Ceramic Figurative Sculptures

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Heavy in weight. Titled: THE STATE DEPARTMENT Solid slabs and sheres create this cubist style sculpture t...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Artist: Jeff Koons Title: Balloon Monkey (Orange) Year: 2017 Medium: Porcelain with orange chromatic coating Dimensions: 9 7/8 × 15 7/8 × 8 1/4 inches (24.9 × 39.2 × 21 cm) Edition: ...

Terracotta sketch depicting the allegory of Music attributed to Venetian naturalized Austrian sculptor Giovanni Giuliani. First quarter of the 18th century. Giovanni Giuliani, als...

Linda Stein, Iron Knight 625 - Contemporary Art Ceramic Wall Sculpture Iron Knight 625 is from Linda Stein’s Knights of Protection series, which she started after being forced to ev...

Tip of the iceberg, handmade ceramic and wood Our objective is to distill the stereotypical perceptions and associations within our culture into visually compelling objects, sculptu...

Ceramic sculpture realized by Sirio Pellegrini in 1960s. Good condition except for a chip on base. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano),...

An authenticated work Accompanied by a certificate of authenticity issued by Paloma Ruiz-Picasso and Diana Widmaier-Ruiz-Picasso, dated October 9, 2025. A signed, dated and stamped ...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

“Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener. Walter Midener...

The Challenge (Blue Heron) by Gunther Granget Ltd Edition #42/200 for Hutschenreuther Porcelain in Germany. Hand painted in fired. Hutschenreuther is a historic German porcelain man...

Strikingly decorative and large in size is this late 19th-century Art Nouveau patinated terracotta sculpture. The sculpture depicts a half-naked young woman sitting in a tree holdi...

Tribute to Jean Arp. This decorative piece has been painted by hand on glazed porcelain with an intense red color. Jean Arp Sargadelos Porcelain Vase. last quarter 20th Century sign...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

Artist: (Garo) Karapet Balakeseryan Medium: Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Nude Woman Size: 30" x 14...

• An authenticated work This work is authenticated by Claude Ruiz Picasso, who issued a certificate of authenticity on January 17, 2019. • A signed and dated work Dated July 11, 195...

Original Linda Smith ceramic cat.

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his child...

Roby Dwi Antono - KIRA SCULPTURE (BLACK) Date of creation: 2021 Medium: Bronze sculpture with black patina finish and crystal resin tears Edition: 75 + AP Size: 31 x 26 x 23 cm Cond...

Melanie Sherman Bowl with Interior Still Life (Handmade, Mid-Century, Lounge Chair, Stereo Tower, Speakers, Gold Luser) Earthenware, 24K German Gold Luster, Glaze, Underglaze, China ...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Anais is a muse, born from the earth. Her form embodies the transformation of raw matter into refined shapes, expressed through delicate porcelain. From the density and weight of cer...

Contemporary Porcelain Art Cup, Painted, 5.5 x 5.5 x 2.5 inch, by Irina Zaytceva Irina Zaytceva was born in Moscow in 1957. She graduated from Moscow Art Institute ( Poljgrapfichesk...

Kristen Newell (American, b. 1989) Four Three Two One, 2015 Stoneware, porcelain and acrylic Signed and dated on bottom 16 x 15 x 14 inches Kristen Newell was born in a small town on the coast of Massachusetts, where from a very early age, she demonstrated a strong propensity for the arts. Important additional inspiration came from her family and from the family of a childhood friend, where Kristen found herself surrounded by the work of Paul Manship, her friend’s grandfather and one of America’s greatest sculptors. With increased focus on her art, along with winning numerous awards throughout high school, Newell eagerly enrolled in the arts program at University of Vermont and augmented her studies with a valuable year at the Cleveland Institute of Art. Upon graduation, Newell moved back to Cleveland to begin her art career and started participating in group shows, including River Gallery and the Ohio State...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

Javier Calleja collaborates for the second time with the Spanish company Lladró. As a result of this collaboration, they have created this sculptural piece featuring three figures fr...

A 1910s beautiful and extremely rare terracotta sculpture, Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews ...

Donkey is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 60 × 60 cm (32.2 × 23.6 × 23.6 in). This ...

Jules Agard ( 1905 - 1986 ) " Tête de femme " Sculpture surréaliste réalisée en terre rouge de Salernes et montée au tour . le corps est bombé et creusé alternativement . le col se...

Anneke Bogardus "Poppy №4" 2023 Entirely hand sculpted. Raku fired. 5 3/4” tall, 12” around Raku firing is an ancient Japanese ceramics technique. The Raku technique is essentiall...

One of a kind , dressed statue of the crowned Virgin Mary. The sculptural mastery of the piece is remarkable, with an impressive sweetness and solemn expression. It is presented in a...

Jules Agard ( 1905 - 1986 ) " la petite chouette " circa 1960 - 1970 " Pièce unique " Sculpture en terre rouge de Salernes montée au tour représentant une petite chouette ( d...

Melanie Sherman Metallica Homage - hand-painted Cup with mid-century interior and Metallica record playing 2026 Porcelain, Glaze, Underglaze, Overglaze, Vintage Transfers, 23k German...

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

-----This ceramic totem sculpture is a more minimal expression than usual The simplicity emphasizes the subtle translucent blu glaze and its strong support colors. The adaptation to...

Cerise Platinum Ceremics Cherry Fruit Modern Sculpture Still Life New In Stock Giorgio Laveri (Savona Italy, March 3, 1954) is a painter, sculptor, screenwriter, director and actor ...

Pablo Picasso At the Sea, Beach Scene : Bathers, 1956 Original ceramic of Pablo Picasso, white faience earth, black covered bath and enamel Annotated on the Back : Empreinte origina...

In her new works, Ruth Vidal explores the material possibilities of ceramics, working with the pieces before firing them using different materials such as rabbit-skin glue, tradition...

• A unique ceramic work by Pablo Picasso Famille, Têtes Laurées : Quatre Personnages is a unique ceramic composition by Pablo Picasso, dated August 8, 1956, with the date inscribed a...

Remembrance By Johnson Tsang 2025 Painted, dry cast and porcelain-filled resin, matte spray paint 31.8 x 18 x 9.5 cm Artist's signature stamped within the sculpture Edition of ...

FREE SHIPPING TO WORLDWIDE Artisan: Laura Bugarini Cota MASTERPIECE Carved polychrome jar painted with geometric design.   - Dimensions: 11" x 14" i...

Contemporary hand built ceramic figurative sculpture inspired by the harlequin archetype, combining theatrical gesture, gold accents, and vertical sculptural form. Extravagant Harle...

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Nephiline and manganese glazed Buño clay head sculpture channels organic textures and existential introspection in Aldonza’s evocative “Testas” series. Nephiline-Manganese Glazed Cer...

• An authenticated work Stamped on the base “Madoura plein feu,” this unique painted and partially glazed ceramic is accompanied by a certificate of authenticity issued by Claude Rui...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

This elegant terracotta head is a memorial portrait (nsodie) of an Akan nobleman from the part of Africa which is today southern Ghana and southeastern Cô...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in more ...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

Hippopotamus by Armand PETERSEN (1891-1969) Sculpture in dull finish white tender paste porcelain. The bottom signed with the monogram « AP ». Stamped « B - G (for Bing & Grønda...

An authenticated work Authenticated by Claude Ruiz Picasso on February 1, 2021, the piece comes directly from the Marina Picasso Collection. A prestigious provenance A provenance fr...

Truka Ceramics Lipstick Pop Art Modern Still Object Life Sculpture New In Stock Giorgio Laveri (Savona Italy, March 3, 1954) is a painter, sculptor, screenwriter, director and actor...

MASTERPIECE Made with natural clay. Hand-modeled technique and cooked in a wood-fired oven. LISTING =================================== 1 Ceramic Sculpture of a Virgin ============...

• Picasso began working with ceramics in 1946 at the Madoura workshop in Vallauris, marking the beginning of an important and highly productive chapter in his career. What initially ...

Badger is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 80 × 36 × 52 cm (31.5 × 14.1 × 20.4 in). This ...

Created in 1964, this red earthenware clay big rectangular plaque printed with engobe pad is #15 from the edition of 50. This work is stamped with the 'MADOURA PLEIN FEU’ and ‘EMPREINTE ORIGINALE DE PICASSO’ stamps on the reverse. Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relationships at the time, namely his artistic partnership with the Ramiés and his romance with Jacqueline Roque. It is also notably one of two ceramic works Picasso has ever made of this scale. Picasso takes immense care in depicting this portrait of his greatest muse Jacqueline; its wonderful texture and delicate variations in line weight are testaments to the artist’s innate creative skill. Composed of a simple linear carved design in an earth tone clay plaque...