1950s Figurative Sculptures

This pair of male and female brass masks are emblematic of Hagenauer’s highly stylized Art Deco design. The artist’s reductionist approach together with a nod to African tribal shiel...

Pablo Picasso Bull (Taureau), 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Picass...

Pablo Picasso, considered the greatest artist of the 20th Century, was a master of all art mediums. He collaborated with Madoura to produce editions of his painted ceramic works beginning in the 1940’s...

Pablo Picasso Chouette aux plumes (Owl with Feathers) Original ceramic of Picasso made of white earthenware clay, partially engraved, with colored engobe and glaze. Annoted "Edition...

Pablo Picasso Two Toros on Blue and Green Background, 1952 Original ceramic of Pablo Picasso, white faience earth, black covered and enamel Annotated on the Back : Edition Picasso -...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

Pablo Picasso Flute Player and Goat, 1956 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale...

Jean Cocteau ( 1889 - 1963 ) Vé and Astrology ceramic's pendant : Vé : signed underneath White 1ere variant ( Terre blanche en relief ). page 212 Size: 7 x5.5 cm catalogue rai...

Mid century modern original terracotta sculpture by the Hungarian artist, Anna Berkovits of a young woman with her two children. Circa 1955. Signed in the inside of the base. Condition is excellent. Parts of the sculpture have been deliberately not been glazed by the artist. Her work rarely becomes available. Provenance: Sarasota, Florida estate. Anna Berkovits was born in Hungary in 1911 and lived and worked in Budapest. She trained under the art teacher Almos Jaschik in Budapest. Later she was trained in ceramics by the artist Gador Istvan...

Pablo PICASSO (1881-1973) Corrida, 1953 Round dish in white earthenware Decoration with engobe and enamel under partial cover, brown, green decoration with oxidized paraffin. Signed...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Pablo Picasso Bird with Worm, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Picass...

Jean Cocteau (1889-1963) céramiques originales de Jean Cocteau . Pendentifs : "Chèvre-pied " 1958. pendentif ovale (9cm x7cm) . variante terre blanche en relief. " double masque " 1...

Pablo Picasso At the Sea, Beach Scene : Bathers, 1956 Original ceramic of Pablo Picasso, white faience earth, black covered bath and enamel Annotated on the Back : Empreinte origina...

Created in 1952, Pablo Picasso Tete de chevre de profil (Goats head in Profile) Unique color Variant, 1952, A.R. 154 is an original white earthe...

Cruchon Hibou 1955 Ed. 500 pcs White clay with blue, black and brown engobe painting, glazed with knife engraving H. 27.2 cm Inscribed and stamped underside : Edition Picasso, D'aprè...

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Tête Solaire, Pablo Picasso, Unique Ceramic, 1950's, Earthenware, Design, Tile Tête solaire II Unique work 27.01.1956 Large white earthenware tile, green stripes on white enamel on ...

Chouette, Picasso, Pitcher, Design, 1950's, Ceramic, Black and white, Animal Chouette femme Ed. 500 pcs 1951 Earthenware ceramic vase with engobe and ...

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

Large Scale Mahogany Wood Relief Sculpture of Prometheus, The Giver of Fire In the Style of WPA artist Peterpaul Ott Wonderfully executed wood r...

Henry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...

Paysage, Pablo Picasso, 1950's, Plate, Design, Ceramic, Figuratif, Editions Paysage Ed.200 pcs 08.12.1953 White earthenware clay, decoration in engobes, knife engraved, under glaze ...

Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled ...

Pablo Picasso ceramic Visage de femme (Woman's Face), 1953 is a vibrantly colored pitcher decorated with contrasting saturated greens against chestnut ...

Jean Ramié, Picasso, Unique Bowl, Earthenware, Design, Kitchen, French, Editions Jean Ramié, Maréchal des Logis de Réserve Unique work 1955 Earthenware, painted and glazed 21.1 x 5....

Leonard Baskin, American 1922-2000 Homage to the Un-American Activities Committee Bronze relief sculpture plaque This is not editioned, nor signed or numbered, on the piece but according to the catalog there was 12 or less. A number of these are in museum and university art collections and one of them was exhibited at MoMA NY. This was done to commemorate the communist witch hunts of the Mccarthy era. An important, historic piece. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine, small edition, book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Cortege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his signed work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Oiseau à la Huppe, Picasso, ashtray, design, ceramic, animals, art, postwar Oiseau à la huppe Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel, bl...

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...

Pablo Picasso Tall Dish witth Goat Head, 1952 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu L...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Paul Dierkes (1907 Cloppenburg - 1968 Berlin), Vegetative Form. Mahogany, 1958. 142 x 16 x 10 cm (sculpture), 21 x 17.5 cm (base), monogrammed "PD" on the reverse. - Grown Art - ...

Pablo Picasso Bird with a Crest, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Pic...

"Jim Jim" is an ebony carving by Tom Brun, sculptor and Detroit Zoo Keeper, who cared for the real Jim Jim at the Detroit Zoo. This ebony sculpture is in beautiful condition with slight exposure to the lighter streak of wood sometimes found in ebony. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. Tom knew Jim Jim from birth and cared for him with love and attention. Brun was a compassionate zookeeper and advocated for less cages and more space for an animal to roam. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...

Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative Chope Visage Ed. 300 pcs 1959 Earthenware clay, decoration in engobes, g...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

RICHARD LOUIS GARBE, RA (1876-1957) Alfreda, The Artist’s Daughter Signed and dated 1956 Plaster with patinated surface on a wooden base 30 cm., 11 ¾ in. high Provenance: Gifted ...

Picador, by Pablo Picasso, 1950's, Bowl, Sculpture, Design, Edition, Earthenware Picador Ed. 500 pcs 1955 White earthenware clay, decoration in engobes and paraffin, white enamel 12...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Created in 1975, this madoura turned round dish of red earthenware clay, engobe decoration in black and knife engraving is from the edition of 200 and stamped with the 'MADOURA PLEIN FEU' and 'EDITION PICASSO' pottery stamps on the back. Pablo Picasso ceramic Hibou aux ailes déployées (Owl with spread wings), 1957 A.R. 397 features a smiling owl with wings opening above its head. The owl sits on a thin branch that spans the lower length of the plate, extending the scene beyond the bounds of the ceramic. Beautiful, bushy feathers fan out. Picasso uses...

Madoura round dish of white earthenware clay. From the edition of 100. Dish size 16.5 inches (diameter). Frame size approx 22 x 22 inches. Ramie 332. Inscribed 'C.100' and with ...

Clemente Spampinato, born in 1912 in Calabria, Italy, was a versatile artist and sports enthusiast. He created Bronze Trophies and Medallions for the Olympics and Italian sporting events in the 1930s and '40s. After becoming a U.S. citizen in 1947, he moved to New York, where he channeled his artistic passion into capturing the essence of the American West, specializing in sports and Western-themed sculptures. His work, celebrated for its realism and dynamic portrayal of athletic movements, is exhibited in museums, galleries, and private collections across the United States, Canada, and Europe. Selected sculptures can be seen in various locations, including Washington DC, Cooperstown, NY, Canton, OH, New Orleans, LA, and the complete collection is on display in Sea Cliff, New York. Large Bronze Nude Of Male Athlete During A Shot Put...

This carving is of a large head with three horns. This piece is made of wood and skin by the Ekoi people of Nigeria. Ekoi people, also known as Ejagham, are an ethnic group in the ex...

Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design Pichet têtes Ed. 500 pcs 1956 White earthenware clay, oxidized paraffin decorati...

Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior, Ed. 500 pcs 1955 White earthenware clay, decoration in engobe, glaze inside Inscribed and stamped on the...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

Tête de chèvre de profil, Picasso, 1950's, Plate, Goat, Animal, Design, Ceramic Tête de chèvre de profil Ed. 50 pcs 1950 White earthenware clay, decoration in oxidized paraffin and ...

Visage Solaire, Picasso, Unique work, Design, 1950's, Sun face, Ceramic Visage Solaire Unique work 27.01.1956 Painted and partially glazed ceramic 20.4 x 20.4 cm Dated and stamped o...

Tête de Faune, Pablo Picasso, Unique piece, Design, Terracotta, Tile, Mythology Tête de faune Unique work 08.08.1956 Painted and glazed terracotta tile...

A wonderful pair of patinated iron egret bird wall sculptures, one reaching for the sky and one focused forward, each signed on the weighted bases “Maxfield Parrish Jr, March 1956”. ...

Created in 1953, ceramic Picador A.R. 200 is a round plate of white earthenware clay with oxidized paraffin decoration (brown, green, white) in a stanniferous enamel bath...

Scène de tauromachie, Picasso, 1950's, edition, earthenware, terracotta, scene Scène de tauromachie Ed.274/500 pcs 1957 Red earthenware clay, eng...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

signed "Caesar" lower right edge American, 1892-1971 Doris Porter Caesar was born in 1892 in Brooklyn, New York. Her father’s successful career as a lawyer allowed her to attend Mi...

Lawrence Blazey (American, 1902-1999) Bag of Apples, c. 1950 Ceramic 6 x 14 x 5.5 inches, including base A graduate of the Cleveland School of Art in ...

Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plat Profil de Jacqueline Ed. 100 pcs 22.01.1956 White earthenware clay D. 42 cm Stamped on the back: Empre...

Capturing the moment in which the picador stabs the charging bull with his lance, Picasso creates an image of action and suspense in Pablo Picasso ceramic Picador...