquist paints portraits, still lifes, figures and plein air landscapes. Its refreshing to see an academically trained pai...

A colored 19th century botanical engraving of flowers by Anstalt S. Czeiger of Vienna, Austria. An inscription at the bottom includes: "Wien, Kai...

Late 19th Century map of London highlighting the city's marvels. Serving also as a mundane street map, this map provides ample information on the bustling metropolis of London. Show are Buckingham Palace, Royal Botanic...

FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

JOHN WILKES (1750-1810) Encyclopedia Londonensis London, 1801-1828 Copper Plate Engraving Original Hand-Color 9” x11” Unframed At its best, the zoological art of the early n...

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Carrying Fruit Medium: Silkscreen, signed in pencil Edition: EA Size: 47 x 20.5 in. (119.38 x 52.07 cm)

Paul Jones. (1921-1997) Flora Magnifica. London, 1976. Edition of 506. Lithographs. The portraits of flowers by Paul Jones are quite impressive with dramatic backgrounds and ...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...