Medium Sculptures

SSB1 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create a...

Marlene Rose (b. 1967) Ring Buddha Noble Roma Red, 2021 sand cast glass and steel sculpture 25 x 22.25 x 9 in (63.5 x 56.52 x 22.86 cm)

Chai חי Hebrew letters colorful aluminium hand painted decor sculpture. Impressive statue, suitable for the garden or the interior of the house. Hand-pa...

Umbrella lamp beta. Customization possible and designed in 2010. Also available to order in stainless steel. High quality outdoor lampshade for the hou...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized...

Artist: Kuno Vollet Title: Infinitum Big This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is differen...

Marlene Rose (b. 1967) Lotus Buddha Vaseline, 2025 Sandcast Glass & Steel 26 x 16 x 10 in (66.04 x 40.64 x 25.4 cm)

Garibaldi Riding A Horse is an original bronze sculpture realized by Carlo Rivalta. Signed by the artist. Beautiful and important sculpture representing the most famous Italian Hero...

This found-object assemblage by Oklahoma based artist Sunni Mercer was created in 2018 and is made up of various materials, including clay, aluminum, bottle caps and paint. Much of M...

Jean-Michel Basquiat 1000% Bearbrick Vinyl Figure: A nicely sized (27 inch), highly collectible Bearbrick Basquiat statue piece, trademarked & licensed by the Estate of Jean-Mic...

Painted in vivid colours, this intriguing modern metal wall sculpture was hand forged by Philippe Pallafray. Six stainless steel rings of varying sizes—painted in red, orange, yellow...

Large 19th-century decorative shield. Finely carved and gilded wood work with mythological motifs and figures, signed F. Barbedienne Paris, attributed to the great French foundryman ...

Abstract and stylised, the bent wooden sculpture is made of black walnut with a red limestone base. The sculpture represents a swan in movement on water .The swan symbolizes love, grace purity and sincerity. In Japan, a legend tells that the swan is a bird sent by the children as a peace messenger. The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee Chee...

This deep ocean blue-coloured steel wall sculpture is one of a series of contemporary works created by Marlene Hilton Moore. Inspired by ancient ‘singing’ vessels they are intended ...

Daniela Cutait studied fine arts at FAAP in Sao Paulo in the early 1990s and has always been curious, creative, communicative and restless. The artist orbited through the universe of...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

Roman Feral’s timeless Bronze Collection showcases iconic fashion items recreated in bronze down to the finest details. Each piece is unique, produced through a meticulous process th...

This blue steel wall sculpture has a terrific presence - the elements suggest movement and vibration, the weaving of basketry, the pulsing of sound. The shadows cast by the piece also shift with the light. Shayne Dark is one of Canada's most prominent sculptors. He has been awarded numerous large scale public commissions and his works are in many private and public collections around the world. Named one of the top 10 artists to watch at the recent Art...

Contemporary abstract geometric sculptural wall applique "Haut Relief Totem' by French artist Joseph Alessandri, signed and dated 2011 with reference number to the reverse. Superb a...

Irina Daylene Leap of Faith (blue chrome freestanding), 2024 Chrome paint on fiberglass 26 x 31 x 25 in (66.04 x 78.74 x 63.5 cm)

Guy Dill is an American sculptor noted for his monumental bronze and marble abstractions. He graduated with honors in 1970 from the Chouinard Institute of Art, Los Angeles, Californi...

Woman with roses Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bust sculpted in white Carrara marble signed "Carrier-Belleuse" France circa 1870 total height 65 cm width 29 cm depth ...

Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subc...

Welded Penny Sculpture. This incredible sculpture has been created using 10p pieces, intricately welded together. Shaun Gagg is a masterful sculptor who creates truly captivating w...

Approximate size is 31" diameter x 2.5 depth Signed on Verso. Medium: Silver Poplar that is native to Europe. This particular piece originated from Ukraine. True to its title, "Pat...

Maty is inspired by the elongated, elegant postures of yoga. A figurative bronze of the female form by sculptor Nando Kallweit. Modelled on modern youthful postures but with a nod t...

It is a striking piece. Canadian artist Dale Dunning is known for his intriguing sculptural metal ‘masks’ that use the image of a human head as a metaphor for our collective experien...

Figurative ceramic bust sculpture with textured coat and expressive glaze, created in high-temperature reduction firing with oil-based polychromy. This sculptural work forms part of ...

A limited edition, black powder coated mild steel sculpture on a white steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depictin...

“Chocolate Ochre” by Scott Troxel is a striking modernist wall sculpture that blends bold geometric abstraction with the warmth of handcrafted wood. Part of the artist’s “Small Pops”...

Pinwheel is a modern and refined minimalist wall sculpture made from washed birch panels and mounted on a metallic backer. It is finished with semi-gloss lacquer. Pinwheel is a monoc...

Gloria III is an elegant figurative bronze sculpture of the female form by Nando Kallweit. The elongated, graceful subject rests her hands on a disc as though she is in command of he...

Truckin', by Rodger Jacobsen, female figure, bronze sculpture, steel base,brown bronze sculpture on a fabricated steel pedestal Truckin' by Rodger Jacobsen, female figure, bronze ...

Re-purposed Georgian scroll style decorative moldings are shaped into a large mask and cast in aluminum in this unique sculpture by Dale Dunning. The surface of the mask has an undulating quality reminiscent of the experience of playing Snakes and Ladders...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of smooth and grainy texture on the same linear paper. A cloud of small perforations, incisions, and punches which play on the elasticity of the paper, to create a topographic relief. A controlled wandering of dotted lines, scales and bumps are drawn following the movement of her hand on the paper. The flow is both free and thoughtfully planned, allowing unexpected movements and completely abandoning set patterns at times. Saliba sees herself more like an artisan than an artist in the sense that she is working with texture and touch to create unique intricate sculpted artworks. Playing with light and shadow, each in her own way ennobles a seemingly banal material with a genuine concern for ethics. Like modern-day memento mori, Saliba’s works transport us into dreamlike worlds in which the evanescence of paper echoes the transience of life, subtly reminding us to enjoy the present moment. Anne-Charlotte Saliba works and lives near Lyon, France. Her work has reviewed in numerous publications and has won the prestigious price for Jeune Creation de Métiers d’Art in 2020. She is now represented by the Muriel Guépin Gallery...

Artist: Kuno Vollet Title: Infinitum Big This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is differen...

AVAILABLE TO COMMISSION Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarit...

Reflections, bronze female bust sculpture contemplative peaceful Troy Williams Sculptor Troy Williams unites the timeless and the contemporary i...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

The Brothers is an elegant figurative bronze sculpture by Nando Kallweit. Two male figures as a single piece.  A sculpture that reflects the strength of male relationships and the i...

Minimalist, abstract geometric wall sculpture in dark oxidized metal We Were Never Strangers, made by Joe Wheaton in 2019 30 x 19 x 3.5 inches, oxidized stainless steel Hangs on a French cleat Lightweight, weighs about 5 lbs. Signed, verso Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver steel showcase a contradictory set of relationships; “beautiful yet menacing, “threatening yet delicate” as described by the artist. Wheaton builds his metal compositions using a language of strokes and patterns. Geometric spears, disks and quadrangles alternate with wispy, sharp edged lines that trail off quietly to an undefined point. This visual sweep can be likened to the art of calligraphy, echoing the artist’s interest in early Asian arts and ceramics, as well as printmaking. This exhibit will include several of Wheaton’s large and small wall sculptures...

In this whimsical wall-mounted mixed media piece, María Magán constructs a surreal domestic scene blending floral textiles, embroidered text, and a dripping pink liquid painted on a ...

Artist: Kuno Vollet Title: Light as Air Materials: Bronze sculpture polished to a sparkling gold on granite base Size: 65cm height of upper sculpture, base: 18x 18 cm Takes aroun...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Using smooth, minimalist forms in black with bright green, blue, red and white, Israeli-based sculptor Benny Katz creates the playful essence of a body builder...

Lovelace’s Tribute 2018 sung by Christina Tsers This installation is in honor of Ada Lovelace, generally recognized as the first computer programmer. Lovelace was the daughter of ...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Cen...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Flashe on muslin with silk, felt & tulle

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

"Santiago in Nicho" is a carved and painted wooden retablo by an unknown Mexican folk artist. This piece features a man on a white horse inside a niche. The doors, which feature flow...

Persian Rose, Hot Pink and Manganese Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic...

This is a suite of four 12" x 12" canvas panels in Antonio Puri's "Tantra" sculptural painting series of intimately-scaled minimalist round mandala circle...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"Copper Green" by Joel Perlman Abstract metal sculpture in copper Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While ...

An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...