Unframed Sculptures

Heron Martinez, Attributed to, Mexican (1918 - 1990) - Tree of Life Candelabra, Medium: Hand painted ceramic sculpture, Size: 9 x 9 x 2.5 in. (22.86 x 22.86 x 6.35 cm)

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

Bronze sculpture with wooden base. Signed and dated under the base. Certificate of authenticity signed by the artist,

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Inspired by ancient vessels, Marlene Hilton Moore’s colourful, contemporary wall sculptures are made from polished powder-coated steel. The deep blue-green colour of the vessel draws...

This green miniature, painted, paper sculpture titled "Green Dumpster" is an original artwork by Drew Leshko made from paper, wire, enamel, and dry pigments. Through paint and sculp...

African Tribeswoman is a limited edition bronze sculpture.

In Line is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 25 × 7 cm (16.9 × 9.8 × 2.8 in). These dimensions include the base which measures 11 x ...

Artist: Dale Chihuly Title: Bonfire Basket Set Medium: Handblown Glass Size: 6.5" x 9.5" x 5" Inscription: Inscribed on bottom "Chihuly PP03" Dale Chihuly's "Bonfire Basket Set" exe...

a mesmerizing sea of dark green and brown tones from an ongoing photography project since the late 1990s, capturing the details of the human eye and a pupil's unique abstractions Ir...

Flat tire - ceramic bear sculpture, taxi bear. This ceramic sculpture is from Irina’s series of Mishka. Irina’s recent practice centers on her Mishka series and puzzle-like figurat...

Canadian artist John Paul Robinson has chosen a deep blue for this elegant glass wall sculpture. Six arched pieces of translucent glass are suspended by fine steel cables…each crissc...

This piece titled "Blank Sign" is an original artwork by Drew Leshko made of painted paper, wire, chain, and inkjet prints. It measures 11”h x 0.75”w x 8”d. Drew Leshko is a Philad...

A life size, rusted mild steel sculpture on a steel footing. Edition of 7. Available in different colours or finishes on request.

Omaggio To Picasso Murano Glass Sculpture Artist signed and titled 16"h15.5wx15d Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

Melanie Sherman "Owl Bowl Eulenschale" Year: 2021 Porcelain, Chinapaint, German Gold Luster, Flocking, Gold Leaf Cone 6, oxidation + multiple cone 018 firin...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in mor...

This piece titled "Super Star Laundrymat" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. ...

This artwork was created by the Italian artist Ottorino Tonelli. Title "Romeo" . Ottorino Tonelli was born in 1948 in Carrara, where he lives and works. After having completed his st...

"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...

This sculpture is edition 2/20

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

Limited Edition 400% Pewter BE@RBRICK: Green Copper Patina. Dimensions: 28 cm Tall, Swipe for Reference Photos. Steven Harrington teams up with Royal...

Pablo Picasso At the Sea, Beach Scene : Bathers, 1956 Original ceramic of Pablo Picasso, white faience earth, black covered bath and enamel Annotated on the Back : Empreinte origina...

Greg Chann Agis, 2025 acrylic and ink 16 x 13 x 2.5 in. (cha037)

Medium: Bronze, granite As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Aquila Bronze Sculpture Nude Boy Marble Stone Contemporary In Stock - Sculpture without Stone is 57 cm high Wim van der Kant (1949, Kampen) is a selftaught a...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

"At Eagle's Glance" by Denny Haskew Figurative Native American subject matter. 15x11x17" ed/30, bronze with sandstone base, signed and numbered 4. Depicts two men performing a cerem...

Geometric Composition is a sculpture realized in 1984 by Giuseppe Pulvirenti (Siracusa, Sicily, 1959).  Made in Italy. Steel. Signed and dated: G. Pulvirenti 84. The sculpture de...

Tim Berg & Rebekah Myers - entirely handmade, lacquered wood - No time to lose.... Available in lime, orange and red-raspberry Two sizes available Our objective is to distill th...

Bronze freely rotating on a Cumbrian slate base Stamped with monogram signature and uniquely numbered 616B Series of individual variations Rotating the sculpture allows the spectator...

“Guilt of Innocence” (Postage Due Mr. Lee) Most of us don’t realize the true cost of the lifestyle we enjoy. There is a price paid by humanity that lives in our shadow. Unfair trade practices have stripped multitudes from their means of subsistence, thus forcing them to bow down to the system that has taken from them a meaningful life. The sculpture “Guilt of Innocence” depicts the American consumer’s role in this tragedy. Who is Mr. Lee? Lee Kyung was a South Korean farmer whose family farm is now a parking lot due to the WTO and unfair trade practices. Farmers in South Korea, who once made a good middle class living on their land, are now impoverished by the dumping...

A whimsical yet very strong piece depicting the Weim character from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. ...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio Gon...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

This indoor tabletop figurative sculpture, which includes a fish, is forged from bronze and is patinated. The award-winning sculptures of Susan Valyi were often created from an imag...

This piece titled "CD-ROM" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic on plexiglass. This piece measures 122"h x 22"w fr...

This piece titled "CD-ROM" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic on plexiglass. Thi...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

Mark Morrison (1895-1964) Mountain Goat, ca. 1950. Carved granite. 6.25" long, 3.25" wide, height is 6.25" Born: Kingfisher, OK Education: University of Missouri John Flannag...

Hannah Schelb I am a clown (When are you going to start treating me like a joke?) 2025 Ceramic, Glaze, Cone 5 Oxidation, Aluminum Wire, Kanthal Wire 34 x 12 x 14.5 inches (86.4 x 30....

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

"Harpy Eagle" is an original watercolor and layered hand-cut paper artwork by Nayan and Vaishali measuring 8”h x 8”w framed
. Vaishali is an illustrator a...

This distinctive wall sculpture by master ceramicist Steven Heinemann was inspired by the natural world. Hive’s organic form is enhanced by its creamy white palette. Heinemann sanded...

Pinkish - purple color. Hand signed, numbered and dated on the underside by the artist. Edition of 50. The Life is Beautiful sculpture is made from thermal coated durable cast resi...

"Untitled" is a cast metal sculpture made by Italian/American architect and urban planner, Paolo Soleri. The total size is 9 1/2 x 6 x 3 inches. The work is stamped by the artist. S...

Three rings of stainless steel, polished to a high sheen on the interior and matte black on the exterior, intersect at dynamic angles in this elegant sculpture by Philippe Pallafray....

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

FREE SHIPPING TO WORLDWIDE Artisan: Laura Bugarini Cota MASTERPIECE Carved polychrome jar painted with geometric design.   - Dimensions: 11" x 14" i...

Storm, sculpture by Kerry Green, aluminum, silver, stacked, totem, outdoor 125 lbs limited edition of 8 Please allow 9 to 12 weeks for completion Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

“Shattered” wall mirror II is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 125 × 125 × 3 cm (49.2 × 49.2 × 1.2 in). The sculptu...

Kevin Snipes creates ceramic vessel forms that act as canvases for self referential narratives that are brought to the viewer through a combination of illustration and symbolism, obs...

Vintage Blenko pale purple amethyst hand-blown paper bag art glass vase circa 1980s. Size: 8" tall x 4.5" wide x 2.5" deep Great overall vintage condition, wear commensurate with age. Belnko, blenko glass...

Smooth-surfaced, black granite has been engineered into an elegant figure eight shape by sculptor Jeremy Guy. The sculpture connects to the plinth via a steel pin, allowing Duo to ...

" Deconstruccion I " original bronze iron original sculpture Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bro...

Glass artist Cheryl Wilson Smith’s grandmother used to create hand-stitched quilts from cut squares of fabric. This beautiful wall sculpture with its patchwork pattern, and its soft ...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...